Earth's drone-heavy experimentation is largely the result of its one lasting member, guitarist Dylan Carlson. The band was originally formed in 1990 in Olympia, WA, by Carlson, Slim Moon (who later founded the Kill Rock Stars label), and Greg Babior. Moon and Babior left soon after and were replaced by Joe Preston. Earth played a few live shows and then recorded some material with Mike Lastra. After opening up for L7 in Seattle, the group was approached by Sub Pop Records, which released the recordings in 1991 as Extra-Capsular Extraction. The following year, Carlson and Preston recorded Earth 2 with producer Stewert Hallerman, but Preston left soon after the album's release. Sub Pop was unhappy with Earth's lackadaisical recording tendencies, and the label pulled the plug on 1993 sessions for the third album. Recording resumed the following year with producer Ian Dickson (who would become a permanent member just one year later), engineer Scott Benson, and drummer Rick Cambern. Phase 3 was finally released in April 1995. A live album taken from a Blast First label concert was released the same year as Sunn Amps and Smashed Guitars. Sub Pop surprisingly re-signed Earth for three more albums early in 1996, and Carlson recorded a new album, Pentastar: In the Style of Demons. The album showed a more stabilized band, with the addition of guitarist Shawn McElligot and drummer Mike McDaniels. After a small series of live performances following the release, Earth quietly disbanded with virtually no public acknowledgement of the split. A live album appeared in 2000, followed the next year by a series of demos (one which includes another vocal from the deceased Kurt Cobain) that were issued with a CD version of the Sunn Amps EP. An Earth video titled A Bureaucratic Desire for Revenge was also available from Sub Pop. Earth returned in 2002 for a series of live shows in the U.S. and Europe, this time as a two-piece with Carlson and drummer Adrienne Davies. That lineup was featured on 2005's Living in the Gleam of an Unsheathed Sword. The album was recorded live, with its title cut lasting nearly an hour. Earth returned that September with the more ambitious Hex: Or Printing in the Infernal Method, which suggested the sound of a drone metal band covering Giant Sand or Scenic. ~ John Bush, All Music Guide