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Single Ladies
Estelle
"The Life"
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Tank
"Next Breath"
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Basketball Wives
Melanie Fiona ft B.o.B.
"Change the Record"
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Foo Fighters



Foo Fighters Show Off Pop Chops At CMJ Show


 
Club gig was one of hottest tickets of four-day festival.
 
by Staff Writer Christopher O'Connor


Songs from the Foo Fighters' upcoming There Is Nothing Left to Lose had a poppy feel. ( )

NEW YORK — The Foo Fighters have been sneaking up on people lately. Two weeks after introducing their new touring guitarist, Chris Shiflett — along with songs from their upcoming third album — at a surprise gig in Los


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Angeles, they came here Friday for a show announced only days earlier.

The Bowery Ballroom show was one of the hottest tickets at the four-day CMJ Music Marathon, which brought roughly 1,000 bands to New York. Early Friday evening, a line of hundreds of fans stretched down Delancey Street, around the corner and up a full block of the Bowery; many of the fans with CMJ badges but not tickets for the show were turned away.

Inside the club, the lucky entrants heard nearly an hour of singer/guitarist Dave Grohl's aggressive power-pop songs. Grohl, the former Nirvana drummer, joined Shiflett for a noise-and-feedback blitzkrieg, but songs from There Is Nothing Left to Lose, due Nov. 2, sounded more poppy than punky — happy even.

"The new songs were cool," said Ryan James, a CMJ attendee who works for WRUB, a student radio station at the University of Buffalo in Buffalo, N.Y. "I'd definitely say it's more clean and less distortive. I guess that's what happens when you lose two bandmembers."

Actually, the Foo Fighters have lost three bandmembers since releasing The Colour and the Shape in 1997. Shiflett replaced Franz Stahl, whose departure was announced in July. Stahl had replaced original Foo Fighters guitarist Pat Smear, who quit in September 1997. There Is Nothing Left to Lose will be the band's first album with drummer Taylor Hawkins, William Goldsmith's replacement.

Nonetheless, "They sound way more impressive live than I expected," James said.

An exuberant Grohl screamed more than he sang, especially on "Weenie Beenie" (RealAudio excerpt), a screeching punk cut from the band's 1995 self-titled debut album. Shiflett's rhythm work was on point, lifting songs such as that one and "Monkey Wrench" to the height of their punk ambition.

Grohl's music seems to have gotten lighter and tighter over the years, as evidenced by the upcoming album's first single, "Learn to Fly," which was in Friday's setlist.

The Foo Fighters ended with "I'll Stick Around" (RealAudio excerpt), which was emblematic of the band's love for Led Zeppelin riffs and Steve Miller bridges — it sounded as if a lightning bolt hit a bowl of cookies. During the song, Grohl left the stage to engage in what appeared to be playful scuffling with a fan, according to other fans. "Get off of me," he yelled at one point.

The roar of the crowd immediately following the song suggested both a sigh of relief just for having gotten in, and a cheer for the beginning of the Foo Fighters' next phase.











 
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