Shortly after it was announced that Paris Jackson will make her movie debut in the live-action/animated film Lundon’s Bridge and the Three Keys, which begins filming next year, the 13-year-old stopped by The Ellen DeGeneres Show for a chat that will air on Thursday. And immediately upon seeing excerpts of her interview, we want to whisk her away and protect her for a few more years. She’s luminous and poised —- not at all suffering from the awkwardness normal people endure at her age. But she also has an air of gentleness, not unlike her father’s, that makes us worry that the world will want to eat her up too soon.
Paris told Ellen she loves going to school (she and Prince go to the Buckley School in Sherman Oaks) and feels like she has a “regular childhood” these days. “When I came to Buckley, they didn’t know who I was, so I was like, ‘Yes! I have a chance to be normal,’ ” she said, still kind of breaking our hearts.
Ellen asked if she thought her dad’s practice of making her and her brothers wear masks in public is what gave her that chance to be normal, and she agreed, though she wasn’t a fan of it at first.
“I’m like, ‘This is stupid, why am I wearing a mask?’ But I kind of realized the older I got that he only tried to protect us. He explained that to us, too,” Paris said.
The Descendants, The Artist and The Help seem to be three of the biggest films so far in the 2012 awards season race. But the Screen Actors Guild Awards nominations were announced this morning, and The Help and The Artist were leading the nods with three apiece, while the George Clooney flick picked up only two. In the hottest contest, for Outstanding Performance by a Cast in a Motion Picture, The Artist and The Descendants are up against Bridesmaids and Midnight in Paris. The actor category recognized Clooney, The Artist’s Jean Dujardin, Brad Pitt for Moneyball, Leonardo DiCaprio for J. Edgar and A Better Life star Demian Bichir. The lead actress contenders are Glenn Close for Albert Nobbs, as well as the same four ladies that have been nominated all season long already: Viola Davis for The Help, Meryl Streep for The Iron Lady, Tilda Swinton for We Need to Talk About Kevin and Michelle Williams for My Week With Marylin. The supporting actor and actress categories also closely resemble every other kudosfest so far (though, sorry, Drive fans, Albert Brooks was left out of this one).
There are plenty of familiar faces in the TV categories too — Boardwalk Empire, Breaking Bad, Dexter and The Good Wife are up against newcomer Game of Thrones. (Good thing there’s no “you win or you die” rule here.)
The most exciting nominations to us? The stunt ensembles! The Adjustment Bureau, Cowboys & Aliens, Harry Potter and the Deathly Hallows: Part 2, Transformers: Dark of the Moon and X-Men: First Class are the movie casts up for the prize. And the Dexter, Game of Thrones, Southland, Spartacus: Gods of the Arena and True Blood ensembles compete in the TV category. Wait, can that one be an arena battle, instead of a vote? Pretty please?
Head here for the complete SAG Awards list. The 18th Annual Screen Actors Guild Awards will air live on Sunday, January 29, on TNT and TBS at 8 p.m. ET/5 p.m. PT.
[Photos: Getty Images, Paramount Pictures]
In her first series, The Mortal Instruments, Cassandra Clare combined the comfortably familiar settings of Brooklyn and Manhattan with the underground universe of demons, Shadowhunters, vampires, fairies and warlocks. But for the prequel trilogy, The Infernal Devices, she must have felt that was too easy. The first two books, Clockwork Angel and Clockwork Prince (which came out last week), take place in Victorian London. Orphaned American shapeshifter Tessa Gray and the demon-killing Shadowhunters that take her in are all at the mercy of a rapidly changing world, where scientific advances can be amazing and deadly, and where propriety and gender roles are talked about much more than they’re actually followed.
“The Victorians were much less hung up and repressed than we think of them as,” Clare told TheFABlife of what she discovered while researching the book. “I had always thought of them with these apocryphal stories that they couldn’t say ‘arm’ or ‘leg’ in public and that they covered their piano legs because they were supposed to be naughty. This was all total crap apparently. None of that stuff ever happened. The books of the time period that were really popular are shocking. They were full of sex and violence and betrayal and adultery and sin.”
In Clockwork Prince, Tessa is not only trying to help find and stop the man who seeks to take over the city with an army of clockwork soldiers, she’s also trying to find out the workings of her own heart, torn between tempestuous, deep-dark-secret-holding Will and gentle, probably-dying Jem. And by “trying to find out,” we mean “making out” in some pretty hot and heavy scenes.
Turns out Christina Perri can not only belt out a good heartbreaking tune, she’s also a bit of a badass. At least, that’s what we gather from TMZ’s account of the “A Thousand Years” singer’s encounter with a man who allegedly tried to force his way into her car in Los Angeles last Friday morning. Law enforcement sources told the site that Perri was about to pull into a building at 2 a.m. when the man opened the driver’s side door and tried to make her move over and let him in. But the “Jar of Hearts” crooner fought him and honked her horn until he ran off. She told police that he hit her in the head and body a few times, but she wasn’t injured in any serious way. Police still have no suspect in the incident. And now we will never, ever, ever drive without locking our doors. Glad you’re safe, Christina!
[Photo: Getty Images]
Awards season is really hitting its stride now, people. The nominations for the 17th annual Critics’ Choice Movie Awards were announced today at 6 a.m. The show, which will air live from the Hollywood Palladium at 8 p.m. ET on Thursday, January 12, on VH1, is based on votes from the members of Broadcast Film Critics Association, and it’s had a pretty good record for predicting who will win the Oscars. (All four of last year’s acting winners took home Academy Awards, just for example.) So let’s see what they’re saying about this year’s flicks…
Hugo, Martin Scorsese’s fantastical 3D trip back to Paris in the Roaring ’20s, and French silent film The Artist the lead this year’s nominees with 11 apiece. It will be a particularly big night for Scorsese, who is the only nominee who is guaranteed to be walking home at the end of the night with a trophy; as we previously announced, the 69-year-old auteur is being honored with this year’s Music + Film award.
Following closely behind are Drive and The Help, each of which racked up eight nominations; The Help is up for Best Picture, Best Actress (Viola Davis), Best Supporting Actress (Jessica Chastain AND Octavia Spencer) and Best Acting Ensemble. Trailing these is The Descendants, which scored seven nominations, including Best Picture, Best Actor for George Clooney, Best Acting Ensemble, Best Director for Alexander Payne, and Best Supporting Actress and Best Young Actor/Actress for Shailene Woodley.
The complete list of nominees, and more analysis, below!
It’s been more than six months since Jamie Campbell Bower was announced to play Jace, opposite Lily Collins’ Clary, in City of Bones, the first movie adaptation of Cassandra Clare‘s The Mortal Instruments series. After that, there seemed to be no forward progress in bringing demon-killing Shadowhunters to the big screen. What gives? Clare herself stopped by the VH1 offices last week while promoting Clockwork Prince, book two in Mortal Instruments prequel series The Infernal Devices, and gave us a very good reason for the movie’s delay: The original script didn’t stay true to the books.
“Nobody could settle on a script that they liked, and so there was a lot of back-and-forthing, and finally, it came down from the head of the studio [Screen Gems] that she wanted the script rewritten,” Cassie told TheFABlife. “She didn’t feel like it stuck close enough to the book. I kind of agreed with her. There were some characters that were taken out and things that were switched around, and it was very different from City of Bones.”
They brought Pretty Little Liars screenwriter Marlene King onboard to rewrite the whole darn thing, bringing back more of Clare’s characters and giving it a “great teen voice,” Clare said.
Of course, no screenplay is going to match the book word-for-word, so we wondered what was most important to Clare as she sees her books adapted. “I really want them to stay true to the relationships between the characters,” she explained. “Jace’s relationship to his adoptive family was really important. I feel like the whole twist with Jace and Clary and their relationship was really important and guides the next two books, and you can’t really take it out. It’s so taboo at the same time, but they’re just going with it. That’s what makes these books.”
While Hollywood accountants were having heart attacks over the worst box office weekend in years, movie critics all over the country were doing their best to make sure the year’s best films get their due — if not in cash, then at least with a little extra buzz leading up to the Oscars. The American Film Institute, the Los Angeles Film Critics Association, the New York Film Critics Online, the Boston Society of Film Critics and the San Francisco Film Critics Circle made their picks, adding to what we’ve already heard from the National Board of Review, the New York Film Critics Circle and the Independent Spirit Awards nominations. Here’s whose looking good so far:
Tree of Life, which was tailor-made for critics and film geeks, was named a top 10 film by AFI and the NYFCO; star Jessica Chastain was named Breakthrough Performer by the latter and Best Supporting Actress by the LAFCA (for Tree and five other films); NYCFO, LAFCA and SFFCC all named Terrence Malick Best Director; and cinematographer Emmanuel Lubezki earned Best Cinematography from those three and the BSFC.
Bridesmaids, which isn’t likely to earn any Oscar nods but will probably earn a few Golden Globe nominations, was named an AFI top 10 (Melissa McCarthy and the whole ensemble cast were also recognized by the NYCFO and the BSFC).
Katy Perry, like so many of her pop peers, often tries her darndest to look like a cartoon character onstage and at awards shows and the like. So we were quite curious to see what she’d wear for her hosting gig on Saturday Night Live, where the costumes usually range from dowdy to goofy to freakish. The result? Well, nothing they put her in was quite as flattering as her own typical style choice. And we’re glad of that. We don’t tune in on Saturday nights (or, well, flip on the TiVo on Sunday mornings) to see pretty. But just because we like making everything into a competition, we decided to ask you: Which of Katy’s SNL outfits was the absolute silliest? (Oh, and PS. We left out her Pippa costume as it was neither silly nor cute.)
Here’s a little gallery before you vote:
When the first images from Young Adult surfaced on the Web earlier this year, showing Charlize Theron looking bedraggled in her sweats and Mickey Mouse shirt, clutching a Pomeranian in a carrier and a Victoria’s Secret bag, several young adult authors I know took to Twitter immediately. They seemed torn between being excited about the existence of a movie about their profession, especially one written by Diablo Cody and directed by Jason Reitman, and slightly horrified by the idea of being depicted as ladies who can’t be bothered to brush their hair and put on a decent pair of pants before leaving the house. And then when they learned Charlize’s character, Mavis Gary, is kind of a crazy stalker who can’t let go of her high school years, they were a bit worried.
“I watched [the trailer], and I was like, ‘Oh, this is going to give my profession a bad name!” Mortal Instruments series author Cassandra Clare told TheFABlife last week. At the same time, she added, “I really want to see it, because when will there be another movie about a young adult author?”
But Cody, who calls herself “the Sweet Valley superfan of all time” and is writing an upcoming adaptation of Sweet Valley High, is pretty sure there won’t be a huge outcry from the YA author community. “Mavis is one of a kind. I don’t think it’s an indictment of young adult authors as a group. It’s just this one lady is a little bit off-kilter,” she assured us at the movie’s New York premiere. And though she previously only knew Sweet Valley creator Francine Pascal, “since this movie has been screening, I have met some [YA authors] that have come out of the woodwork, and they are all into the movie, so I’m glad.”
As she makes the rounds to promote Young Adult (in select theaters today, opening wide next week), Charlize Theron has been playing mock offended by the fact that director Jason Reitman wanted her and only her to play the alcoholic former prom queen who comes back to her hometown to steal her high school boyfriend away from his wife and baby. But between this and her upcoming turn as the Evil Queen in Snow White and the Huntsman (not to mention her Oscar-winning role as a serial killer in Monster), the actress doesn’t really seem to like playing nice.
“I’m not a big fan of sympathy,” she told TheFABlife at the New York premiere of Young Adult. “For me, the understanding is the biggest part of it. I think if you can understand the character, then I’m happy with that.”
Then again, we doubt Theron would go in for a completely flat, Disney-style villain with no clear motive for seeking to destroy our beloved Kristen Stewart other than just being, well, evil.