Miley Cyrus continues to make headlines with different parts of her body. The singer posted a photo to her Instagram account Tuesday night, revealing that she’s not afraid of bleach and likes to hang out with Victoria’s Secret model Miranda Kerr.
Yesterday we posited who the 20 hottest Star Trek villains of all time were, but whom would the actors from Star Trek Into Darkness like to shack up with? And whom would they like to marry? And which villains–or Enterprise crew members–would they want DEAD?
The PR blitz ahead of the release of Star Trek Into The Darkness means one thing: The bromance of Chris Pine and Zachary Quinto. The two stars are incredibly adorable around each other, showing just how great friends they are at press junkets and interviews. If only it was something more… But at least you can enjoy all their moments together over the past few weeks.
…And we’re back! Our favorite show, American Horror Story: Asylum went on hiatus over the holidays, leaving us twiddling our thumbs on Wednesday nights without Evan Peters on our screens. We had so many unanswered questions about Briarcliff, Bloodyface and Grace’s baby. Rest assured, our beloved horror show returned last night and progressed the plot line in multiple ways. Sister Jude undergoes electroshock therapy after being diagnosed with manic depression, Grace has Kit Walker’s baby, the Monsignor Timothy O’Hara kills Sister Mary Eunice and Dr. Arden commits suicide to reunite with Sister Mary. Some critics have referred to Ryan Murphy’s AHS as the evil twin of his other show, Glee, and we never felt that way more than after watching last night’s episode. From the dance number to the virginity-losing, Briarcliff was less like an asylum and more like the halls of McKinley High. Here are our favorite Glee-like moments from “The Name Game.”
1.The Name Game – This comparison is by far the most obvious. In the middle of the episode, Lana Winters asks Sister Jude if she knows her own name after receiving electroshock therapy. Without answering Winters, a delirious Sister Jude trudges to the new jukebox in the asylum and selects Shirley Ellis’ classic to play, “The Name Game.” When she plays the song, Sister Jude immediately transforms into a glamorous early ’60s songstress and the bleak patients of Briarcliff get their groove on. Where is Kurt to bust out a showstopper when we need him? While we know this is a dream state and American Horror Story has its absurd moments, we couldn’t help but imagine Ryan Murphy in the writer’s room suddenly deciding to insert a dance number into the episode. Even for AHS, this felt out of place.
American Horror Story: Asylum has portrayed it all — from murders to amputations, Ryan Murphy leaves nothing to the imagination. Still, we are used to many of these graphic scenes just from visiting our local movie theater during Halloween season. As gruesome as it is, we are accustomed to the blood spewing, the white-tiled basement filled with murderous tools, and the exorcisms. We love Murphy’s wink to the horror genre and his dramatic flair, but this week’s episode seemed more disturbing than the usual stabbing. Lana Winters finds out she’s pregnant with Dr. Thredson’s baby and is determined to have an abortion — hence the title of the episode “The Coat Hanger.” The titular scene was probably one of the most disturbing things I’ve seen on this show so far. Now that they’ve depicted such a thing, what else can really be portrayed? Have we overcome the shock factor? Where do we go from here? Here is my list of questions from this week’s episode and what’s next for the rest of the season. Let me know if you have any answers, readers. We’re looking at you too, Ryan!
1. Did Dr. Arden take Kit Walker’s tape of Thredson admitting his crimes? Can Kit trust him now that they have this new alliance?
2. Is Grace having Kit Walker’s baby? Do you think she’s even carrying a baby?
3. Is Grace still alive or just a figment of Dr. Arden’s imagination? Did the aliens bring her back to life? What should we make of her?
It’s the most wonderful time of the year! Well, not so much at Briarcliff, but Dr. Arden, Sister Mary Eunice and Sister Jude bring their own twisted holiday cheer to the asylum this year. Instead of a jolly ole St. Nick distributing gifts to the patients, a fabulous Ian McShane portrays a deranged bad Santa named Mr. Lee Emerson, who makes Billy Bob Thorton look like your sweet Aunt Mildred. A flashback shows Emerson, dressed as Santa, slithering from house to house killing families on Christmas Eve. Now at Briarcliff, the serial killer finds his other half in Sister Mary Eunice to create the darkest duo of all. McShane is certainly our favorite part of the episode as the larger than life killer, and he relishes every facet of his evil role. Really it’s all we wanted for Christmas. As Mr. Emerson says himself, “It’s all about the list,” so we broke down a list of some of the most memorable quotes of the evening. Happy holidays!
1. “You know the difference between that Santa Clause and me? He only comes once a year.” — A sexually charged Mr. Emerson to his victims
2. “But then you got out and you found this suit, and it gave you everything you were missing. You had the power, Lee. You can have it again. Who do you want to be? The victim? Or the victor?” – Sister Mary Eunice shows Mr. Emerson a Santa suit, and gives him the opportunity to join her in her bloodthirsty plans. Who knew a Santa suit could imbue so much power?
Last night’s episode of American Horror Story: Asylum was rather hauntingly beautiful. Many of the characters reached their threshold and decided their only escape from their harrowing fates is death. The woman who will take them to the next life is Angel of Death, played by the wonderful Francis Conroy. By the way, did anyone think she looked like a gracefully aged Dita Von Teese here? As the Angel, she arrived at her summoners’ side, cloaked in black, releases her black, outstretched, raven wings, kissed them and sent them off into the hereafter. Her interactions with these AHS characters were our favorite parts of this episode, so here are the Dark Angel’s three best moments:
1. The Devil and the Angel Face Off: One of the best moments of the episode was when Sister Mary/devil incarnate and the Angel of Death faced off. The two crossed paths after Miles’ death and circled each other like hawks over his dead body. The Angel knew that Sister Mary is “a nun perhaps, but not so simple. Something else resides in you, one like me, but fallen.” Though the devil and angel duality is cliched, these two actresses add freshness to the age-old conflict that made us want to see a clash between good versus evil again. We want a Conroy and Rabe rematch!
2. The Angel of Death and Lana Winters: Winters has had it rough throughout AHS, to say the least. Sister Jude subjected her to Briarcliff due to her sexual preferences, Bloodyface killed the love of her life, Wendy, and when Winters thought she’d escaped the horror that is Briarcliff, she found herself in Dr. Thredson’s cavernous basement, or shall we say, Bloodyface’s torture chamber. Winters wanted out, and the Angel of Death heard her prayers. “I don’t think I can do this anymore,” she whispered, as the Angel stroked her face. Before the spirit took her to the afterlife, Winters intercepted and realized her time isn’t now. Obviously, the writers can’t kill Winters yet. She’s not only a main character, but certainly one of the most redeeming ones. This journalist still has her story to crack, and we hope she can see the day when her Briarcliff scoop will make headlines.
3. The Nun and the Angel: Sister Jude’s trajectory throughout the season has been one of a fallen soul herself. Despite being an awful person (okay, we know that’s a big one), she still represented a strong woman as the head of Briarcliff, in charge of her own destiny. In an age when women were only beginning to receive recognition in the workplace, Sister Jude was the one ordering the men around. However, since leaving Briarcliff, Sister Jude has unraveled with no will to live. After imagining her own death, the Angel paid her a visit in a restaurant booth. Apparently, this isn’t the first time Sister Jude has wanted to die, but, the Angel noted, “Your song was different this time.” Sister Jude said she was ready, but needed to do one last thing before the Angel took her away. She visited the home of Missy — the girl she killed in the hit-and-run to transgress her sins. As she was about to admit to the murder to the girl’s family, in walked Missy herself, alive and well. Since she knows she didn’t kill the little Missy now, we hope Sister Jude will skip death, regain enough strength to return to Briarcliff and take a vengeance on Dr. Arden, now that she knows he is a former Nazi officer.
Thanksgiving is the holiday of gratitude, food, and family. We gather around the table, connect with our loved ones, and prioritize what and who really matters to us. This week’s episode of Asylum, “The Origins of Monstrosity,” illustrates what happens when that familial loss is absent … Briarcliff style. From a sociopathic child who has no emotional attachment to her mother to a psychologist who suffers from abandonment issues, we break down the family issues surrounding AHS. Even though your family may exhibit all of their glorious dysfunction on Thanksgiving, just be thankful that you are not amongst the patients at Briarcliff.
1. Running with Scissors – Oh how we’ve missed having a signature demonic child around AHS! Well, we can put our anxieties to rest, now that we’ve met the devil incarnate, little Jenny, who has never cried in her young life and possibly murdered her friend with a pair of scissors. While she stands over her friend’s body and tells the police a “tall bearded man” killed her, her mother suspects her daughter was the perpetrator. She confirms this theory and admits her to Briarcliff after she discovers a lock of Jenny’s friend’s hair in her daughter’s pocket. The killings don’t end there. Later in the episode, Jenny again stands over a dead body innocently explaining to a police officer how a tall, bearded man killed her mother. After her mother admitted her to Briarcliff, did Jenny feel abandoned? Or is she simply incapable of empathy? Read more…
Last week’s episode of Asylum left us on a cliffhanger: Anne Frank was pointing a gun at Dr. Arden’s head and exposed him to be SS officer and experimental doctor Hans Gruber. This week, we finally discover the man behind the monster mask and the mystery behind Anne Frank. Before Anne has time to shoot Arden, the Briarcliff guards catch her and alert her husband of her violent disobedience. Her husband discloses that Anne Frank is actually Charlotte Cohen, who is suffering from postpartum depression after giving birth to their son. She copes by absorbing herself in the Holocaust, reliving it in an attempt to change its outcome. Not only does she convince Sister Jude that she was Anne Frank, but she definitely convinced me. I loved how Ryan Murphy created a second life for Anne Frank, but I should have known that she fabricated her story seeing as she is living in a mental institution. Talk about unreliable characters on this show.
Sister Jude releases Anne from the institution to be with her husband, but he soon realizes he can’t handle her anymore. He desperately tries to re-admit her back into Briarcliff, and guess who is ready to accept her with open arms? None other than Dr. Arden. Arden performs a lobotomy on her in an excruciating scene that left my skin crawling. Not to worry, though! Arden transforms her into the Stepford wife her husband always wanted. “I’ve never been happier,” she says to him sedately as she hugs her baby. This is one of my favorite storylines in the show so far, so I hope this isn’t the last we see of Anne Frank…I mean, Charlotte. Read more…
American Horror Story is back with a vengeance this week with the most badass broad at Briarcliffe: Anne Frank. While most of us thought Anne tragically died at the Bergen-Belsen concentration camp just weeks before its liberation in 1945, Ryan Murphy‘s fictional Anne survived the camps and headed to the states with an American liberator with whom she fell in love. Frank apparently published her diary in the 50s, but couldn’t reveal her true identity because “the 15 year old girl had to stay martyred.” By identifying herself as Anne Frank, people assumed she was crazy and sent her to the asylum.
Anne doesn’t need to look too far for Nazi retribution. Apparently, Dr. Arden has much more to hide than being a mad scientist, pervert, and murderer. He was also a Nazi – which explains how Arden learned his cruel experiments. Not only does Anne remember him from Bergen-Belsen, but the prostitute who kicked Dr Arden at his house also discovered Nazi plans along with his disturbing photos of tortured women. Anne witnessed Arden, or Hans Gruber as he was known at the camps, choosing women from the barracks to be the recipients of his barbaric examinations.
Let’s just step back for a second. Can anyone get lower than Arden? If you’re having a bad day or are feeling bad about yourself, just remember things could be worse. At least you’re not Dr. Arden! At the end of the episode, Anne and Arden find each other together at last in his doctor’s room. She pulls out a pistol and shoots him in the leg, deservedly.
Murphy’s Anne Frank could be taken right out of Quentin Tarantino’s Inglorious Bastards , a Jew who is ready to seek justice on her Nazi oppressors. She is strong, convinced of her principles, and isn’t afraid of holding a gun. Anne famously said in her diary, “It’s a wonder I haven’t abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart.” In Murphy’s world, this innocent 15 year old has given way to a nihilistic woman who knows that evil can truly exist in people. And by people, we mean Dr. Arden.