Train‘s long-awaited follow-up to 2009’s Save Me San Francisco album will be coming out in less than a month. As a means of road testing their new material, and as a way to play live in significantly more intimate venues than this arena band is used to, the guys made their way down to the 2012 SXSW Music Festival last week for a handful of dates. We caught up with the three guys from Train —from left to right, Jimmy Stafford (guitar), Scott Underwood (drums) and Patrick Monahan (lead vocals)— down in Austin and asked them to tell us a bit about their new record, California 37 (which is due out on April 17, 2012).
“California 37 is a road that brought us to one another,” Pat Monahan explained. “This record is more of an expression than it is a ‘Can we come back?’ [kind of thing]. The songs and the stories are just better. They’re more refined. It’s a dance record, but it’s also singer-songwriter at the same time.” After hearing the propulsive and upbeat first single “Drive By”, we’re excited to see how the rest of the album incorporates the dance-y elements that Monahan referred to in our chat with him.
Now, this is where things got a bit awkward in our interview. You see, we’ve always thought that Train‘s gargantuan 2010 hit, “Hey Soul Sister,” is one of the most subversive songs to get mass airplay since “Summer of ’69.” A few years back, Bryan Adams admitted to a shocked Maggie Rodriguez on CBS’s The Early Show that his song was about a sexual position, NOT a year, so we thought we’d try to get Train to do the same thing about “Hey Soul Sister.” Our theory has always been that the song is about a particularly memorable blowjob, our evidence being the line in the song that goes “Your lipstick stains on the front lobe of my left side brains / I knew I wouldn’t forget you / And so I went and let you blow my mind.” So, is it? See how the band responded in our video below!