At last night’s NME Awards, Kasabian won the Best British Band Award, and used their moment to pay tribute to the late Davy Jones of The Monkees. Front man Tom Meighan declared, “This award is for Davy Jones of the Monkees” before bursting into song. Singing an a capella version of The Monkees’ Theme, it wasn’t long before the rest of the band joined in, clapping along to the beat and inciting the audience to sing along. It was a touching moment, but also a joyful one, as the cheekiness and energy of the tribute bought the room together in a very appropriate ode to The Monkees.
Posts By Kat George
Rita Ora Cover’s Gotye’s “Somebody That I Used To Know”
What do you get when the hottest young act of the moment covers the other hottest young act of the moment? Pure wonderfulness, we think — have a listen to Rita Ora‘s cover of Gotye‘s “Somebody That I Used To Know” below, and tell us if you don’t agree. [YouTube]
Patrick Stump Laments The Failure Of His Solo Album
Fall Out Boy‘s Patrick Stump has a reflective moment, posting on his blog about his feelings about the failure of his solo album. He says, amongst other things, “What I wasn’t prepared for was the fervor of the hate from people who were ostensibly my own supporters (or at least supporters of something I had been part of). The barrage of “We liked you better fat,” the threatening letters to my home, the kids that paid for tickets to my solo shows to tell me how much I sucked without Fall Out Boy, that wasn’t something I suppose I was or ever will be ready for.” [Patrick Stump]
We’ve loved having The Fray as our VH1 Posted artist for the month of February, especially because of the intimate blog posts they’ve been sharing with us. So far, lead guitarist Dave Welsh has given us a poignant portrayal of travel, a story about watching the Super Bowl, a post about head colds and surprises and an insight into the moments right before they go on stage. The guys even stopped by Big Morning Buzz Live to play their song “Heartbeat,” and now we have the final blog post in what’s been a whirlwind month. This week, Welsh tells us about a rainy Seattle, wrapping up the tour, and the pull of home. Read the full blog post after the jump.
When you first heard Jay-Z‘s “Glory,” did you imagine Jay-Z penning the track as Beyoncé pushed and groaned, tiny baby Blue screaming as she emerged from the womb? Or did you imagine the little bundle of joy, peacefully sleeping in the nook of her glowing father’s arm as he whispered lyrics to her? Whatever fantasy you had, forget it, because “Glory” collaborator Pharrell Williams has just dropped a truth bomb, revealing that Jay-Z was working on the track before baby Blue was even born. Pharrell said, “[Jay-Z and Beyoncé], they live a different lifestyle, and it was important for him to stop everything that he had going on and just sort of make statement to his baby and his wife.” He added that when they wrote the song, they had Stevie Wonder‘s “Isn’t She Lovely” in mind, and that Jay-Z underwent a similar process for his first son, but that he’s “more quiet and private about his life”. We don’t think the dream need be entirely shattered though — now we’re imagining Hova in the evening, maybe by a fireplace, resting his head on Bey’s full belly while he jots down words about the bundle of joy inside.
[Photos: Getty Images; HelloBlueIvyCarter]
Touted as the new Rihanna, the hype around Rita Ora is building like nothing else. After we got excited about her Biggie sampling track “Party & Bulls*t” last week, we’ve now learned that the official first single from her forthcoming debut LP is actually “R.I.P.” featuring rapper Tinie Tempah (listen below). And if you had any doubt about the behemoth that is about to be Ora, let that be dashed by the all star team behind her — not only is she under Jay-Z‘s label, Roc Nation, the new track is penned by none other than hip hop wunderkind, Drake, and co-produced by Chase & Status with Swedish duo Stargate.
Of the track itself, “R.I.P.” is set to be a pop anthem. With synth led beats, the song is a powerful dance number following in 2011′s trend towards club fueled pop, but this time with a grittier edge that takes shape with Ora’s sexy vocal and Tinie Tempah’s energetic verse. With a girl power theme, the track makes happy bedfellows with other hits of the season including Katy Perry‘s angry, moving on, triumph against heart break, “Part Of Me.” At only 21-years-old the British/Alabnian Ora should be both revered and feared. As Jay-Z’s newest protegee, it seems like Ora’s destiny is written, so prepare yourself for Ora to be the number one lady in pop this year.
[Photo: Getty Images]
Estelle gave an elegant performance of her track “Thank You” on The Late Show With David Letterman last night. Promoting her new album, All Of Me, which dropped yesterday, Estelle looked stunning with a simple slicked back hair-do and long white halterneck gown. With little aside from her stunning get-up in showmanship, Estelle’s performance was beautifully measured and displayed her strong vocal capabilities. As one of our favorite DIVAS, we love listening to Estelle’s flawless, captivating vocal every time she takes to the stage.
As if you weren’t excited enough about seeing Bruce Springsteen and The E Street Band playing their new single, “We Take Care Of Our Own” live, add to that Jimmy Fallon’s giddy introduction to the performance on his show last night and you’ll be positively psyched. As usual, Bruce and the band bring high rock energy to the stage, and Bruce himself is simply charismatic. Maybe your heart is racing after watching the performance — we know ours are. Sometimes it’s hard to grasp the import of a song until you hear it live, and the life the The Boss and Band breathe into the stage is nothing less than essential to their All-American rock music. Watch it, and feel yourself being taken to the good place.
Rihanna Is Being Considered To Play Whitney Houston In A Biopic About The Singer’s Life
Apparently a biopic about Whitney Houston‘s life is in the works, a mere week after the late legend was buried. Reportedly, Rihanna is a candidate to play the role, although some of the parallels in the two performers’ lives (can anyone say abuse at the hand of a man named Brown?) hit a little bit too close to home for our liking. [Pop Dust]
Azealia Banks Reveals Details Of Debut Album
Azealia Banks‘ debut album will be called Broke With Expensive Taste and it will be out this September. She said, “I’m not trying to withdraw, but I am trying to find that personal space again because I have an album to finish… All the praise from the fashion world is great but now everybody wants a piece and everybody wants an interview, but I need to step away and get my music done.” We can’t wait! [Pitchfork]
Remember when you were a baby and your mom’s bestie, Gwyneth Paltrow, said you were going to be a star one day? No? Neither do we. Probably because it never happened. But when baby Blue Ivy Carter learns to read and starts perusing Tuner, she’ll be able to answer, “Yes, yes! I remember that! That happened to me!” Gushing aunt Gwyn has told Hollywood Life that Blue Ivy “Is going to be an entertainer. She just has this glow around her like her mother.” Phew. We’re glad we’re not the only ones who thought Beyoncé looked a little bit radioactive. Gwyneth also added that “Beyoncé is doing great… She’s just a natural at being a mom. And Blue Ivy is stunning, she has the most beautiful eyes.” Before we deem Gwyneth to be a future-teller, however, we should note that Blue Ivy is already a star, with the most hyped birth since that one by that virgin in the manger that time, and already making history as the youngest ever “artist” to chart after she lent her vocals to dad Jay-Z‘s track “Glory”.
Gwyneth Paltrow: Blue Ivy will be a star [Music News]
[Photos: Getty Images; HelloBlueIvyCarter]
There seems to be some kind of story to Waka Flocka Flame‘s “Round Of Applause” video that begins with his childhood sweetheart falling in with a bad crowd, but listening to the lyrics it feels like the song is mostly just about him partying with various different women and tipping strippers. Waka Flocka Flame is surrounded by beautiful women in the clip (one is even naked and painted with graffiti to camouflage her against the wall she’s gyrating on) as money falls from the ceiling (is this Waka Flocka Flame’s money? Why doesn’t it ever run out?) inside a club where “scanty” appears to be the dress code.
So we’re not really sure about a story line per se, but there is an appearance by Drake, which is always pretty cool. The two dance around in a red room decorated with hanging light blubs, that give off a sense of how important these two rappers really are, all aglow in Hollywood style lighting. The story seems to recommence at the end of the video when Waka Flocka Flame follows his girlfriend out of the club — maybe the moral of the story being that we all have really complicated lives until we step into a club seething with bikini clad women, a space in which nothing really makes sense and there is no plot, but which we have to leave sometime.