Are y’all ready for this? Oprah has infiltrated the house of Gaga — and will be the first member of the media to interview Lady Gaga and the real Mother Monster (Gaga’s mom) in their family home. The trailer for the episode is compelling, with Mrs. Germanotta describing how she and her husband thought their daughter had a “screw loose”, and according to Oprah’s website, “Gaga’s mother, Cynthia, breaks her silence on what it’s like to be the mom of the world’s most famous pop star”. Watching the video it’s easy to see the closeness between Gaga and Mother Gaga, as together with Oprah they laugh and banter naturally.
But the most intriguing part of the trailer is when Gaga, very earnestly, tells Oprah that she’ll be keeping quiet following the interview. Making emphatic hand gestures, Gaga says, “Other than this interview, Oprah, I do not intend to speak to anyone for a very long time.” We’re guessing she means the media and interview type scenarios, but what if it’s more general than that? What if Lady Gaga intends not to speak to anyone at all? HOW WILL SHE MAKE PHONE CALLS? Jokes aside, these are big words coming from the master of spectacle — Gaga is known for being vocal not only regarding her own art, but in social issues including bullying and LGBT issues. Who will speak for those who can’t speak for themselves, if Gaga wont? We’re hoping that the statement is cryptic, and that while she might not be speaking, she’ll be singing, and communicating through song and dance!
Rihanna courted controversy last month by releasing not one, but two tracks with ex-boyfriend and convicted criminal Chris Brown, who maliciously beat her in 2009. Brown provided guest vocals for a fully realised version of Rihanna’s “Birthday Cake” while in return RiRi sang on a remix of Brown’s “Turn Up The Music”. Feelings in the industry and public were mixed following the releases, with both Rihanna and Brown zealously defending their work-place reunion. Rihanna has now spoken at length about her decision to work with Brown, and on Ryan Seacrest’s radio show, divulged the following:
“The first song that came about was ‘Birthday Cake.’ I mean we ended up recording them at the same time and executing them together, but I reached out to him about doing ‘Birthday Cake’ because that’s the only person that really–it made sense to do the record. Just as a musician despite everything else that was going to be the person. You know I thought about rappers, and I’ve done that so many times, and the hottest R&B artist out right now is Chris Brown.
So I wanted him on the track, and then in turn he was like ‘Why don’t you do the remix to my track?’ and it was a trade off. We did two records. One for my fans. One for his fans, and that way our fans can come together. There shouldn’t be a divide. You know? It’s music, and it’s innocent.”
As an autonomous adult, Rihanna seems to be totally in control of her decisions, and from what she says working with Chris Brown was more of a savvy business move than anything else. And as long as it’s abuse free, good luck to her.
Lana Del Rey has released the single art for “Blue Jeans” and it’s a little bit controversial, extremely beautiful, and decidedly NSFW, so you’ll have to check it out after the jump. Featuring a napping or possibly (acting) dead Lana Del Rey lying at what appears to be the bottom of the ocean, a heavily and profanely tattooed male hand clasps her neck in what could be interpreted as a strangulation. The male hand is slightly disturbing, given Lana’s propensity to write lyrics about dying for love, and about her bad boy lovers. It seems to be that the metaphor here has something to do with drowning for love — but that’s based on interpretation only. We’re guessing someone is going to have to have something to say about this imagery and it’s connection to domestic violence and abuse, and we’re probably about to see the controversy monster that is Lana Del Rey critique awaking yet again. What do you think? Does the imagery give you chills in all the wrong places? Or do you think it’s innocent — maybe he’s just checking her pulse and is moments away from reviving her! Check it out after the jump and let us know your opinion in the comments section!
We’re thinking these photos are a little bit NSFW so we put them after the jump — although there’s no nudity, Nicki Minaj is writhing fairly sexually on the beach wearing nothing but a string bikini. The photos are a sneaky behind the scenes on the shoot for her latest track, “Starships”, off the eagerly anticipated Pink Friday: Roman Reloaded. The album is due on April 3rd, and Nicki, as you can see, is currently on location in Hawaii filing the racy “Starships” clip. Rolling around on the sand in a scanty bikini, there’s none of the elaborate costuming Nicki has been prone to in the past (although her lime green wig reminds us she’s still the Barbie Queen) — is this a new, more refined, and much sexier Nicki that we’re about to see? What do you think? Let us know in the comments below!
Leave it to Ke$ha to declare that she’s invented a new genre of music called “C*ck Pop”. She doesn’t even have one of those, but it looks like that’s what her style is regardless, although we’re not entirely sure what it means. Music that comes out of a man’s genitalia? Or music as, er… played by a man’s genitalia? We’re very sorry for the disturbing mental imagery you might be getting right now, but Ke$ha said it, not us! Ke$ha Tweeted about the new genre regarding a collaboration with Dr. Luke and Benny Benassi, which we’re guessing is going to be something of a club anthem, and we’re intrigued by the anatomy of it all…
The Ting Tings, Ke$ha‘s British counterparts, performed their new track “Hang It Up,” live on The Late Show With David Letterman last night. With their uber pop roots still apparent, the Ting Tings took on a rock edge, reminiscent of the noise pop popularised by Sleigh Bells, but not quite as aggressive or mosh-ready. Nevertheless, The Ting Tings bought high energy to the stage, with great vocals and the impressive playing of multiple interments by the drummer/guitarist who switched between the two seamlessly.
behind the scenes on the set for The Fray‘s “Run For Your Life” video, and now we’re even luckier to be able to present you the full video! From their new album Scars and Stories, “Run For Your Life” is an inspirational ode urging you to get up out of your seat and run — not away from anything, but towards something, or even just for the simple joy of it. While there’s a lot of literal running going on in the clip, we have a feeling the message is more figurative, hinting at a more spiritual sort of running, if you will. As such, the video is inspirational, driven by hope and the sprawling beauty of the wide open expanse of the Californian desert. As Isaac Slade’s raw vocal sings “You don’t have to go it alone,” and is coupled with the slow motion running of some regular people, just try not to pump your fist in the air, and run towards whatever it is you’re looking for.
Madonna is ensuring that 2012 is the unofficial year of the Material Girl, first with her “Give Me All Your Luvin’” video, then her Super Bowl half time show, and soon the release of her new album MDNA and world tour. To add to the drama and anticipation, Madonna has now also added the premier of the video for “Girl Gone Wild” to the list of awesome things to look forward to. The official video will drop on March 20th, and you can watch a teaser for the track here. The video is shot in black and white and features a decidedly vintage looking Madonna gyrating amongst a slew of buff, oiled male bodies. While the track is a club-thumping anthem with hints of dub, the visual harks back to 80s Madonna, and we’re hoping there’s some of the boundary pushing Madonna is known and revered for in the aesthetic theme.
Well. It’s happened. The thing we thought might never happen: Adele‘s 21 has been knocked off the top of the Billboard chart. Sure, there’s every likelihood she’ll reclaim the throne but for now, it’s The Boss who is king. 21 has been number one for 23 weeks, but, somewhat aptly, has been smashed off the top by a Wrecking Ball. Bruce Springsteen‘s new album, after a shaky start and only 196,000 copies sold in the first week, has managed to oust Adele from what seemed like a never ending reign. If Adele wants to get back on top next week, her sales will have to outstrip new releases including The Shins’ Port of Morrow, One Direction’s Up All Night, and The Hunger Games soundtrack (which might be a hard one to beat given the prolonged hype surrounding the movie).
It’s no “Lotus Flower” — that is to say, Thom Yorke isn’t writhing around and pulling crazy shapes — but it’s an intimate and compelling video nonetheless. The clip for “Staircase” from Radiohead‘s The King Of Limbs sees the band performing in an enclosed setting, surrounded by a myriad array of instruments and technical equipment. And yes, Thom Yorke is moving in the way only Thom Yorke can move. “Staircase” is as close to a Radiohead renaissance as one could hope for, with Yorke’s chilling, heart palpitating vocals against a dynamic backdrop of broken beats, synthesisers and soaring orchestral compositions, and the video staying true to a music-centric credence, the visual taking nothing from the sound. Lighting appears to be the key here, with bright lights breaking through the dusty air to backlight the band and create an otherworldly presence that amplifies as Yorke’s falsetto croons towards the end.