“It’s the perfect time to go back out. 2013 is going to be the year of Fleetwood Mac,” said Stevie Nicks yesterday, confirming rumors from earlier this year that the iconic band will head out on tour in 2013. They’re packing up their greatest hits and shipping out on a three month tour that will take them all over North America, and eventually Europe and Australia.
“We always have to play ‘Dreams,’ ‘Rhiannon,’ ‘Don’t Stop,’ ‘Tusk,’ ‘Big Love,’ ‘Landslide’ and all our most famous songs,” Lindsey BuckinghamtoldRolling Stone, figuring that about 75 percent of each set will be made up of hits, leaving a quarter of each night for the “under-explored,” “more songs from Tusk,” or “an extended middle portion of the show that’s just me and Stevie.”
Nicks had an even better idea for that remainder of time: “We actually have two new Fleetwood Mac songs that I cut with Lindsey two weeks ago we might play.” Crystal visions, we sure hope.
New teaser for Beyoncé‘s self-directed HBO documentary begins with Beyoncé saying “I always battle with how much I reveal about myself” and ends with her pretty much revealing it all — assuming that we are all on the same page, understanding “it all” to mean “Bey’s bare Baby Blue filled belly.” Because everything else that flashes by in the 30-seconds — a sleepy-eyed and make-up free Beyoncé, Beyoncé in nothing but a towel, Beyoncé on stage, Beyoncé in the studio, Beyoncé hugging Jay-Z — will feel familiar to even the most casual of the Bey-hive observers. But this, this is as far as we can tell something new and actually revealing for fans to feast their eyes on:
In anticipation of it’s December 11th release, Bruno Mars has been leaking one song at a time off of Unorthodox Jukebox. So far what we’ve heard has been diverse — “Young Girls”‘s doo-woop, “Moonshine” with it’s 80′s sheen and his Sting-cribbing “Locked Out Of Heaven” so far included — but generally joyous. This latest song is different in that it catches Mars at his most mournful and with his head hung low, and he was so nervous to share that he prefaced it with a tweet admitting that “I’ve never been this nervous. Can’t explain it.” The song is (of course!) pretty good and so he won’t have to, but we can definitely imagine the nerve it must take to let a song so raw and regretful as this out into the world. Read more…
Up, up and away! Tomorrow we ship off to Miami for the SCOPE International Contemporary Art Show where we will celebrate a crop of fledgling visual artists who we think You Oughta Know (learn more about them here), and we are very excited to be bringing Metric, our You Oughta Know musical artist for December, with us to play the opening party!
When we caught up with the group last month, Metric lead singer Emily Haines assured us that “it will be great,” offering that “they have had too much fun there in the past” as evidence of the good art, music and beach town fun sure to come. “Different film and art inspiration come to us when we’re making music and sort of keep us going throughout the process,” she explains, citing an Italian radical architecture school as a particular inspiration and stop she’ll certainly be making when she’s down there. The boys in the band voiced excitement for late night beach trips, and we’ll offer that we are very excited to hear them perform some of the new stuff of Synthetica, like “Youth Without Youth,” as well as an oldie/goodie, like “Gimme Sympathy,” or two!
Keep up with our coverage at @VH1Music; and more information on SCOPE events, head over here.
You may recognize Metric‘s dynamo frontwoman Emily Haines‘s voice from Broken Social Scene‘s breathy classic “Anthems For A Seventeen Year Old Girl” (which surely was an anthem to us when we were a seventeen), or from that lovely scene at the end of Eclipse wherein Bella and Edward make out in a field of flowers. Or perhaps you were turned onto them by Lou Reed, a notoriously hard-headed legend who shows up at the end of Metric’s fifth studio album Synthetica because he’s got a soft spot for Haines. We do too, and that’s why we are celebrating the prolific indie-rockers as our You Oughta Know artist for the whole month of December. And so for those just joining us and Reed in the Metric fan club, here are five things we think you really oughta know:
We can’t speak directly to the “breath stinkin’” or the “broken weaslin’”, but one thing we can’t imagine hating Big Boi for is his music. And so where he really loses us in his new lovelorn Kid Cudi collaboration “She Hates Me” is when he tries to convince us that, “Recently she even seems to hate on all my songs.” Has this woman he so loves really not heard any of these new Vicious Lies and Dangerous Rumors tracks? Not the hometown banger that is “In the A”? Or the so-slick “Lines,” featuring A$AP Rocky? Because she might think she hates him, but we certainly can’t. Read more…
Rick Ross a caffeine feign? Not exactly (not that we know of, at least), though it sure sounds like the Bawse is in need of a wake up in his song for Quentin Tarintino‘s Django Unchained that’s called “100 Black Coffins.” The song — which was produced by the film’s star, Jaime Foxx, and to which Tarintino contributed the idea for the chorus — is a big and clanking thing that comes complete with spaghetti western whistles and Ross calling for what sounded to us on first listen like 100 black coffees. Ross in a cowboy hat and boots to match, rubbing sleep from his eyes and calling on French to pour him 100 black coffees makes for a great image; but alas it was we who needed those black coffees, because what he actually wants is 100 black coffins to put 100 bad (and, presumably: dead) guys in. Anyways, be it coffee or coffins, Ross puts on a good show here. Maybe Tarintino can find a roll for the Bawse next round?
Check out the rest of the soundtrack’s tracklist behind the jump.
Thirty years ago today, at the age of 24, Michael Jackson became the King of Pop with the release of Thriller. It’s the album that produced hits like “Beat It” and “Billie Jean” and “PYT (Pretty Young Thing),” plaques on plaques on plaques and that jacket. You know the one — that jacket that he wore in the seminal “Thriller” video, the one cut from candy apple red and black leather and with angular and alien-like shoulder plates. That jacket has since been sold on auction for cool $1.8 million dollars to a Texan gold trader who called it “the greatest piece of rock and roll memorabilia in history.” We wouldn’t dare disagree, especially on this day, but we must ask also: what of those ankle-cut jeans? Those patent leather shoes? The shades? Jackson’s Thriller sartorial is much more expansive than that one jacket, and so to celebrate thirty years, we thought we would break down some of our favorite looks that he rocked during that time.