In the 13 years since her debut, Mandy Moore has taken up acting, gotten married, and — so it seems, with the good influence of her singing/songwriting hubby — grown out of her pop princess days and into a more mature sound. Moore has revealed that she’s at work on the follow-up to 2009’s Amanda Leigh, and that she’s getting help from her Ryan Adams for this next round. As she tells CBS News, the two have “been writing a little bit together” and Adams “has a studio, so I definitely want to make my record there.” The collaboration is more than one of just convenience, though, as Moore also credits Adams with broadening her musical horizons. “There’s tremendous influence right now around the house — from music I’ve been introduced to, and being very happy and in a healthy, happy relationship,” she said. “I think that still garners a lot of material to write about.” Aww! Fueled by more than just the sugary sweet calories of “Candy,” this love-felt return will be something to watch for.
You just heard Elle King‘s “Playing For Keeps,” the outstanding Mob Wives: Chicago theme song. Elle told us, when she swung through our offices ahead of the show’s premiere, that she thinks it’s “so cool” that she has a television theme song of her own, and especially so for “such a gangster show.” She wrote the song for people who might have lost their way, she says, before adding with a wink, “like in the mob. Not that it exists. I’m not saying nothing!”
“Playing for Keeps” easily earns its place with the greats, and so we figured we would have Elle share with us her five favorites from the canon. Amongst them is a classic that she still knows all the words to, another that’s always stuck in her head, and that one has her jonesing for a vampire make-out sesh every time. And then, because she’s a little wild like that, she threw in a bonus 6th favorite. Check it out!
Looks like Katy Perry‘s taste in bra-tops hews not just sickly sweet but, perhaps, life endangering, too! According to The Sun, insurers have voiced concern regarding Katy’s bold sartorial choices. Namely, they are worried about a certain peppermint number (see above) and all its moving parts, because it’s wheels apparently catch her hair and put her at risk for “high level of strain on her neck.” We wouldn’t want that for Katy either, but as far as we are concerned, those few moving parts pale in comparison to some of her more unusual garments past. Nary a household object is safe when Katy Perry is getting dressed, and that we don’t ever want to change. We do, however hope, that she’s keeping safe.
And so we present, Katy Perry’s 5 most death-defying outfits: Read more…
The gents of Aerosmith definitely have something of a reputation. A reputation for wailing guitar riffs, as well as for owning the radio waves with each new single. They’ve got a penchant for rocking hard on stage (and off!), and for dreaming big when it comes to casting their music videos. Earlier this week, they debuted their new Kill Bill-meets-Whip It clip for “Legendary Child,” —their first video in nearly eight years— and sure enough, it’s led by an all-grown up Alexa Vega (who, as a much younger girl, starred in the Spy Kids franchise!). A band may be getting older, but their taste in heroines remains ever as young and as beautiful. Hotties like Alicia Silverstone, Eva Mendes, and even Steven’s own daughter, Liv Tyler, have been starring in their videos for years. So, which of their video vixens reigns supreme? Join along as we break it down for you!
Our favorites Grace Potter and the Nocturnals burned the midnight oil on the late night circuit last night, making promises to “Never Go Back” on Jimmy Kimmel Live. Potter has called this cut off their new record The Lion The Beast The Beat“one of those great rock and roll moments”, and on a stage set like a dark basement rock club — complete with red lights and But Light banners — that rock and roll cool rings extra loud. Riveting with her blonde hair whipping along with the come-hither guitar riffs, Potter did double duty on her Flying V guitar and vocals while the Nocturnals behind her kept energy high enough to keep us up all night.
And if that left you yearning for more, you are in luck! Hop on over to Jimmy Kimmel’s website to see their bonus performance of “Turntable.”
ADAM LAMBERT PLAYS FREDDIE MERCURY IN LONDON
Glambert dazzled the Hammersmith Apollo in London, where he filled in for the front man on Queen classics like “Another One Bites the Dust” and “We Will Rock You.” [RS]
We love Beavis & Butthead creator Mike Judge’s animated video for “The Wind,” but it should be known that the Zac Brown Band jam hard with or without the fancy robo-treatment. Last night the Atlanta band dropped by The Late Show With David Letterman in flesh and blood to play the single off of their just released Uncaged. They dressed loosely but the performance was tight and polished, the bright fiddle being a particular highlight. And it left no doubt that, beer guzzling and duck hunting or just hanging out on late night, these guys have got what it takes to bring a place down.
GARY OLDMAN GIVES A DRAMATIC READING OF R. KELLY‘S MEMOIR, SOULACOSTER
Pile all the Oscars over here and the Pulitzers over there, so that we can divvy them out accordingly for this award worthy rendering of an award worthy text. [Gawker]
COURTNEY LOVE, HORRIBLE BOSS: “EVIL” EDITION
The Hole frontwoman’s former assistant has pressed charges, alleging that Love was an “improper and evil” boss. Which actually kind of sounds like a kind of awesome title to hold, don’t you think? [E!]
“This is the story of America’s greatest rock band,” thus introduces the narrator in the opening of the video for “Legendary Child,” the first single from Aerosmith‘s upcoming Music From Another Dimension. The story is of drug addiction, shady managers and bad sushi overcome. And it’s a story best told by girls on roller skates because, so says the narrator, “How f****ing cool is that?”
Based on this new promo, The X Factor will not be all fun and games and Vanilla Ice for Britney Spears. This first footage of Britney at the judges’ table finds Britney shooting down contestants, one after another after another. “Very predictable,” she tells one. “Bad to the bone,” the next. And then, one hand in the air, she snarls devastatingly, “You can’t destroy that song, sweetie.” Look out, Simon Cowell! Brit, apparently, has got a prerogative. Read more…