We always suspected she had it in her, but now we have proof: A seven-year-old British girl was roused from a coma by “Rolling in the Deep,” and now Adele is not just an eight-time Grammy Award winner, but also a life saver.
When Charlotte Neve slipped into a coma on April 13, doctors told her mother, Leila, to prepare for the worst. Wired up and unresponsive, Leila says she ”thought I was going to lose my little girl.” But then, a week later, “Rolling In The Deep” came on the radio. Leila sang along like she used to with her daughter; and, miraculously, Charlotte began to show signs of life.
“Charlotte started smiling, and I couldn’t believe it,” Leila tells the Telegraph. “It was the first time she had reacted to anything since the hemorrhage. The nurses were astounded and told me to keep singing, and she smiled again. The nurses said it was like I ‘unlocked her’ and from that day she started getting better and better.”
Charlotte has continued to recover and is home now, learning to walk and talk again and feeling lucky, thanks much to Miss Adele. Your move, LMFAO!
Fiona Apple dropped by Late Night With Jimmy Fallon last night to talk with Fallon and to perform “Anything We Want” from her new album, The Idler Wheel Is Wiser Than the Driver of the Screw, and Whipping Cords Will Serve You More Than Ropes Will Ever Do, which is out today. Afterwards, she paid tribute to Paul McCartney, who turned 70 yesterday, with a riled-up cover of the Wings’ “Let Me Roll It.”
The appearance marked her first television appearance in six years, and was also a surprisingly not-awkward reunion with Fallon, who had opened the night of her infamous Roseland Ballroom breakdown. “That’s part of the reason I thought it would be cool to do this show,” she tells him. “I’d finally have something to talk about.” Fallon tells her that, “I was worried about you, pal.” To which she tells him, ”I was worried about me, pal, too.”
Before performing “Anything We Want,” probably as romantic a song as we’ve heard from her, Apple explained that, “There’s somebody that thinks the song I’m about to sing is about them.” Then, holding up a billiard ball, she corrects: “If you didn’t give me this, I am not thinking about you.”
There are no maybes about it, Carly Rae Jepsen owned last night’s MuchMusic Video Awards. Performing early in Canadian music channel’s annual awards show, Jepsen sang her Billboard-topping “Call Me Maybe” from a giant, colorful telephone-shaped swing while wearing a too-cute TopShop dress. After picking up a hefty load of awards —the Video of the Year, the MuchMusic.com Most Watched Video, and the crowd-sourced UR Fave Video of the Year all for her “Call Me Maybe” video— she joined non-Canadian Flo Rida for “Wild Ones,” filling in for the absent You Oughta Know‘s Sia and proving herself more than “Maybe” capable.
Her “Wild Ones” cameo, though, was for many of us the first time hearing her do anything other than “Call Me Maybe.” If she hopes to be celebrated again in years to come, she will soon need to start harnessing some of the excitement around her into something new. Her EP Curiosity has yet to see release in the States, but has been well received in Canada — why not start not start with that, and in front of a hometown crowd?
Summer concert season is upon us, which means that a lot of people will be seeing shows by their favorite bands in unusual venues. Unfortunately, this sometimes means that stages are erected so quickly that there isn’t always a great deal of time to double- and triple-check to ensure that all safety regulations have been met. To wit, a massive section of the stage collapsed at Toronto’s Downsview Park Saturday afternoon ahead of Radiohead‘s sold-out show there, killing Radiohead’s drum tech, Scott Johnson, and injuring three other crew members. It’s not yet clear exactly what happened, but the Ontario Ministry of Labor will investigate the collapse to see that safety regulations and standards were followed and that staff were probably trained.
Radiohead drummer Philip Selway paid tribute to Johnson on the band’s website. “We have all been shattered by the loss of Scott Johnson, our friend and colleague,” he wrote. “He was a lovely man, always positive, supportive and funny; a highly skilled and valued member of our great road crew. We will miss him very much. Our thoughts and love are with Scott’s family and all those close to him.”
Grace Potter of Grace Potter & The Nocturnals really does have the medicine that everyone wants; and this devastatingly good outtake of “Medicine” from their VH1 Storytellers session that aired tonight (PS: If you missed it, you can watch it online right now!) is everything that’s got us spinning. Over classic rock drum rolls and a come-hither guitar hook, Potter first weaves an alternative world wherein a gypsy woman with dark brown eyes and long black hair has put a spell on her man. “She’s crossing me with magnetic sand / She hypnotizes with her mojo hand,” she wails. Then, two-thirds of the way through, voice hushed, she shares her plan to take the other woman down “deep in the night, when no one’s around” and off we go!
The whole band comes together at the drums for an epic precision-jam break-down, from which Potter returns even more powerful than before. “I’ve got the medicine,” she shrieks as the song returns, even bigger and badder than before. How, really, could anyone compete with a vocalist and performer as riveting as Potter?
It’s eight-minutes long, but really, not long enough. And so it’s good that there is more where that came from.
Jamie-Lynn Spears looks up to —and looks a whole lot like— her big sister in this video of her performing her a song, “I Look Up To You,” performed last night at Nashville’s 3rd and Lindsley Bar and Grill. “You can imagine who I wrote it about,” she said, making no secret that it’s Britney she’s singing praise to. “I hope y’all like it a lot.”
“Scared little girl, sitting in a big old world,” she sings. “You’ve outgrown your room, it all happened way too soon. They took away your innocence, we forgot our strong defense.”
And so, for her history of breakdown and near demise, Jamie-Lynn sees a picture of — well, someone who very much needs a kind and nonjudgmental song like this. Jamie-Lynn doesn’t really get to the point of explaining what exactly she looks up to in Britney; rather, she mostly just sounds endlessly understanding, singing, “Whether you’re the sunlight shining down, or you hide behind a cloud, I look up to you.” It’s sweet gesture, even though it’s creepy that she looks so much like a pre-breakdown Britney while doing it. Not to mention, invoking her sister is also probably a helpful way to garner attention for her country singing career to-be.
This morning, the band dropped in Big Morning Buzz Live. Performing “Never Go Back,” the first single off of their fantastic The Lion the Beast the Beat. The song, as Potter has explained, was written with The Black Keys‘ Dan Auerbach in 45 minutes and is “one of those great rock and roll moments that I’ll never forget.”And probably neither will we, thanks to Potter’s cooly powerful vocals and those almost dangerous sounding guitars. Alive with rock and roll and glamor, their performance has us amped for the weekend when we will never go back to work no more (until at least Monday).
And tonight, you’ll want not to missVH1 Storytellers: Grace Potter & The Nocturnals when it premiers tonight at 11 p.m. ET/PT. Check out the sneak-peak of them playing “Never Go Back” below and you’ll see why.
The screaming (and crying) fans who spent days camped out in Rockefeller Center were well rewarded this morning when Justin Bieber showed up on the Today Show stage to preform a new favorite, an old favorite, and a soon-to-be favorite. The audience loved it all.
Backed by a swarm of dancers and wearing a baseball tee, a hooded-vest (Bieber staple), and a nice looking pair of black and white high tops, Biebs hit the stage with his current single “Boyfriend.” Like he did at the BET Awards, it looks like he relied pretty heavily on the backing track for some of song’s the harder-to-hit notes. No bother, though, the Bielibing audience was thrilled enough to have their boyfriend there, and for a lucky few in the front row, within arm’s reach.
Surely you’ve noticed: Best Coast frontwoman and hipster clothierBethany Cosentino loves her some Los Angeles. And in the new video for “The Only Place,” directed by Ace Norton, she and guitarist and Best Coast other-half Bobb Bruno shows us exactly why.
For starters, as she sings in the title-track to Best Coast’s well-received The Only Place, the video contains multiple references to the ocean, babes, the sun and waves. Those things exist on both coasts, though, so it’s the details that make L.A. is the true “Only Place.” Details like the bunny rabbits that roam the remnants of house parties and the outdoor couches; the watermelons and the blenders readily available for blended beverages; the troops of cheerleaders and the pyrotechnic bicycles and guitars. And everyone gets a matching “Best Coast” emblazoned jean jackets. (Just kidding, only Consentino and Bruno get those. But an East Coast girl can dream, can’t she?) It’s to these sun-soaked, oddball adventures that this love song sings.
Earlier this year, Cosentino told us that this song was inspired by a bout of homesickness. As she explained: “‘The Only Place’ is supposed to mean my bedroom, my home, Los Angeles, California. It’s a place where I feel the most comfortable and confident. I wanted to make a record that reflected that this place is my safe place, and all these songs that are written about more darker, kind of lonely feelings, those all go away as I get back to this only place.” And after watching this video, how could you blame her?