The video begins with a curious homage to Pulp Fiction (or maybe Repo Man?), as lead singer Michael “Fitz” Fitzpatrick stumbles onto a briefcase of indeterminate origins and opens it up, resulting in him being bathed in golden light. He then proceeds to walk/jog through a series of urban alleyways in search of vocalist Noelle Scaggs and the rest of the Tantrums, while lens flares invade the frame at a clip that would make even J.J. Abrams blush. Along the way, a slew of feathers begin floating down through the atmosphere, which makes us think that either Sully Sullenberg was in the vicinity exacting more revenge on the geese population or there was an explosion at a nearby down pillow factory. Just when we think we might have an idea where this video might be going, Fitz falls to his knees in an alleyway and gets drenched by a raincloud that only has eyes for him.
So, what does it all mean? Well, even after watching it a few times, we’d be hard pressed to explain the video treatment, but we are certain of one thing: This song is totally boss.
When was the last time you actually purchased a movie soundtrack? In the last five years, only three motion picture soundtrack albums have wiggled their way into the Billboard Top Ten: Hannah Montana: The Movie (which peaked at #1 in 2009), Walk The Line (#3 in 2006) and Crazy Heart (#6 in 2010). It’s not that there haven’t been any good soundtracks during this period of time, it’s more that the ease of purchasing singles through outlets like Amazon and iTunes have eliminated the need for consumers to purchase 11 tracks of filler just to get the one song they really want to hear. Enter Drive.
The soundtrack, which features an awesomely-curated mix of electro bands like Desire and Kavinsky (featuring Lovefoxx) as well as an original score by former Red Hot Chili Peppers drummer Cliff Martinez, recalls the synth-heavy scores of eighties classics like Jan Hammer‘s score for Miami Vice, Wang Chung‘s for To Live And Die In L.A. and Tangerine Dream‘s for Thief. The standout single on the soundtrack, which serves as the film’s de facto “love theme,” is this collaboration between French electro outfit College and Canadian chillwavers Electric Youth, “A Real Hero.”
VH1 debuted the latest countdown in our long-running The Greatest series, the 40 Most Shocking Hip Hop Moments, this evening. If you missed it, don’t worry; it will rerun tomorrow night, Monday, September 19, at midnight. If you’re looking for the complete list, look no further. Here are the 40 Most Shocking Hip Hop Moments … so far!
The frequent emails that irascible music industry veteran Bob Lefsetz sends to his list of well-connected music biz types are pretty hit or miss. Oftentimes, they present passionate, well-thoughted arguments about the past, present and future of the music business, but just as frequently, they seem to be repetitive and somewhat curmudgeonly in nature. Last night, however, he sent out an email that contained an idea we initially shrugged off as preposterous, but ultimately, one that we couldn’t get out of our head. He writes:
“Best piece of gossip I ever heard about Train? Pat Monahan was suggested as a replacement for Robert Plant in Led Zeppelin. The idea was dismissed out of hand, but it?s a brilliant one, one Jimmy Page should still act on.
Pat Monahan can sing those Zeppelin tunes, he?s got the pipes, he does them in the Train show. And he can write.
Everyone—even Howard Stern!—knows that Monahan is one of the strongest singers working these days. That said, it wasn’t until we watched this bootleg footage of Monahan belting out the Led Zep classic “Ramble On” that we thought this idea had legs.
Gavin DeGraw has been a favorite around the VH1 halls for years now, which is why we took the news about his his brutal 4 a.m. assault on the streets of New York City especially hard. We’ve been cheering on our August Posted artist‘s recovery and gearing up for next week’s release of his latest full-length, Sweeter.
Speaking of which, Gavin popped by VH1 HQ earlier today for a Top 20 Live set, the results of which we’ll have for you next week. He was gracious enough to answer a few questions for us before the band’s soundcheck, though. We asked him about his incident last month, and whether or not he had learned any lessons from them. “Being that I’ve had thousands and thousands of great nights and just, essentially, one bad night in New York,” he explained to us, “I’ll take the odds. If New York was a casino, I’d say that those were pretty good odds.” You can check out his full video response to our question above.
Next week, Demi Lovato is going to be paying our Times Square offices a visit. She’s going to be performing a special Top 20 Live set for us, but she’s also agreed to stick around afterwards to answer any questions that you, our VH1 Blog readers, have for her! All you Lovatics have to do to participate is to leave a question below in the comments, or send a tweet to @vh1 with the hashtag #askmeanything. We’re going to try and get her to answer a bunch of your questions, so get creative!
Ever since the first time that someone decided to break out a turntable at a block party in the Bronx, scandal and hip hop have gone together like peanut butter and jelly. From notorious murders and untimely deaths to sleazy sex scandals and high-profile arrests, rarely does a week go by without some sort of drama going down in the hip hop community. On VH1?s 40 Most Shocking Hip Hop Moments, which debuts this Sunday, September 18, at 8 p.m. ET/PT, we?ll count down the most mind blowing, controversial, stunning and horrific moments ever.
VH1′s 40 Most Shocking Hip Hop Moments is a two-hour special, which will immediately be followed by the television premiere of our latest Rock Doc, Planet Rock: The Story Of Hip Hop And The Crack Generation. It’s a night that hip hop fans won’t want to miss! To get a taste of what it will be like, follow along to watch comedian and familiar VH1 talking head Donnell Rawlings share his personal thoughts on what the most shocking thing about hip hop is.
Minneapolis-bred but Brooklyn-based rock band The Hold Steady have earned themselves a well-deserved reputation for being one of the most dynamic live acts of the last five years or so, thanks to their combination of massive riffs and the can’t-take-your-eyes-off-him stage presence of lead singer Craig Finn. This Saturday night, September 17, the band is headlining Eventbrite’s Concert Confidential show at the Beekman Beergarden in Manhattan’s South Street Seaport. The event will not only benefit the VH1 Save The Music Foundation, but attendees will also have the option to make an additional donation to one of the worthiest causes we can think of at the door. Best of all? There are a limited amount of free tickets available now! So snag some tickets, order yourself up a few “double whiskey coke no ices” while you’re there, and have fun with one of the best rock bands on the scene these days. It’s all for a good cause!
Next Saturday, September 24th marks the twenty-year anniversary of Nirvana‘s Nevermind. The album had an undeniable impact on both the music industry and popular culture, one that would be impossible to adequately put into words in the space that we have allotted to us at the moment. (Don’t fret, though; we’ll be getting to that soon enough.)
In honor of this historic anniversary, our friends over at VH1 Classic and Palladia managed to get their hands on some extremely rare footage of Nirvana in concert back in 1991, which they’ll be airing at 11 p.m. next Friday, September 23. This press release about this acquisition just went out over the wires, so without further ado, here’s all the info…
VH1 CLASSIC PRESENTS THE WORLD PREMIERE OF NIRVANA: LIVE AT THE PARAMOUNT FRIDAY, SEPTEMBER 23 AT 11 PM ET/PT
The Historic, First-Time-Televised Concert Will Simulcast On VH1 Classic, VH1 And Palladia
NEW YORK, NY ? September 15, 2011 ? Celebrating the 20th anniversary of Nirvana?s genre-defining second album Nevermind, VH1 Classic will televise a special, never-before-seen concert Nirvana: Live At The Paramount Friday, September 23 at 11 p.m. ET/PT. The 60-minute, hometown concert will also be simulcast on VH1 and Palladia, MTV Networks? high-definition music channel.
At last month’s 2011 Video Music Awards, Tony Bennett introduced Bruno Mars‘ outstanding tribute to Winehouse by sharing a short clip of himself and Winehouse in the studio cutting a cover of the jazz standard “Body And Soul.” As of now, it’s one of the last pieces of recorded music that Winehouse contributed to before her tragic and untimely passing, although if the rumors hold up, there may be more Winehouse cuts on the way someday soon.
Aside from being a very pleasant rendition of the song, the thing that strikes us the most about this video is seeing Amy Winehouse in the habitat where she always felt the most comfortable — the studio. Most of the memories that we have of the last few years of her life are paparazzi shots of her strung out on the streets of London, wasting away before our very eyes. This video, in which Winehouse looks both healthy and happy, stands in stark contrast those tabloid images. Sure, she appears a bit fidgety at times, but we attribute that behavior not to drugs, but rather to her uniquely personal method of channeling the ghosts of great jazz singers past, like Ella Fitzgerald and Billie Holliday (both of whom not-so-coincidentally recorded versions of “Body And Soul”). We’ll also admit it breaks our heart more than a little bit to watch the way that she coyly batted her mascara-laden eyelashes at the inimitable Bennett, knowing that we’ll never get to see her do that again.