Like millions of Americans, we tuned into our local ABC affiliate to watch Nicki Minaj perform this morning live from Central Park on Good Morning America. However, unlike a lot of other eagle-eyed viewers (like our pals over at Mediaite), we initially didn’t notice that the Queen Barbie slipped a nip on national television. However, when we saw the term “GMA Nip Slip” begin trending on Twitter, we did some investigation and yep, there it is! To put it in perspective, it’s nowhere near as controversial as the infamous Janet/Justin wardrobe malfunction, but still, talk about a Moment that will last 4 Life!
Turn your eyes away if you don’t want to see it. Warning, what you’re about to see is strictly NSFW (Not Safe For Work):
Now, thanks to our friends at Vulture, we find out that Taylor Swift’s knowledge of hip hop history extends beyond today’s Top 40. At a recent performance in Grand Rapids, Michigan, T-Swizzle broke out her acoustic guitar and, much to the delight of the crowd, tore into the first verse of Eminem‘s Mitten State anthem, “Lose Yourself.” And you know what? Even the most vehement Swift haters would agree that she didn’t totally embarrass herself; her performance, while understandably less intense than Em’s in 8 Mile, is delivered in a manner that’s both playful and convincing. Color us impressed. Next stop: “Yonkers”!
Tens of thousands of music fans are, as we type, passing through Chicago’s O’Hare and Midway airports on a pilgramage to Grant Park for Lollapalooza 2011. After a torrid month of July in the Windy City, the weather forecast is calling for sunny temperatures in the low eighties for most of the weekend, which is perfect festival-going weather; there is a chance of isolated thunderstorms on Sunday, though. Still, what’s a little rain when you have over 150 of the world’s best bands and DJs all gathered within 1.2 square kilometers of each other?
As we have explained for you in the past at Coachella and Bonnaroo, festival-going is all about making tough decisions. At any given time this weekend, upwards of six acts will be performing simultaneously, and some of these overlaps are bound to involve bands that you care about equally. Sadly, because of the sheer size of the park (319 acres, yo) and the amount of people on the grounds, waffling on your decisions could lead you to missing both acts. So, in the interest of being as service-y as possible, we’re putting the spotlight on five of these potential conflicts and arming you with as much information as possible to help you make an educated decision.
FRIDAY, AUGUST 5
Foster The People (3-4 p.m.) OR Grace Potter & The Nocturnals (2:30-3:30 p.m.)?
Right at the time when most people will first be entering the festival grounds for the weekend comes our first tough decision as two of our You Oughta Know alums are going head-to-head. Foster The People have the #1 alternative song on the Billboard charts at the moment (“Pumped Up Kicks”), while Grace Potter and her Nocturnals are seasoned festival performers who lean on heavy riffs (and Potter’s famously long legs). This is a toughie, but based on their highly buzzed about “breakthrough performance” at Coachella this past April, we’re going to suggest you check out Mark Foster and his People as they perform to what will surely be their largest audience to date.
And with the debut of Behind The Music: Adam Lambert now just three days away—it premieres this Sunday, August 7, at 10 p.m. ET/PT—we’ve got another sneak to share with you. In the video above, Adam discusses the early stages of when he “realized that I was probably not the same as the other boys.? This was around the time that he was 12, and he confesses that “to me, it was a deep secret … I didn?t know how my parents would react, and I didn?t know what that would be like, and I think, at at that age, it was something that I was ashamed of because it was so different.” For Glamberts the world over, this is a special not-to-be missed.
While it will still be another 18 months or so until Twilight-mania finally subsides, the next big franchise poised to gobble up the disposable income of America’s rabid teenage girl fanbase will almost certainly be The Hunger Games¹. There is currently a film adaptation in the works, and it is scheduled to hit theaters next March. Earlier today, The Hollywood Reporter landed the scoop that there will be not one but TWO soundtrack albums produced for the Lionsgate film. One will feature the instrumental score co-composed by Grammy-winning soundtrack maestros T. Bone Burnett and Danny Elfman, while the other will feature “collections of the songs featured in the film and songs directly influenced by the themes — freedom, rebellion, survival, family — and subject matter of the film.” No specific artists have been announced yet, but we’re not going to let a silly thing like that stop us from speculating about the contents of said soundtrack. Here is the The Hunger Games soundtrack tracklisting … of our dreams.
If you were a Mad Scientist and were looking to create the Perfect Pre-Teen Pop Star in a laboratory, your end result would probably look something like Britain’s Got Talent finalist Ronan Parke (that is, if you were any good at being a Mad Scientist). He’s got Justin Bieber‘s adorably dreamy hair helmet, Greyson Chance‘s vocal range, and the irresistible British accent of a young Davy Jones. However, unlike those other teenage dreamboats, there’s an undeniable air of melancholy that permeates all of his performances, which has us wondering whether he’s cut out for international superstardom.
Take his cover of Lady Gaga‘s “Edge Of Glory,” for example. Whereas Gaga’s song wears its anthemic qualities proudly on its sleeve (regardless of whether you’re listening to the album version or her acoustic take on Howard Stern), Parke’s take is stark, haunting and dripping with sadness. Gone are the joyous, celebratory punctuations of Gaga’s original (“Alright, ALRIGHT!”), which makes us wonder why this 12 year-old boy is so darn depressed!
Now, don’t get it twisted, we’re not haters. Parke’s vocal chops are undeniable (at least until he hits puberty and his voice breaks), but right now, he’s little more than a chameleon. He doesn’t yet have the life experience to understand the underlying themes of the music that he has been covering—don’t EVEN get us started on his take on Bob Dylan’s “To Make You Feel My Love”—which is why his cuts feel just a bit off, emotionally speaking. Time will tell as to whether he’ll be able to capitalize on the fame that his Britain’s Got Talent appearance netted him, but if he is to succeed, his minders would be wise to have him concentrate on laying down some more age-appropriate tracks that will hit his target audience of teens and tweens right where it counts — their wallets.
The dog days of summer are upon us, people. It’s August, it’s hot outside, and the news cycle is starting to slow to a crawl. The general sluggishness of the season is even affecting the music industry, as music fans don’t seem to be gravitating towards any new material. Instead, they seem to be content to play the same songs that they’ve had on repeat all summer long.
Case in point: Katy Perry‘s “Last Friday Night (T.G.I.F),” which has exhibited a stranglehold on the top of our Song of the Summer Countdown for six consecutive weeks. Her song looks to have a lock on the prize at this point, but then again, maybe The Throne (aka Jay-Z and Kanye West) can mount a last-minute challenge when their highly anticipated collaboration Watch The Throne drops next week? Stay tuned!
If you don’t have a teen or tween living in your household, chances are you’re not familiar with Victoria Justice … yet. The 18 year-old is the latest in a long line of multi-hyphenates to emerge from Nickelodeon universe, thanks to her acting work on the sitcom that bears her name, Victorious, as well as her burgeoning music career. Her perky pop song, “Best Friend’s Brother,” has been bubbling up in the Billboard Hot 100 and iTunes charts for most of the summer, and now her cover of The Jackson 5 classic “I Want You Back” seems poised to make an appearance on more than a few playlists on the iPods of the millenial set. The cover was the focal point of this past weekend’s one-hour movie special, Victorious: Locked Up (hence the orange jumpsuits in the video), and the Victorious soundtrack hits stores today.
As we near the end of our celebration of MTV’s 30 birthday, we figured it would be apropos to look back at thirty of the moments that defined the channel. Now, we easily could’ve listed 30,000 reasons why we love our MTV, but we’ll just have to wait until MTV’s 30,000th birthday to publish that list. For now, enjoy this cornucopia of memorable reality shows, groundbreaking music videos, hilarious interviews, jaw-dropping moments of violence, and celebrity beef.
29) “Paint The Mutha Pink”
This memorable promo for a 1984 MTV contest was pegged to the release of John Cougar Mellencamp’s album, Uh Huh, which featured the eighties heartland anthem “Pink Houses.” The grand prize winner received a house in Bloomington, Indiana (Mellencamp’s hometown), which came with a special paint job: Pink.
28) Totally Pauly
Hey buhhh-deeee, don’t go weezin’ all the juice! After landing a gig as a VJ in 1989, Pauly Shore went from being an unknown stand-up to a major motion picture star inside of two years.
When Nirvana first appeared on MTV’s Headbanger’s Ball in the fall of 1991, they weren’t yet the cultural phenomenon they would become just a few months later. At the time, the word “grunge” had not yet percolated in the mainstream, and Kurt Cobain and Krist Novoselic were just two-thirds a well-regarded (if little known) band from Seattle, not international superstars nor rock icons. So, it’s little surprise that Headbanger’s Ball host Riki Rachtman –whose allegiances to the LA hair metal scene made him “the enemy” for these Seattle upstarts– treated them as curios rather than the megastars they would eventually become. And who can blame him, really, with Kurt Cobain all but refusing to engage in conversation and dressed in a ridiculous yellow ball gown?
You can catch highlights from the early days of MTV during this, the 30th anniversary of the channel?s launch, all weekend long on VH1 Classic.