Kelly Rowland’s “Kisses Down Low” is a unsprisingly sexual song, although not surprising for Rowland herself, whose last single “Ice” contained lyrics such as these: “Take the ice cube (boy you know what) /Sit it right below my navel and watch what I do /And that’s my favorite angle /My legs are numb now /Your lovin’ be givin’ me chills.” Perhaps what is surprising is the song’s accompanying music video, which just came out today, and is a fairly innocent and flashing collection of Kellys–each with a different haircut. The video doesn’t venture far from just that, which seems to conflict with the song’s super sexy agenda.
Posts By Lindsey Weber
Fall Out Boy is getting back together. It’s all very exciting. Their new single, “My Songs Know What You Did in the Dark (Light Em Up)” is TWELVE words long (including what’s in the parenthesis) and as far as I’m concerned, each word is more thrilling than the last. Because aside from being known as the band with Pete Wentz, they’re also quite well known for having the most wonderfully ridiculous song titles. Ridiculous(ly awesome) in length (and super into the usage of the parenthetical aside). In honor of their new single and its TWELVE WORDS, I’ve ordered some of the worst FOB offenders from least to most offensive. See if you can figure out what the songs are about just from the titles!
A Text Edit box filled with lyrics against a blue desktop. 1:09 remaining on Frank Ocean‘s laptop battery, as he posts what bloggers are now calling “Wiseman” (but originally had no name) to his Tumblr. The song reads like a fable, as Ocean tells a story parallel to the historical rework of Quentin Tarantino’s Django Unchained.
Ocean finds universality in the movie’s lessons, his song going from, “I bet your mother would be proud of you” into “I bet our mother would be proud of you”. Why wasn’t the track used in the film?
Tarantino commented it last month:
Frank Ocean wrote a fantastic ballad that was truly lovely and poetic in every way, there just wasn’t a scene for it. I could have thrown it in quickly just to have it, but that’s not why he wrote it and not his intention. So I didn’t want to cheapen his effort. But, the song is fantastic, and when Frank decides to unleash it on the public, they’ll realize it then.
Remember JoJo? No, not that JoJo, this JoJo. The JoJo that launched her career when she was just thirteen and starred in a movie with Robin Williams. Well, JoJo isn’t thirteen anymore, and since her hit album she’s been doing all sorts of good stuff–most of it under the radar. There was that cover of Drake’s “Marvin’s Room” that sounded (dare I say) better than the original? Last year’s “Disaster” even peaked at 29 on the Billboard charts last year. Most exciting, however, is JoJo’s newest project: an EP called Agápe.
Everyone’s favorite emotional rapper Drake was bound to tap into the requisite holiday sadness. Not to mention that he’s actually Jewish, but even eight days of miracles didn’t stop him from taking out his holiday woes by taking to Instagram to attack the YOLO industry that is sprung up following his lead:
Contrary to popular belief, the music most celebrated on the charts isn’t always the best. Okay, that was sarcasm. But even artists with hits on the charts have a slew of singles that fall by the wayside. Not every album is a Katy Perry string of #1s. Thus, here is a list of artists whose albums were certainly recognized, but had singles that didn’t quite get the attention they deserved.
1. Rye Rye, “Boom, Boom”
Rye Rye’s delayed and delayed album Go! Pop! Bang! finally came out in May of this year–and is really fantastic. An upbeat, eletro-pop banger that not only samples the Vengaboys‘ “Boom, Boom, Boom, Boom”, but also elevates Rye Rye’s signature sound. Unfortunately, it didn’t do so well on the charts, only hitting #9 on Dance Songs.
Blasphemy! But someone had to do it. Everyone calm down, I’m not saying that you can’t play Mariah Carey‘s “All I Want For Christmas Is You” until your iPod breaks. All I’m saying is that there is so much more out there in terms of cheerful spirited holiday-themed music that is both modern and mostly listenable.
Let’s put aside our differences and agree that lists are fun. They are also only definite if you actually add them to your holiday playlist. SO: WILL YOU?
Uh oh, Taylor Swift‘s in trouble. Like, a lot of trouble. So much trouble that she’s been forced to act. And act she shall–putting all the emotion in her now-23 year old body into the “I Knew You Were Trouble” video. It’s perfect, actually–those dip-dyed locks were made to roll around on the desert floor. Even a meaningful key drop is made dramatic by Taylor, who is a huge fan of metaphors. Want to see what we mean?
Shoulda, coulda, woulda they say, and if we were heading up things at these labels, we might’ve done things a bit differently. But alas, we do not so we do what we do best and make a catchy end of year list that points out songs that deserved their run at the pop charts. Even if they never see the light of Billboard glory, they’re certainly some of the best songs of the year and should get your listen. Who knows! Did you know “Starships” wasn’t even on the original run of Nicki Minaj‘s Pink Friday? That’s right, and mostly why there was a “Pink Friday 2″ aka Pink Friday: Roman Reloaded. So there’s always a chance for long-lost songs to see new glory. Here are the ones we think deserve it.
Ciara, “Livin’ It Up”
Talk about a missed opportunity, Ciara’s “Livin’ It Up”, a tropical romp across a Kid ‘N Play sample, isn’t even included on the final version of her album One Woman Army. Snatched from a Cosmopolitan Magazine sampler CD, blogs went nuts over the track after it leaked across the web in anticipation for the album. Too bad that when Ciara released her first single, the apty-named, and decidedly down-beat “Sorry”, turned out “Livin’ It Up” was more of what everyone wanted.
Frank Ocean, “Lost”
channel ORANGE received a whole bunch of attention this year, although it was Frank Ocean’s sexuality that managed to steal the spotlight most of the time. The album ended up being a gorgeous collection of songs that perfect flowed in and out of each other–even the 9+ minute “Pyramids” shined. But if any song had a chance at the pop charts, it would’ve been “Lost” a song that tells the tale of a drug-cooking girlfriend atop a catchy pop melody.
2012 was the year that Taylor Swift made her first (mostly) adult record, hosted a VH1 Storytellers, sold 1.2 million albums in a week, broke iTunes records, dated a Kennedy, covered all the magazines and pizza boxes, earned herself $57 million dollars, and — and well, you get the point: Taylor had a tremendous year. In order to properly celebrate her 2012, our pop blogging friends over at Popdust have declared Taylor to be their Artist of the Year. But before she was allowed to claim her crown, she had to answer a few questions about what made 2012 so special for her.
Here is how Taylor’s 2012 — which she says “was more like a two-year process, actually, culminating in a surprisingly pleasant reception for Red” — breaks down: