Earlier this month, Drake released a new song called “Marvin’s Room” on his blog, October’s Very Own. If you haven’t heard it yet, the track consists of an intoxicated Drizzy vulnerably addressing an ex-girlfriend, trying to convince her that she can “do better” than the boo with whom she’s currently in a relationship. Coaxing her with his evocative fairy dust, the still-smitten singing rapper can seemingly not let go. Now considered a contemporary drunk-dialing anthem, “Marvin’s Room” is Wheelchair Jimmy’s Drake’s personal adjusting-to-celebrity confession session, yet still relatable enough to potentially rouse emotional baggage from our own civilian relationships past. Lucky us!
Striking similar chords with female vocalists, pop/R&B singer JoJo decided to remake the song last week, delivering her own version from a female’s point of view, and snagging quite a bit of buzz off her naughty lyrics. Teyana Taylor, too, just transformed “Marvin’s Room” into “My Room,” proving that she clearly didn’t give a damn about the poor guy in the original song’s title. And speaking of this “Marvin,” you probably noticed that Drake doesn’t mention him at all on the track, triggering a head-scratcher we found ourselves dealing with: If he’s important enough to garnish the song’s title, why the EFF don’t we know who Marvin is?
Beyonc? treated fans in Nice, France to a three-song cover medley in concert last night, tackling Queen‘s “Bohemian Rhapsody,”Prince‘s “The Beautiful Ones,” and Kings of Leon‘s “Sex on Fire” in quick progression. B bungled a few of the “Bohemian Rhapsody” lyrics, but by the time she hit Prince, she hit her lyrical stride.
Foster the People came to our offices for an exclusive four-song performance earlier today. In-house performances always draw a crowd, but for a new artist, the trio (lead singer and guitarist Mark Foster, backed by bassist Cubbie Fink and drummer Mark Pontius) drew a particularly large and excited group of MTV and VH1 employees out of their cubicles and offices and into the foyer where the band was playing. That’s yet another sign of the momentum building behind the band, whose first single “Pumped Up Kicks” just unseated Foo Fighters‘s “Rope” at the top of the Billboard Alternative Songs chart after over a year of slowly-building word of mouth. In an MTVHive interviewMatt Pinfield conducted, Foster even mentioned Hype Machine, the mp3 blog aggregator that tracked tens of thousands of streams of their single and other tracks. Their debut album just came out last month, and the word is, they’ll be announced as our next You Oughta Know artist next week.
The set sounded great, but we won’t tease you too much with descriptions until we can share footage with you. We will say that they played the three songs from last year’s self-released EP (re-released by Startime in January)?new single “Houdini,” Song Of The Summer contender “Helena Beat” (a sneak preview of which can be seen above) and of course “Pumped Up Kicks”?plus an early fan favorite from the new record, “Color on the Walls (Don’t Stop),” which has a bassline that resembles Nirvana but with an entirely un-grungy guitar melody over it.
It’s the longest day of the year in the northern hemisphere?officially the first day of summer?so even though the season’s lazy days are ahead of us, what better time to start looking back at the evergreen songs of summers past? This morning, the Village Voice‘s Sound of the City blog ran an extensive Q&A with DJ Jazzy Jeff about one of the most enduring summertime songs, his own (with the Fresh Prince) “Summertime,” which turns twenty this year. Will Smith channeled his own nostalgia for Philly summers past (while in Los Angeles shooting the first season of The Fresh Prince of Bel Air) into a timeless nostalgic anthem. Read more…
Yesterday was surprisingly strong for late night music on a Monday. Bon Iver kicked off “StePhest Colbchella ’011: Rock You Like a Thirst-icane” on The Colbert Report and Mint Condition slayed the Late Night with Jimmy Fallon crowd as Weird Al Yankovic, sitting in with the Roots, looked on. (Panic! at the Disco weren’t bad on Kimmel either.)
The best performance of the night, though, belonged to Sharon Jones and the Dap-Kings, who burned up the Lopez Tonight stage. The whole crowd clapped along with the punchy throwback-soul number “Without a Heart,” thanks in no small part to the Dap-Kings’ sharp playing. Were Sharon Jones a James Brown-style bandleader, she wouldn’t have needed to fine any of the Dap-Kings a cent. As it is, Jones is a much less harsh figurehead than Brown ever was, though her gruff vocals hardly have less power for it (though she definitely leads the way?the band stops on a dime on the line “I could be cold as ice”). Of course, the band nods to their roots by ending the song with a mini-riff of Brown’s soul classic “I Don’t Mind.”
Renee Graziano Styles Ghostface Killah
In case you missed yesterday’s Mob Wives and haven’t caught up with Liz Black‘s recap yet, make sure you do! Staten Island’s own Ghostface Killah met up with Staten Island’s own Renee Graziano in one of the episode’s few lighter moments for Graziano.
Jeremih Covers Adele‘s “Rumour Has It”
“Down On Me” songster Jeremih tried his hand at a cover of “Rumour Has It,” from Adele’s still-chart-topping 21, for Billboard today. He even dropped a bit of “Ice Ice Baby” and “Under Pressure” into a breakdown. Read more…
Amid rumors that she nearly foughtNicki Minaj backstage, Britney Spears turns her microphone into a weapon?literally?in this interesting teaser for her new video “I Wanna Go,” which premieres Wednesday. Aside from the obvious allusion to Gogo Yubari, the schoolgirl character from Kill Bill, Vol. 1 (see below), (and the McTiernan joke on the theater marquee: CROSSROADS 2: CROSS HARDER) the most interesting visual aspect to this teaser is the appearance?on Britney’s shirt and on a wall?of a skull with Mickey Mouse ears.
2011 seems a strangely belated time for former Mouseketeer Britney to be making any sort of statement with this Shepard Fairey-style graffiti combination, but we’re curious where (if anywhere) the video goes with this, not to mention that the notoriously litigious Walt Disney Company could argue that the imagery doesn’t fall under fair use.
Still, seeing Britney as a rather believable warrior on the New York City streets (deadlier than even Adam Lazzara) speaks to the continuing rehabilitation of both her self-representation and her public image. At the very least, the video looks to be better than “Hold It Against Me.” We’re looking forward to Wednesday’s premiere.
The first two stops of Britney Spears‘s Femme Fatale Tour are in the can, and the reviews are in. Is the tour a success? It depends whom you ask (or maybe which night you attended).
Carla Meyerraved at the Sacramento Bee about Spears’s tour kickoff on Thursday night, a “relaxed” yet “excited” performance that was no less professional for the “fun” Spears had while “hitting all her marks.” Barry Walters, who attended the same show for Rolling Stone, reported the same: “She’s wisely focusing on the present…while offering possibly her flashiest, fastest moving, and most entertaining production yet.” He complimented her agility and showpersonship.
The two reports disagree on opener Nicki Minaj; Meyer praised her “magnetism” and “attention to detail” while Walters thought the set “lacked in commitment.” Both did find it (understandably) strange that Spears’s “Till the World Ends” performance featured an onscreen Minaj instead of an in-person one.