So that thing about Taylor Swiftgoing dubstep? It’s true, and the proof is here. This morning on Good Morning America, Taylor previewed a snippet of “I Knew You Were Trouble,” a song that she says this is one of her favorites on the album, because “It sounds just as chaotic as the feeling was when I wrote it. It’s a song about kind of being frustrated with yourself, because here you are heartbroken, and you knew when you first saw that person, you saw all these red flags and you just went for it anyway.” And that chaos is palpable in even these first twenty seconds of the song, as her gut-wrenching confession gives way to a big ole’, gut-punching bass drop. No shame, Taylor, your dubstep game is so real.
“I knew you were trouble when you walked in, so shame on me know,” she sings, the piano line growing bigger and more industrial until — boom, it all drops and through the quiver of autotune she sings: “Now I’m lying on the cold hard ground, trouble trouble trouble.” This sort of emotionally manipulative drop is something we’ve come to expect from pop stars these days (think Britney Spears‘ “Till The World Ends,” think Justin Bieber‘s “All Around The World”), and while we hadn’t exactly anticipated it from a country princess, it definitely works here to highlight the devastation Taylor was feeling after whichever breakup (Jake? John?).
We will reserve full judgment until the song is made available on iTunes tonight at midnight. But until then, what do you think of Taylor’s dubstep game?
Jay-Z christened Brooklyn’s new Barclay’s Center right. Ahead of his eight-concert opening run, he told Rolling Stone that there wouldn’t be any guests because, “This is my one chance to be selfish. Can’t I? Can’t I be selfish? Thank you.” Though Big Daddy Kane and Memphis Bleek both touched down early in the run, he mostly kept true to his plan, taking the stage each night with only a shining gold bottle of Ace Campaign — to be poured out for Biggie during “Juicy” — for company. Because, when you own the place! There was still hope that Jay, on the eighth and final night and with all the world watching on YouTube, would call out the big guns. And he did, he brought out the biggest he’s got: his wife.
After doing “Bonnie and Clyde ’03” by his lonesome, Jay stepped aside and out from a glowing tunnel walked — strutted, rather, hips swinging wide as the beat to “Diva” picked up — none-less-than Beyoncé. Keeping brand in all black leather, her custom Nets hat included, and sunglasses on and swaddled with back up dancers. After “Diva,” she gave Brooklyn a shout-out and then asked politely if she could do one more.
After watching Christina Aguilera‘s new video for “Your Body,” it’s readily apparent that she’s ultra-confident about her curves. And why shouldn’t she be? Her beanpole “Genie In A Bottle” days are a distant memory, and motherhood seems to be doing wonders for her self-confidence and overall attitude.
That confidence, along with every other inch of her body, is on full-display on the cover of her new album, Lotus. None other than @TheRealXtina herself tweeted out her new(d) album cover today, a little over a month before her long-awaited follow-up to Bionic hits shelves. It’s the kind of cover that Georgia O’Keeffe, the undisputed Queen of Vaginal Symbolism, would be totally proud of.
Let Wale tell it on his new track “Arrival,” the first album was slept on while the second one brought on the groupies. He’s back in the studio working on his third album as the rest of his Maybach Music Group puts in overtime to take over as the leading rap crew in the game. Fans of Wale’s early mixtape days will be happy the D.C. native has returned to his proverbial roots. An old school sample serves as the slowish instrumentation on “Arrival” where he jumps right in addressing the controversy over no dark skinned black women being featured in “Pretty Girls.” “Love a dark sister, but I ran through lights like medic routes.” Read more…
If you’re over TV talent show audition rounds, say “do-re-mi!” That sounded a little off-key, but we won’t judge. What we will critique are the skills of our favorite pop-stars-turned-reality-TV-judges, X Factor‘s Britney Spears and The Voice‘s Christina Aguilera.
We’ve been pitting them head-to-head each week to decide who is the master star spotter on her respective show. As always, we name our winner, but feel free to affect your best Simon Cowell impression and rip into both in our comments section.
Sassiest Comment: “I think Sister C’s annoying. Really not likeable.” While everyone else was gushing over the new generations’ Dixie Chicks, Britney was the lone voice of dissent Read more…
Topping the charts, launching a global phenomenon, topping the charts, breaking records, and today the New York Daily News informs us that K-pop’s unassuming star Psy is working miracles now, too. Because, babies they just love him! As The New York Daily Newshas found, babies go “gaga for Gangnam,'” and so parents the world wide have turned to the satirical video to calm their cranky kids. As evidence, they present two such babes: the adorable Benjamin of London, who seems to figure lunch is best served with a little giddy-up; and little Claire of West Virginia, above, who knows that tears are a major “Gangnam Style” faux-pas. It’s hard to say what exactly these kids like — the bounce, the bright lights, the sharp satire of Korea’s nouveau riche — because the parents in the story seems most interested in the fact that it works, and every time. And who could blame them?
Because there’s nothing better than getting your groove on and your kid quiet at the same time, we’ve found five other artists that seem to possess the same magic that calms a cranky baby. Like all the parenting manuals say: YouTube, a real modern parents’ helper!
Kaleidoscope Dream is the magical sophomore album by Miguel, an LP in which he infuses the sounds of rock, soul and funk into the expanding box that is modern R&B. On “Adorn,” which is currently No. 1 on the Hip-Hop/R&B charts, he croons about love and intimacy over the funky bass line. “‘Adorn’ is romantic, but it’s dirty at the same time,” he told us the day his album dropped. “It’s all the highs of love with all the coolness of the party.” Then there’s “Use Me,” “Do You,” “Arch & Point,” and “Pussy Is Mine” that explore the beauty of intimacy. While “Do You” is as much about the sensuality (“Do you like hugs? Do you like love?”) as it is about sex (“I wanna do you like drugs tonight”), the provocative “Pussy Is Mine” is completely about Miguel’s friend with benefits making him feel like it is all his. Read more…
He told us back in 2001’s “U Don’t Know,” “I am a hustler baby, I’ll sell water to a well.” Jay-Z wasn’t speaking in hyperbole either. Today he’s one of rap’s greatest moguls due to his entrepreneurial (aka hustling) ethics. According to Heavy, the bus-iness man’s latest venture includes launching a new YouTube channel named after his website Life+Times. Hold on to your chairs because the good news gets even better. On Saturday, October 6 the channel launches at 9:30 with a live stream of his final show of the eight-concert series at Barclays Center in Brooklyn. That’s right, folks. You can watch Jay-Z perform your favorite hits from the comfort of your living room sofa. Read more…
British dance-floor darling Ellie Goulding has joined forces with Scotland’s club king Calvin Harris for “I Need Your Love,” a shimmering new cut from Harris’ upcoming album 18 Months and a bonus track off of Goulding’s own Halycon. It has only ever been a matter of time before these two found one other, and it was inevitable that their meeting would result in such a spark. They shouldn’t have to ask, though — of course they can have our love!
The stripped vocals on “Anything Could Happen” had us thinking that Goulding might be edging out of “Lights” Lite-Brite like glow for this second round, but Harris seems to have dragged her back to the dance floor, and to an ecstatic effect. “I Need Your Love” bleeps and bloops and bounces along an electronic beat, which might have sounded two-bit if not for that piano line. Goulding meanwhile returns to her signature smoky-cooing, begging that: “I need your love, I need your time/ When everything’s wrong, you make it right/ I feel so high, I come alive/ I need to be free with you tonight.”
What do you think, does “I Need Your Love” earn your love?
Adele‘s much anticipated Skyfall theme song is at last a mission accomplished. The titular song’s reveal has been less than stealthy, months of speculation as to Adele’s part in the project giving way to a Tweeted clue and then a substantial week earlier this week — a falter that we imagine 007 might have gotten a finger wagging for. But all is forgiven now that the thing’s landed, because the song does better than well to uphold the mission and is as Bond-y as a James Bond theme song need be. And as a bonus, it also serves well as a new Adele song, something we’ve all been jonesing for.
Adele sounds ever so glamorous singing over the cinematic strings and wide-screen orchestration, but she also plays it cool, saving the rousing “Rolling In The Deep”-scale vocal show until the end of the song. It’s like she spent the first two thirds of the song cooing over martinis — shaken, not stirred — in a dusky bar, just waiting for the right moment to break out the big guns. You know, Bond style.