It’s finally happened; Nicki Minaj, the self-proclaimed “Barbie,” has become a Barbie for real. And Nicki is suitably rapt by the homage, telling Billboard, “It shows that my Barbz are special, and everyone loves them as much as I love them, so I want to thank them, most importantly” (“Barbz” being Nicki’s ever-growing legion of fans).
Nicki might be surprised at Mattel choosing her to model a Barbie upon, but we’re not, and it’s not just the moniker that’s pertinent. With her pink hair, stable of wigs, brightly colored fantasy outfits and exceptional proportions, Nicki was always destined to be a Barbie. The limited edition doll will be auctioned via CharityBuzz.com on December 7 and all proceeds will be donated to Project Angel Food in support of those affected by AIDS.
It’s official! After months of rumors, Madonna has been confirmed to be the guest performer at next year’s Super Bowl halftime show. Obviously our whole morning has been dedicated to speculation — we want to know what Madge will play! Considering the release of her new album is expected next spring, hot on the heels of the February 5 Super Bowl, we’re expecting Madonna to play a few new tracks, but there’s got to be room for a few classics too, right? We’ve put together our dream set list, what’s yours?
Last night, MTV2 debuted its first annual Sucker Free Awards. Taped in November at Sunday night hot spot LIV Fountainbleau Miami Beach, the 7-category award show’s party atmosphere was hosted by MTV’s Sway Calloway and featured interview packages of and appearances and performances by most of today’s hot hip hop artists.
The highly anticipated posthumous album Amy Winehouse Lioness: Hidden Treasures was officially released today amidst mixed reviews and high emotion. Amy‘s father, Mitch Winehouse, has expressed how emotional the process of producing the album has been, saying, “The estate, which I’m a part of – my ex-wife and I – we could decide to put it out or not put it out, and when we went to listen to the album it was a very difficult time for us. It was very emotional.” It seemed, on all accounts, that the sheer poignancy of Amy’s death would be enough to carry the album, and to have it connect with her legions of fans and admirers. However, the album, now released, has been met with mixed reviews.
The Seattle Post Intelligencer calls Lioness: Hidden Treasures “sublime,” “nostalgic, wine-soaked heaven.” The Guardian, however, was not so forgiving, acknowledging that the album is revealing of Amy’s struggles, but that it is subpar considering the strength of Frank and Back To Black. Cynically, the Guardian review surmises, “Presumably it was felt that was what was wanted by the audience Lioness: Hidden Treasures is expected to attract: not the kind of diehard fans who normally flock to posthumous collections of out-takes and demos, but mainstream record buyers, Radio 2 listeners, the Christmas market. Which, of course, tells you something else about Amy Winehouse,” positioning the album essentially as a cash grab by Amy’s estate.
Die hard Black Keys fans the world over are wide-eyed in disbelief as the unassuming band is skyrocketing their way to rock superstardom, mainly because we’re just so used to their defiant, organic sound flying ever so slightly under the radar. But the attention is well deserved, as the Black Keys’ dedication to rock’n’roll is completely unwavering, their music consistently inspiring. Since they made meme status with the “Lonely Boy” dancer, it only makes sense that the next logical step is a second appearance on Saturday Night Live. Performing “Lonely Boy” and “Gold On The Ceiling,” the Keys shine, upping the ante for their contemporaries and giving rock authenticity a much needed renaissance. If you like what you saw on SNL, be sure to tune in tonight for MTV Hive’s‘s live stream of the Black Keys in concert from New York City, at 9 p.m ET/6 p.m. PT.
La Isla BonBritney-ita
Perhaps in honor of her 30th birthday, the Britney Spears fansite BreatheHeavy posted a previously unheard and unreleased Britney track today called “Love 2 Love U.” This would be fairly unremarkable if not for the fact that the song borrows the beat and the vocal cadence of Madonna’s “La Isla Bonita.” Listen below, and CHA CHA! [BreatheHeavy via Idolator]
Justin Vernon Of Bon Iver Thinks The Grammys Are Unimportant And Don’t Mean Anything Bon Iver‘s Justin Vernon put the Grammys on blast, saying, “it’s just not important and people spend too much time thinking about it.” Yeah, he went there. Maybe he’s got a bee in his bonnet over collaborator Kanye West‘s Album Of The Year snub? [Pitchfork]
Poor Rihanna. The 23-year old performer is in danger of being seriously over-worked on her 101 date world tour, with reports flooding in that her health is suffering. It has been reported that RiRi broke down backstage in Dublin in November, almost cancelling her show, so she’s been put under 24 hour health watch — meaning that she’ll be under constant surveillance and now has a curfew — in a bid to curtail her overwhelming exhaustion.
It’s no wonder the star has been run ragged. Her Loud tour, which has kept her on the road for the last ten months, hasn’t been the only thing taking up RiRi’s time: she’s appeared on The X Factor and The Grammy Awards Nominations concert; she’s been looking for love, blitzing the charts as well as releasing her newest album, Talk That Talk, mid-tour. All in all, it’s been a jammed packed year for the “We Found Love” singer. We hope RiRi gets a good night sleep soon, or at the very least, takes another relaxing vacation with the gals.
This month, as part of a Vanity Fair cover story, Tony Bennett and Lady Gaga had themselves a Jack and Rose moment, albeit without the illicit romance. In Titanic, the devilishly handsome Jack sketches the unattainable Rose as she lies sprawled and naked before him. Before any nudity ensues, however, Rose asserts, “The last thing I need is another picture of me looking like a porcelain doll,” and we’re thinking the line could have just as easily slipped from Lady Gaga’s lips. Bennett’s charcoal rendition of Lady Gaga is stripped down and raw — Mother Monster without all the accoutrements we’re used to seeing her robed with. Bennett’s drawing, in short, is of a human girl we’ve yet to really see. And it’s beautiful.
Lana Del Rey has finally released the official recording of the highly anticipated track “Born To Die” off her debut album of the same name. Until now, Lana has only played the song live, teasing fans, who until now had to satisfy themselves with “Video Games” and “Blue Jeans,” and the young performers back catalog from her days as Lizzy Grant.
“Born To Die” continues in the same vein as Lana’s previous work, continuing to uphold the Lana Del Rey illusion after a brief stumble, with retro throwback instrumentals, a tonality lending itself towards the maudlin, and emotionally wrought, sentimental lyrics. Unfortunately, however, Lana has changed some of the lyrics that had fans (the boys mostly) going crazy. In the chorus, when performing live, Lana has previously sung “let me f–k you hard in the pouring rain,” but the official version replaces the expletive with the very PG “kiss.” Never fear — the audio release comes with GIF-inspired imagery of Lana Del Rey without her top on, exposing a satisfying amount of side boob. Let the Lana fantasy continue.