This week on That Metal Show, we had Alice Cooper, Jack Russell (Great White), and Brian Tichy rockin’ out on drums. We also asked Scott Ian (Anthrax) to stop by and be our first ever celebrity guest to participate in the “TMS Top 5,” and he helped us figure out the Top 5 Guitar duos of all-time. With all of the hard rock and heavy metal bands out there, it was pretty tough to come up with just five, but as you know, it’s called the “TMS Top 5,” so we’re keeping with tradition.
We’re still bummed that John Mayer was forced to put his plans to tour in support of his upcoming album Born And Raised on hold while he recovers from a pesky throat condition, but we’re glad to see that he hasn’t gone fully dormant. On his Tumblr site last night, he debuted an instrumental cover of Lana Del Rey‘s “Video Games.” As if that song weren’t already haunting enough as is, there’s an otherworldly echo that runs throughout Mayer’s dubbed, guitar-only version of the song. It’s got almost an old-timey western feel to it, like something you’d hear in a saloon while drinking a beer and listening for someone to whistle your name. It’s sort of the perfect way to start de-stressing in the last few minutes before the siren blows on this Friday afternoon, signaling the close of another work week. In other words, this is our idea of fun.
The Seattle scene of the late eighties and early nineties produced some of the most beloved rock bands not just of the last twenty years, but of all-time. The influence and impact that acts like Nirvana, Pearl Jam, Soundgarden and Alice In Chains had on the world of music, both artistically and commercially, cannot really be overstated. However, there is far more to the “grunge” story than just the rise and fall of these four bands, as author Mark Yarm goes to very impressive lengths to chronicle is his new book Everybody Loves Our Town: An Oral History Of Grunge (now available in handy paperback form!)
Over the course of three years and change, Yarm interviewed over 250 key players in the Seattle scene of that now historic era, everyone from superstars like Chris Cornell (Soundgarden) and Courtney Love, to the owners of the storied Sub Pop record label, to bands like the U-Men and the Melvins that were very influential in the scene but never quite broke on a national level in the way that the Big Four did. The book was named one of the Top Ten Nonfiction Books of 2011 by no less an authority than Time Magazine, and is full of so many entertaining stories and thrilling anecdotes that we have read it cover-to-cover TWICE. You should do the same!
We recently sat down with ELOT author Mark Yarm over a cocktail or two in Brooklyn and talked about many subjects relating to the book, everything ranging from what it’s like to receive manic phone calls from Courtney Love, to Seattle’s well-documented infatuation with heroin, to the “missed opportunity” that was Cameron Crowe‘s Pearl Jam Twenty.
VH1: One of the things that everyone, including myself, finds so impressive about this book is the comprehensiveness. You talked to virtually every major player in the Seattle scene. How did you go about convincing people that you were the person who could tackle this story?
Mark Yarm: The general rule of thumb was that the further away from the white hot epicenter of the grunge explosion of the early nineties, the easier it was. I had the Blender piece that this emerged from, which was an oral history of Sub-Pop on the occasion of their 20th anniversary in 2008. I had already spoken to a lot of the players, and that was a good calling card for me. Some people didn’t talk to me, most notably Pearl Jam since they had their own book coming out. They’re usually not the most accessible guys, anyway. I had spoken to Jeff [Ament] and Stone [Gossard] for the Blender piece, and I also talked to Matt Cameron through the Soundgarden people. I spoke to all their previous drummers, who, if you’ve seen the Cameron Crowe documentary [PJ20], they didn’t bother talking to those guys. They just kind of gloss over them in a funny interstitial.
Chris Cornell is one of the figures in the book that gets some crap because he was always ripping his shirt off. A lot of people, including people in his own band, didn’t like that he presented himself in that way. What was your sense of him, and did he ever tell you why he chose to be the shirtless guy?
There was a Mudhoney song, the song that this book gets its title after, called “Overblown.” It takes kind of a veiled jab at him (“And you’re up there, shirtless and flexin’ / Display of a macho freak”). I asked him about that song, and it didn’t really bother him. If you’re gonna be The Shirtless Guy, you gotta own it, I guess?
I don’t know, I’ve never been The Shirtless Guy!
Me neither! Not since infancy. But yeah, it was a small bone of contention because it was so ostentatious, and this was a scene that in many ways —not all ways, but in many ways— rejected that as “rock star behavior.”
Sometime during the wee hours of the morning last night, Kanye West dropped a new song, “Theraflu”, on an unsuspecting populus. We say unsuspecting not because Yeezy is anything other than prolific, but because NO ONE HAD ANY IDEA IT WAS COMING. (And, judging by the speed from which copies of this song are disappearing from the Internet, we’re guessing he didn’t, either.)
Not much is known about the eventual home for the song —Will it end up on his rumored G.O.O.D. Music compilation? Is this a leaked DJ Khaled track? Is it something that Funkmaster Flex simply WILLED into existence?— but what everyone does know is that Kanye is using the song to woo Kim Kardashian. “Can I have a bad bitch without no flaws / come to meet me without no drawers?”, Ye opines early on in the track, before confessing that said bad bitch is none other than the recently divorced Kimmy K. “And now I admit I fell in love with Kim / Around the same time she fell in love with him,” Yeezy raps, “Well that’s cool babygirl, do your thing / Lucky I ain’t had Jay drop him from the team.” The “him” he’s referring to here is, of course, Kris “The Hump” Humphries, who plays for the New Jersey Nets under owner Jay-Z. Well, a quick check of ESPN.com shows The Hump is still gainfully employed, but that doesn’t mean that Kanye’s braggadocious ways didn’t end up paying off.
Quite the opposite, in fact: According to TheFABLife, Kanye and Kim have been on one long, very public date all day long today. A date that included a stop by FAO Schwartz, no less! Just as he prophesied in “Theraflu”, we can almost guarantee that Kanye’s romp is going to be headline material for tomorrow’s Paris News!
Season 10 of That Metal Show got off to a thrashing start last week when Lars Ulrich (Metallica) and Robb Flynn (Machine Head) stopped by to hang with Eddie, Don and Jim. (Did you miss it? No sweat, you can watch it online right now!)
As you’ve come to expect, more great guests will be stopping by the set this week. Specifically, we’ve got Scott Ian (Anthrax) stopping by, Jack Russell (Great White), Brian Tichy on the drums, and we also welcome back Rock and Roll Hall of Fame Member Alice Cooper (who, as you’ll learn in our video clip above, apparently once pointed a loaded gun at Elvis!). The new episode of That Metal Show airs this Saturday at 11/10c on VH1 Classic.
Jim Marshall, founder and namesake of Marshall Amplification, died Thursday morning at the age of 88 after a prolonged illness. His innovations changed both the sound and appearance of guitar amplifiers and had a profound effect on rock from the 1960s to the present day. The “Marshall stack,” two square cabinets containing four 12″ inch speakers each stacked on top of one another with the actual amplifier in a separate unit on top, became the ubiquitous symbol of loud and dangerous rock n’roll and the actual sound of Marshall amplifiers matched their imposing visage.
That appears to be the case! In addition to sharing a bunch of awesome photos with the world on her brand new Tumblr, Beyoncé has posted a video of herself discussing the origins of her daughter Blue Ivy Carter’s name. Nope, haters, it’s not a shout-out to the Illuminati; rather, it seems that Beyonce stumbled upon a beautiful sight while walking through the woods in Jamaica (apparently on the same trip where she showed her bare, controversial baby bump for the first and only time for the cameras).
“Woke up this morning, we took a nice little walk, and passed by this beautiful tree,” Beyoncé tells the cameraman in the video above, who is most definitely Jay-Z (you can clearly hear him say “Go” at the very beginning of the video). “I think it’s Blue Ivy, which would be quite appropriate.”
So, there you have it! Beyoncé and Jay-Z named their daughter after a tree. We’re just glad they didn’t walk by a Weeping Willow tree that morning! Then again, maybe that’s what inspired Will and Jada Pinkett Smith?
If memory serves, it was the songwriter Peter Allen who coined the phrase, “Everything old is new again.” Now, that’s not meant to be an affront to the respective ages of Madonna and Lionel Richie, but rather, the fact that two artists who dueled on the charts back in the mid-1980s are doing so again in the year 2012.
Madonna rode another wave of controversy to the #1 spot on the Billboard charts, with M.D.N.A. selling 359,000 copies this week, making it Madge’s 8th #1 album. Some people question the “authenticity” (there’s THAT word again) of this sales figure, pointing out that people who bought a ticket to her upcoming world tour also received a copy of her new album as part of the overall ticket purchase price. According to Billboard‘s rules on matters such as these, this tactic is totally legal, so credit the Material Girl’s top notch marketing team for scoring the 53 year-old another debut on top of the charts.
No one is accusing Lionel Richie of any trickerfoolery —that’s what you get when you combine trickery and tomfoolery!— when it came to his album Tuskegee. Thanks in part to a well-received comeback performance at SXSW and his killer version of “Say You, Say Me” on Letterman last week, the honey-voiced smooth operator sold 199,000 copies of his torch and twang inspired reinterpretation of his catalog. A hearty congrats go out to Richie, who hasn’t seen these kind of heights on the charts since his album Dancing On The Ceiling debuted at #1 back in 1986.
“Thank you so much for believing in my weirdness!”
This seems to be the key line in the brand new trailer for Katy Perry‘s upcoming 3-D movie, Katy Perry: Part Of Me. The film appears to be part concert film, part documentary about the life and times of America’s favorite sprayer of whipped cream. It promises to cover hot button topics like her strict Christian upbringing and her recent divorce from Russell Brand, in addition to all the shenanigans that went down on her year-long California Dreams World Tour. The film doesn’t have a release date yet, but we’d assume the film will be out sometime this summer. There’s also no rating on the film yet, but the filmmakers clearly didn’t shy away from Katy’s famous cleavage, which millions of teenage boys will surely line up in droves to see in three glorious dimensions.
There’s a certain feeling of ominousness that runs through the California indie rockers Young The Giant‘s new video for “Apartment.” The video opens with a shot of lead singer Sameer Gadhia lying prone on the ground, leading the viewer to wonder whether he’s asleep or unconscious, as an unseen person whispers “One, two.” As the tune kicks in, we’re transported to a bedroom that feels very reminiscent of the room where Dr. Dre and Snoop Dogg spend their morning in the “Nothin’ But A G Thang” video, but on this day, there won’t be any barbeques or girls getting doused with malt liquor. Instead, Young The Giant and some nubile friends decide to take an old RV and an old VW Microbus to the beach to celebrate one of the band members’ birthdays.
Through footage shot by camera phones and an old Super 8, we ride along with this crew of fun-loving twentysomethings as they spend a day having fun, fun, fun in the warm California sun. All of the ingredients of a legendary day are present, as beers are popped and pants get dropped (thanks to an impromptu skinny dipping sesh). However, you can’t help but feel like things are going to take a left turn into the Danger Zone, thanks in part to the regret-laden lyrics and repeated cuts to the aforementioned lead singer that’s still lying on the ground, totally alone, in what looks to be the middle of the desert. What fate will become of these attractive revelers? You’ll have to watch the video, directed skillfully by Marcus Haney, to find out.