Kanye Joins Nicki Minaj Onstage For “Monster”
There are plenty of fan-shot videos of Kanye‘s surprise appearance during Minaj‘s opening set at Britney Spears‘s Nassau Coliseum show; the best one we’ve found is here. [Sound of the City]
Foo Fighters Played Fans’ Garages The Foos recorded the eight shows for a 40-minute documentary, viewable above. [Spin] Read more…
Coldplay paid tribute to the late Amy Winehouse in concert on Sunday night at the Splendour in the Grass festival in Australia, and in their latest tour-blog update, they shared what sounds like a soundboard recording of the chorus of “Rehab,” which they played during their encore as an introduction to their own “Fix You.” “There?s little that can be said about Amy Winehouse?s passing that hasn?t already been said,” the band writes in the post. “It?s just such a sad waste. We?ll leave aside the awful irony and just let the Aussie choir sing” (referring to the audience’s unprompted singalong). The tribute is understated and respectful, and as far as we can tell from reviews and other clips, the band didn’t say any words, letting the music (not to mention the audience) speak for itself.
This was somewhat evident in the 1984 video for “Dancing In The Dark” but became brutally clear when home-video rehearsal footage for the video surfaced online a bit back. (In case you haven’t seen it, we’ve embedded it below. One highlight is actually after the routine, when Springsteen mockingly imitates the “guitar face” of someone they’d seen playing at the Stone Pony in Asbury Park.) Without any context, the dance just seemed like a series of moves Springsteen (and the late Clarence Clemons) were testing out, to see how they’d look on film.
Newly surfaced footage, above, suggests otherwise. Apparently these proto-Carlton Dance-meets-Jets from West Side Story moves were choreographed! The clip above is clearly either the raw footage for Jeff Stein‘s rejected cut of the video, or at the very least, on-set in-costume test footage. No wonder Stein was replaced (by Brian de Palma, no less); the concept, featuring dancing in the dark may as well have been dreamt up by the DeMarco Brothers (the literal-minded choreography duo played by Chris Parnell and Chris Kattan on Saturday Night Live). The addition of Courteney Cox, a backing band, and a large crowd definitely improved this video.
Back in May, when Katy Perry’s “Last Friday Night (T.G.I.F.)” was announced as the artist’s fifth single from Teenage Dream, we predicted that her chart record as the longest occupant of the Billboard Hot 100 top ten would continue, and sure enough, that single leapt to #4 last month, and has not fallen below that mark since. Our sophisticated Song Of The Summer tracking system (a spreadsheet is sophisticated, right?) could have told you that: Perry just racked up her fourth week on top. But now Perry seems within reach of a much more rarefied record: five #1 singles from the same record, tying the record set by Michael Jackson with Bad (and never repeated). Billboard announced yesterday afternoon that Katy Perry’s “Last Friday Night (T.G.I.F.)” had, in its ninth chart week, completed its climb to #1 on the Pop Songs chart, which measures radio airplay. Radio tends to lag behind sales chronologically, but oftentimes an airplay gain like this can be the much-needed push for a single to hit #1. As it turned out, it wasn’t enough this week; an almost comically appropriate cast of characters has, it seems, protected Jackson’s record for now (and possibly going forward). The motley crew: Read more…
If you were a Mad Scientist and were looking to create the Perfect Pre-Teen Pop Star in a laboratory, your end result would probably look something like Britain’s Got Talent finalist Ronan Parke (that is, if you were any good at being a Mad Scientist). He’s got Justin Bieber‘s adorably dreamy hair helmet, Greyson Chance‘s vocal range, and the irresistible British accent of a young Davy Jones. However, unlike those other teenage dreamboats, there’s an undeniable air of melancholy that permeates all of his performances, which has us wondering whether he’s cut out for international superstardom.
Take his cover of Lady Gaga‘s “Edge Of Glory,” for example. Whereas Gaga’s song wears its anthemic qualities proudly on its sleeve (regardless of whether you’re listening to the album version or her acoustic take on Howard Stern), Parke’s take is stark, haunting and dripping with sadness. Gone are the joyous, celebratory punctuations of Gaga’s original (“Alright, ALRIGHT!”), which makes us wonder why this 12 year-old boy is so darn depressed!
Now, don’t get it twisted, we’re not haters. Parke’s vocal chops are undeniable (at least until he hits puberty and his voice breaks), but right now, he’s little more than a chameleon. He doesn’t yet have the life experience to understand the underlying themes of the music that he has been covering—don’t EVEN get us started on his take on Bob Dylan’s “To Make You Feel My Love”—which is why his cuts feel just a bit off, emotionally speaking. Time will tell as to whether he’ll be able to capitalize on the fame that his Britain’s Got Talent appearance netted him, but if he is to succeed, his minders would be wise to have him concentrate on laying down some more age-appropriate tracks that will hit his target audience of teens and tweens right where it counts — their wallets.
Last night, we were all about the Explosions in the Sky performance on the Late Show with David Letterman?not necessarily because we’re the biggest fans of their sweeping-guitar post-rock (which is not bad) but because for four precious minutes we could close our eyes and pretend that Friday Night Lights was still on the air. (We miss you, Coach Taylor!) As a result, we underrated the unassuming performance taking place simultaneously on the Tonight Show: Mat Kearney‘s “Hey Mama.” Back in 2006 Kearney was a You Oughta Know artist whose songwriting (and vocals) reminded us of parts of what we like about Coldplay.
In the intervening years, he’s added not-inconsiderable pep, and a full horn section, to his band, which pushes yet another set of our pop-music buttons. Think Chris Martin fronting Hanson on a “Give a Little” b-side. In fact, it was so catchy that we’re willing to forgive the lyric “Met her at Anthropologie.” Check it out!
Jennifer Lopez Will Return To American Idol Next Season
Jennifer Lopez is having a great day. Her September 2011 Vanity Fair cover story was announced (and teased), and on top of that, a deal has allegedly been struck?though not yet signed?that will bring her back to an American Idol judge’s chair…to the tune of just over $20 million, which is a touch more than the $12 million she made for last season’s stint. [Popdust]
Two New Albums Forthcoming From The-Dream, One Of Which Won’t Be By The-Dream
According to his Twitter, The-Dream plans to work on a new album (his fourth) for Def Jam, slated for a fourth-quarter release. He will also be releasing a 10-song album called 1977 under his given name Terius Nash on August 31. He claims, “BTW NO ONE AT DEFJAM IS HAPPY ABOUT A FREE ALBUM LOL…. they are trying to stop it!” So this may not play out as The-Dream has planned. [@mrteriusnash] Read more…
The dog days of summer are upon us, people. It’s August, it’s hot outside, and the news cycle is starting to slow to a crawl. The general sluggishness of the season is even affecting the music industry, as music fans don’t seem to be gravitating towards any new material. Instead, they seem to be content to play the same songs that they’ve had on repeat all summer long.
Case in point: Katy Perry‘s “Last Friday Night (T.G.I.F),” which has exhibited a stranglehold on the top of our Song of the Summer Countdown for six consecutive weeks. Her song looks to have a lock on the prize at this point, but then again, maybe The Throne (aka Jay-Z and Kanye West) can mount a last-minute challenge when their highly anticipated collaboration Watch The Throne drops next week? Stay tuned!
It’s hard being a rap superstar. (Well, as hard as it could possibly be for the type of guy who has an “other other Benz.”) Kanye West and Jay-Z are being reminded of this fact as the release date for Watch the Throne, the debut LP of their collaboration The Throne, approaches. Yesterday’s rumors of disagreements behind the scenes as to tour details got a boost of credibility this morning when the Throne postponed 14 of the 25 announced tour dates and outright canceled (or at least, have yet to reschedule) eight others. The tour, originally slated to kick off in Detroit on September 22, will now begin five weeks later in Atlanta.
This was only a minor setback in the face of the announcement yesterday that Spike Jonze had directed a video for “Otis,” to premiere soon. That night, the Throne hosted a wildly successful multi-session listening party last night at the Hayden Planetarium at New York’s Museum of Natural History (not to be confused with the planetarium of the same name in Westport, CT, referenced in Fountains of Wayne‘s “Laser Show”). Then audio of the listening party surfaced online. Apparently the searches for recording devices and confiscation of cellphones (to prevent a repeat of the incident with the hyperenthusiastic Fader Tweeter) was not thorough enough to stop bootlegging.
On the bright(?) side, the bootleg consists merely of distorted snippets of songs, according to our friends at Popdust?so incomplete and of such low quality that they’re hardly a replacement for the album even through the tinniest laptop speakers. Def Jam probably won’t have to push the digital release date any closer as a result. Whoever chases leaks on their behalf, though, is going to have a very busy next couple of days regardless.