In honor of Bob Dylan‘s 70th birthday on May 24th, Rolling Stone has compiled a heap of birthday coverage today, including a feature in which ten artists reflect on their favorite Dylan songs. The one surprise in the set?and the only post-1975 Dylan song selected?is “Not Dark Yet,” from 1997’s Time Out of Mind, selected by none other than Marcus Mumford. Read more…
Move Like This, the new record from The Cars (not the New Cars, but the Famous Original Cars), joins Raphael Saadiq‘s?Stone Rollin’ and Posted artist Christina Perri‘s lovestrong on record store shelves today. The band is a bit darker without bassist and co-lead singer Benjamin Orr, who died of pancreatic cancer in 2000, but otherwise they pretty much sound like the Cars circa their multi-platinum heyday. However, critics seem to be divided as to whether that’s enough.?
Kings of Leon inaugurates the 15th Anniversary Season of VH1 Storytellers on Friday, but we’ve shared an exclusive clip on Facebook for those who can’t wait that long. The band closed out their set with an extended jam on “Slow Night, So Long” from 2005’s Aha Shake Heartbreak.
Storytellers: Kings of Leon premieres Friday, May 13 at 11 p.m. ET/PT.
In the wake of his Violent Torpedo of Truth Tour, Charlie Sheen gave an extended interview to E! News (as opposed to his prior favorite news outlet, his now-defunct UStream channel) and premiered the re-cut video for the “rock version” of “Winning,” the track he recorded with Snoop Dogg and Rob Patterson. The song is available on iTunes (in both “rock” and “original” versions), and a portion of the proceeds will go towards Sheen’s new non-profit Torpedos Against Tornados [sic].
Raphael Saadiq‘s new album Stone Rollin’ hit stores today, and the man himself hit up VH1’s New York City offices, appearing for an interview on Big Morning Buzz Live this morning and then recording an exclusive VH1 Top 20 Live set that we were lucky enough to witness.
The youthful Saadiq (if not for Tony! Toni! Ton?! you’d never believe he turns 45 on Saturday) immediately got the assembled crowd clapping?and even singing a callback?for “Heart Attack,” the album’s opener and one of its more straight-ahead soul tracks. But despite adapting retro song styles (like the blues form of “Daydreaming”), his songs still sounded like music of today, a distinction implicitly proven by their juxtaposition with the band’s cover of Marvin Gaye‘s 1963 classic “Pride and Joy.” That cut was retro in the best way: some audience members even provided callbacks without prompting.
If you’re looking for a sneak peek at a new Jim Jones song (or are just nostalgic for his braids), Pitchfork.tv’s Selector has you covered. The most recent episode paired the Love & Hip Hop favorite with mashup DJ Girl Talk in Jones’s Manhattan studio. Girl Talk previewed two beats: the glitchy “Happen,” which the Jones was definitely not feeling, and the 1970s-soul “Believe in Magic,” based on a sample of Honey Cone‘s 1970 number-one hit, “Want Ads.” The Dipset head’s skepticism about the sound soon faded when he started recording a freestyle over it, and he ended up loving it so much that he cleared the sample and recruited Lloyd to sing a featured verse on what now looks to be an upcoming single.
Watch Jim Jones record his freestyle and ad libs below, or check out the whole Selector episode at Pitchfork.tv. And don’t forget to tune in to the Love & Hop Hop reunion Monday, May 16 at 8 p.m. ET/PT on VH1.
A mere weekend after the video premiere of “Judas,” Lady Gaga has released “Edge of Glory,” the third-and-counting track from the forthcoming Born This Way, to radio stations nationwide. It doesn’t have a provocative “hook” to it, as the righteous “Born This Way” and the religious “Judas” did (which may explain why the song went straight to radio), but that doesn’t matter because its musical hook steamrolls the other two songs with ease.
Taylor Swift may have premiered the video for her new single “Mean” Friday night on CMT, but don’t be surprised if the video pops up on VH1; directed by Declan Whitebloom from a concept Swift herself envisioned, the clip’s crossover appeal practically guarantees the song (already a Country Top 10) a much broader pop audience.
The song’s lyrics are boilerplate “aspiration in the face of bullies” but delivered with enough charm and power that they maintain their power despite clich?. In particular, the sheer glee Swift takes in her prediction of a vengeful fate (“And I can see you years from now in a bar/ Talking over a football game/ With that same big loud opinion but/ nobody?s listening/ Washed up and ranting about the same old bitter things”) is especially effective?reminiscent of the “graph of a jock’s life” speech Late Night with Jimmy Fallon announcer Steve Higgins gave as A/V teacher Mr. Fleck on the series finale of Freaks and Geeks.
You Oughta Know artists The Civil Wars wowed the VH1 offices with a heartfelt and observant You Oughta Know Live performance a few weeks ago. After winning over a skeptical crowd with a heartfelt rendition of their single “Barton Hollow”, Joy Williams ducked behind the keyboard for what John Paul White called “the loud version” of their tragic duet “Poison & Wine” (viewable above). White and Williams are not involved with each other?they’re married to other people?but nonetheless when they locked eyes for the refrain “I don’t love you but I always will,” their vocal performance conveyed an emotion that felt just as real.
Arcade Fire continued their post-Grammy summer-festival victory lap this weekend at New Orleans Jazz Fest, and as they closed out Friday evening’s festivities on the main stage, they invited a special guest onstage for their encore?”one of our all-time favorite artists,” as frontman Win Butler introduced her?Cyndi Lauper.