The O Music Awards are set to go down on Monday night—yes, Halloween night!—beginning at 11:30 p.m. ET/8:30 PT. We couldn’t possibly be any more psyched that the Swedish pop goddess Robyn agreed to headline the second incarnation of this new awards show, and for her, the decision to participate in this event was a no-brainer. “I reach almost all my fans through the Internet,” she explained to us earlier this week. “I mean, I’m not played on the radio. I reach them through the Internet, and when I play shows.”
Well, considering this particular show will be broadcast LIVE on the Internet, that’s a double win for Robyn and her fans! Don’t forget, you can (and should!) watch the O Music Awards 2 by going to omusicawards.com at 11:30 p.m. ET on Monday, October 31. But if you visit the site over the weekend, you’ll still have time to vote for your fave artists in categories like Fan Army FTW, Best Web-Born Artist and many, many more!
Madonna is difficult to watch at the best of times, with her surgically enhanced face, ludicrously tacky outfits, cringe-inducing raunchy dance moves and ice queen attitude. Even for the most die hard Madonna fans (us!), her public persona can be quite grating. And now, as if hell bent on a mission to destroy and annoy, Madge is holding a search for the next “Lucky Star” with her daughter Lola. We’re not really sure what the competition actually entails (due in part to the confusing video above), nor are we sure when Lourdes became Lola, but we’re both perturbed and amused in equal parts.
The Guardian is reporting that superstar singer/songwriter Adele will be canceling her remaining tour commitments and all other appearances in order to undergo throat surgery. But don’t panic! According to reports, Adele’s condition is manageable, and a full recovery is expected. The surgery has become a priority for Adele as a consequence of ongoing problems including a vocal cord hemorrhage earlier this month. Apparently, the damage to Adele’s throat has been caused not by her singing, but rather by her constant chattering off stage — Adele’s exuberance and talkative charms.
The 23-year-old has resolved to set aside the rest of 2011 to promote a full recovery rather than her top-selling album, 21, in a bid to avoid any long-term or permanent damage to her beautiful voice. While we’re sure lots of fans are going to be bummed out by the news, we’re getting behind Adele with a resounding “Get well soon!” Hopefully the vibrant performer can nip her throat problems in the bud now so that she can keep delivering her moving, heartfelt music to us in the future.
Jay-Z and Kanye West‘s Watch The Throne tour kicks off tonight in Atlanta, and we hope if you’re going you’ve got a strong bladder because the set list, as seen on Voyr‘s tour trailer, is a long one. With hits from the collaborative album as well as past favorites from both Hov and Yeezy’s back catalogs (including “99 Problems” and “Can’t Tell Me Nothing”), chances are you’re not going to want to leave your seat. According to the list as seen on the trailer, the concert is 41 songs long, which is a really long time to wait if you need to pee — hence the strong bladder. Better start your pelvic floor exercises now.
When I was a child, my dad and I used to decorate the Christmas tree together and sing “The Little Drummer Boy,” so my nostalgic recollections have me a little bit miffed at Justin Bieber‘s new take of the classic Christmas carol. The Biebs teamed up with rapper Busta Rhymes for the tune—now simply titled “Drummer Boy”—for a remix of that’s fat-beated, bass-lined and rapped-over. A very strange incarnation indeed.
When he’s not making love in clubs it seems that r’n’b veteran Usher still likes to make a public nuisance of himself — albeit in less sexy ways. Having parked his giant SUV in a handicapped spot outside a mall in Atlanta, Usher was accosted by an angry bystander in his very own Seinfeld moment. The deeply affronted woman took wild swings at Usher, screaming something, something about something, something, doing a lot of manic pointing and finally having to be restrained and dragged from the scene. Usher seemed characteristically nonchalant, failing to apologize for his faux pas while popping his collar and whatnot.
The best part of the whole debacle is the Elvis Presley impersonator that somehow found his way to the center of the action (apparently there was a Halloween parade near by), and the fact that the dudes filming the incident were more preoccupied with the fake Elvis than with Usher, who they only noticed at the last minute.
With Coldplay‘s cover of Rihanna‘s “We Found Love” currently going viral online, we’ve taken the spirit of the song to heart and revisited our favorite covers of RiRi’s songs. And yes, we’ve found love in hopeless places, falling head over heels for renditions of songs we didn’t think we could possibly love coming from anyone’s mouth but hers.
COLDPLAY – “We Found Love”
Coldplay covered Rihanna’s latest release “We Found Love” for BBC Radio 1′s Live Lounge series and we’re afraid to say this but… it might just be as good, or better than, the original! Earning Coldplay some serious points in the wake of their new album Mylo Xyloto‘s growing momentum, the cover replaces the Calvin Harris club banging beats with a more chilled out vibe. As such, the sentiment in Coldplay’s version is far more pervasive than in RiRi’s self-conscious original, in which the accompanying adds elements of superficiality to (what Coldplay has proved to be) the wonderful lyricism of the track. Read more…
In the midst of a flashing neon light show, LA band and VH1 You Oughta Know artist Foster The People took to the stage for Letterman last night to perform their hit song “Helena Beat”. Electro-pop meets rock’n’roll, Foster The People are the kind of band that you can’t help but dance for, and even as we watched Letterman from the comfort of our homes last night, we couldn’t help but tap our toes and give a little shoulder shake. An uplifting club tune, “Helena Beat” is the perfect way to get yourself in the mood to face your day with energy, smiles and lots of dance-walking.
“Did I just do that [song] Erin Brockovich style?”
It’s just seconds after Kelly Clarkson has wrapped the first track of her five song VH1 Unplugged set when she peers down at her chest, wondering if one of her breasts managed to sneak its way out of her red bandage dress during her performance, just like what happened to the titular heroine of the film that won Julia Roberts an Academy Award back in 2000. Well, spoiler alert, it didn’t, but this near wardrobe malfunction gave Kelly the inspiration for some of the most playful between-song banter that we’ve heard in quite some time during the show’s taping in New York City earlier this afternoon.
VH1 Unplugged: Kelly Clarkson will be debuting exclusively on VH1.com at 7 p.m. ET on Thursday, November 17, which will be followed up the next night with the show’s on-air premiere. We don’t want to give too much about the show away at this juncture, as we’d rather you be able to experience it fresh through your own eyes and ears. That said, we will say this — Kelly looked positively radiant throughout her set, thanks in no small part to her smoky eyes, make-you-melt-in-your-boots eyelashes, sun-kissed hair and, of course, that stunning red bandage dress. As for her songs, well, let’s put it this way: Her setlist was comprised of some songs from her new record, Stronger, some old faves and a surprising cover. And her voice? Sure, it sounds positively fantastic on her studio recordings, but we will attest that it’s another thing entirely to be in the same room as her when she drops the hammer and belts out one of her patented power choruses. We’re talking CHILLS, palpable chills, when she kicks her voice into fifth gear.
Find out for yourself when VH1 Unplugged: Kelly Clarkson premieres on VH1.com exactly three weeks from today on Thursday, November 17 at 7 p.m. ET.
At the risk of sounding like a codger, the experience of going to see a concert live and in the flesh has diminished over the last few years, a time during which smart phones and digital cameras have become ubiquitous. Sure, audiences have always been easy to distract mid-concert—be that for beer, conversation, what-have-you—but over the last five years or so, the live concert experience has suffered because many members of the audience are too busy either taking crappy digital pictures or tweeting about the show instead of enjoying the vibes, mannnn.
I bring this up because at last night’s Dawes/Blitzen Trapper show at New York City’s Webster Hall, there were a surprising few number of people who experienced the show through a 4-inch handheld screen because they were, *gasp*, actually present in the moment! This kind of warm attentiveness is something that bands tend to react really positively to, and four gents of Dawes were no exception: Their rollicking, 90-minute(ish) set of “classic indie” songs went over like gangbusters with the demographically diverse audience last night, one that was a pleasant mix of hipsters in tight fitting plaid shirts, recently-graduated-yet-quickly-aging frat stars, bearded bros looking to kill time before next year’s Bonnaroo, and Lefsetz-reading Boomers.