Next month, the Canadian rock quartet Nickelback will be releasing their first new studio album in over three years, Here And Now. We’ll be debuting the complete video for the first single off the album, “When We Stand Together,” on Big Morning Buzz Live next Wednesday, November 2. However, to whet your appetite, we were able to get our hands on this special 30-second sneak of the video that’s filled with more lens flares than a J.J. Abrams fever dream. And, we might be way off base here, but the combination of the magic hour footage, swaying wheat grass and majestic views in this video reminds us more than a little of the location where Spike Jonze shot Weezer‘s iconic “Island In The Sun” video. We’ll be sure to ask them if that is indeed the case when they swing by our offices here in Times Square later this week!
Fat Joe Tells A Story About R. Kelly Beating People Up
If you can grasp what actually happened as Fat Joe recounts R. Kelly beating someone up between all the expletives and sound effects, let us know. Otherwise, it’s still pretty funny, if not worryingly inappropriate. [The Awl]
Odd Future’s Syd Remixes Lana Del Rey’s “Blue Jeans”
As if you didn’t already love Lana Del Rey enough, Odd Future have remixed her haunting track, “Blue Jeans.” Keeping with her grand, emotive sounds, Odd Future’s remix is just as good as the remix. [Pitchfork]
Halloween is coming up and it’s time to start getting serious about costumes if you don’t want to be a sexy [insert noun here] or a regular-person-but-just-covered-in-blood-because-that’s-all-you-had-time-to-buy. This Halloween dare to be a little bit braver, a little more irreverent, and a little more clever with your costumes. That’s right folks — no more Lady Gaga get ups, lest you be deemed “like, sah 2010!” There’s a wealth of cultural reference at your disposal this year, with 2011 being renamed the Chinese Year Of The Meme (it hasn’t really, I just said that to get your attention). We’ve picked out some of our favourite musical memes of the year in the hopes that you’ll be inspired to trick yourself out in the spirit of a wickedly self-aware Halloween…
Why? Only the baby of hip-pop royalty Jay-Z and Beyoncé could become an Internet meme and every GIF aficionado’s wet dream before the little tyke is even born. Barely beyond conception, Baby Bey-Z hit the Internet harder than “Friday” (see below) and made “Pregoncé” a word faster than you can say, “I don’t think you’re ready for this jelly.” For Halloween, go as Pregoncé in the costume she wore at the VMAs earlier this year when she
unleashed unveiled her newly rounded belly to the world.
How? We’ll start from the top down: first you need some crazy 70’s flicked blonde hair, wig it if you’re a brunette or a dude, and if you’re already blessed with the golden tresses, heat up those rollers, girl! Next you’ll need a white shirt (stuffed with a pillow, of course we don’t expect you to actually get pregnant) and black pants; easy. The sparkle blazer might be a bit harder. I suggest taking a cheap / second hand blazer, a can of spray on glue, a butt-load of glitter and having the absolute time of your life. Add some velcro to the inside of the blazer so it’s easy to rip open over the course of Halloween as you constantly re-enact the big reveal. Carry around a fake microphone so you can throw it down dramatically before you rub your belly emphatically and smile, smile, smile!
Each Friday here on the VH1 Blog, our VH1 Top 20 Video Countdown host Jim Shearer (@jimshearer on Twitter) will be sharing his Shearer?s Spotlight with us. Be sure to tune into the Top 20 Countdown tomorrow morning when it airs on VH1 at 9 a.m. ET/PT.To provide a decent and affordable dine-in meal experience for his home peeps of New Jersey, this week Jon Bon Jovi opened up The Soul Kitchen: A ?pay-what-you-can? restaurant that also doubles as a volunteer-based community project.
In celebration of its grand opening, here are my favorite music videos set inside a restaurant:
4) Radiohead, “High And Dry”
Back in the day when Radiohead made music for the masses, they also crafted some really good music videos. This classic includes a brief case, a time bomb, a key hidden inside a cup of mayonnaise, and Thom Yorke impatiently shuffling around the restaurant because he couldn?t fit into a booth with the rest of his band mates.
If you tuned in to our five-day 100 Greatest Songs of the 00’s countdown last week, you already know that pre-preggers Beyonc? took home the #1 spot with hubby-featured smash, “Crazy In Love.” Good for them, right? The collabo is over eight years old, and still carries with it a sense of sonic recognition that might one day be categorized as “timeless.”
If you ask our countdown’s pundits, however, there is a wide range of respectfully-dissenting opinions on what video should have been #1. Tim and Damian from OK Go suggested that Gnarls Barkley’s “Crazy” should have earned the coveted slot, our former colleague Rich Juzwiak was vying for Mariah Carey’s “We Belong Together,” and a number of other commentators from the show made arguments for OutKast, Kelly Clarkson, and Eminem.
If you could have your way with our list’s top 10 songs, which one would you have crowned ?The Greatest of the 00’s? Take our poll and leave us your thoughts in the comments section. Don’t worry, we’re thick-skinned!
All week, VH1 has been rolling out the 100 Greatest Songs of The ’00s and tonight we finally made it to number one which is…(drumroll)…Beyonce’s “Crazy In Love”! We’ve always maintained that this song is like a party?(and we’re all invited) so we think its place at #1 is well-deserved, but we want to know if you agree. Our distinguished panel certainly does — they can’t help but booty pop in their seats just talking about it.? Mob Wives star Drita D’avanzo puts it best though, when she says, “Beyonce and Jay-Z is like peanut butter and jelly, and you just want it.” After the jump,?check out the full list of the top 100 songs from the ’00s, and then make your way to the comments section to let us know if Beyonce is the best choice to sit at the top of our list.
VH1’s The Greatest continues its weeklong countdown of The 100 Greatest Songs of the ’00s tonight with entries 40-21. Plain White T’s, comedian Godfrey, and others weighed in on why “Fallin'” by Alicia Keys deserves to be at #22. “She was, like, in a class by herself,” Basketball Wives star Tami Roman says. “She was rocking the fedora and the bandana and the cornrows, and it was just so, like, ‘I’m feeling you right now,’ you know?” Comedian Dean Edwards phrases it a little differently: “[She] was like O.D.B., you know what I mean? But, you know, a little cuter.” After the jump, check out #40-21 from tonight’s episode, as well as #20-1 from tomorrow’s episode (at 10 p.m. ET/PT). Or check out the complete list, where a spirited debate is already taking place in the comments: The 100 Greatest Songs Of The ’00s [COMPLETE LIST].
VH1’s latest entry in The Greatest series is one that’s sure to stir up plenty of debate! Counting down The 100 Greatest Songs of the ’00s, host Pete Wentz (whose own “Sugar, We’re Going Down” comes in at #40 on the list!) and a murderer’s row of your favorite comedians and musicians provide their expert analysis (and a few jokes along the way) on songs that made the aughts such a memorable decade, musically speaking. Read more…
R.E.M.‘s announcement earlier today that they’re “calling it a day as a band” after 31 years together hit the VH1 offices even harder than that earthquake did a few weeks back. As a means of aiding everyone accelerate through their own personal Kübler-Ross grief cycle, we reached out to a number of VH1 staffers and asked them to share their favorite R.E.M. memories. We sincerely hope that this feature is as instrumental in helping you reach your own personal Acceptance stage as it was for us. And if you have your own memories, please share them below in our comments section; we’d love to hear them!
“BEGIN THE BEGIN” (LIFE’S RICH PAGEANT, 1986) by TOM CALDERONE, PRESIDENT (@tomcalderone)
I was the program director of my college radio station, Buffalo State College’s WBNY, when Murmur came out. “Radio Free Europe” was the single, and R.E.M. was opening for the English Beat and Squeeze; that’s kind of what the pecking order was for them at the time. One day, their label called and said, “Hey, we’re selling a lot of records in Buffalo, and you’re the only radio station playing them, we want to have them come play Buffalo.” We said “Great!” So they played this place called the Lackawanna Sky Room. They told us, “We don’t really have much to play, we could use an opening act.” So we offered to help. At the time, the Goo Goo Dolls were so metal that it wasn’t the right call, but there was this other little band from Jamestown called the 10,000 Maniacs. We suggested them, explaining to them that this Natalie Merchant girl, she’s great, and the band’s really cool, and you guys will get along. That’s how the friendship between the bands began, back at the Lackawanna Sky Room. They were the nicest guys, incredibly giving to the college radio stations all across the country.
My favorite song by R.E.M. is “Strange,” which is actually a Wire cover. Of their originals, “Begin The Begin” is my probably my fave. It had a really cool edge to it, and sounded a little bit different than what they normally had done. It recently came to life to me again, about a year and a half or so ago, when The Decemberists did it live with Peter Buck on stage. I thought to myself, ‘I forgot how good that song was!’, so I revisited it again. Of their later material, “Crush With Eyeliner” was my favorite.
“EVERYBODY HURTS” (AUTOMATIC FOR THE PEOPLE, 1992) by SANDY ALOUETE, SVP MUSIC & TALENT RELATIONS
One of my former boyfriends was hellbent on buying the identical neon star from the cover of Automatic For The People, and he finally tracked one down outside of an abandoned motel in upstate NY. I loaned him the money to have it professionally cut down, I housed it for him in my parents? garage until he could clear out enough space in his Greenpoint apartment/recording studio, and then not long after he got the star, we broke up. Did I ever get the money back? Nope. Shouldn?t I by rights take the neon star for my very own? Yep. EVERYBODY HURTS.
R.E.M.‘s first single “Radio Free Europe” came out less than a month before MTV’s first broadcast, and since then their videos have been by turns innovative, fun, and artistic, in ways that were often uncommon at the time but totally normalized as the band (and MTV and VH1) grew old together. Their decision to call it quits is, for people of a certain age, the end of an era. To commemorate the band’s long and successful run, we went back through their music video catalog and selected their five best.
5. “Electrolite” (1996)
R.E.M. worked with basically every major music video director in the 1990s?most notably for the singles from Monster and New Adventures in Hi-Fi. (In the case of “Electrolite” it was Spike Jonze.) It’s easy to think of this as the band catching up after a decade of making music videos on their own or with Athens friends like Jim Herbert, but in retrospect what’s most striking about any of the videos from this period is how much they still feel like R.E.M. videos. The voice of a director like Jonze (or Jonathan Dayton and Valerie Faris, who gave their 1970s nostalgia a dry run in R.E.M.’s underrated “Tongue” video a year before perfecting it with the Smashing Pumpkins’ “1979”) can easily overpower an artist’s own visual aesthetic, but despite R.E.M.’s seemingly gentle touch, that never happened. The inflatable deer inhabiting “Electrolite” should make clear, though, that this was not due to too much reverence for the band. Bonus points for Mike Mills plays an accordion and a keytar.