Music Videos

by (@Lacezilla)

Vivian Green Preps New Album Release, Talks Boobs And Her Love Of Football

You may know Vivian Green from her #1 dance singles “Emotional Rollercoaster” or “Gotta Go Gotta Leave,” but did you also know that the soulful singer-songwriter is a huge NFL fan – “I’ll watch RedZone all day!” – and lives just blocks from the park where Jay-Z’s Made In America festival took place? No? Neither did we! With a new album coming our way next month, VH1 Tuner recently sat down with Green to get the skinny on her forthcoming project and chat about everything from her stay-fit workout habits to her (cough, cough, Cuffin’ Season) dating life.

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by (@zaragolden)

Bask In The Glow Of GIFs From Jessie Ware’s “Night Light” Video

British soultrix Jessie Ware is making waves with her soft and sleek debut album Devotion. The slick new Chris Sweeney directed-clip for “Night Light” indulges in the 90′s influenced aesthetic of the album track, dressing Ware sharply in black and white and lace, her nails tipped in glitter and her nose ring still in place (sorry mom); and it basks her in the song’s dreaminess, playing with smoke and florescent lights, and oh so sweetly featuring cameos from her real life night lights: her sister, Hannah, and her boyfriend (starring as the dancing sock-puppets, we hope). Read more…

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One Of Our Five Favorite Gifs From Frank Ocean’s “Pyramids” Does Indeed Include A Stripper

One of examples of Frank Ocean‘s superb songwriting/storytelling skills is his imagination. Pyramids are usually automatically associated with Egypt by default, but Frank being anything but ordinary turned “Pyramids” into the place where strippers dwell. A day after kicking off Saturday Night Live‘s 15th season with a live performance accompanied by John Mayer, the visual to his wildly popular “Pyramids” hit the ‘net. And as expected, alas, there are strippers. Directed by Nabil, the eight minute video owes its aesthetic appeal to the numerous special effects. The bending lamp posts, the multiple Frank Oceans, the blinking fluorescent lights, they are all somewhat mesmerizing. John Mayer’s guitar performance in the middle of the desert is easily one of the highlights. Although the strippers are the focal point of the song, they serve as merely a backdrop in the video, despite their obvious presence. Now that we’ve seen the women “working at the pyramids tonight” the mystique is gone, for now. Until the next time you watch the video. Have a look at some of the awesome gifs from the video. Read more…

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Ciara Sheds Real Tears In “Sorry”

Exhale. Breathe. And even dance. Ciara‘s back with the R&B/hip-hop enthused “Sorry” from her forthcoming One Woman Army. Cici’s hardcore fans have long awaited for a song like “Sorry” from her–that mix between “Promise” and “And I.” Directed by Christopher Sims the visual to the single is as authentic as the song. Simple concept, yet relatable. Ciara’s still in love and wants him to know, “All you had to do is say that I’m sorry.” Emotions from confusion to sadness  are expressed by both the male model (who is fine!) and Ciara. Any video of Ciara’s wouldn’t be complete without dance moves from one of the best trained dancers in music. The choreographed steps may not make you press replay like the ones in “Ride” or “Promise” so you could learn all the dance moves, but the infectious song certainly will. Read more…

by (@chrisRULES_)

It’s The “9th Inning” Of Missy Elliott’s Comeback, So You ShouldTake A Look Into Her Music Video Vault

No one does a music video quite like Missy Elliott, and really, all credit is due to the VA rapper for her innovation that was way ahead of her time. Last night the female originator of theatrics released a snippet for her latest single “9th Inning.” When Timbaland tweeted about Missy’s return we patiently twiddled our thumbs waiting for the new music to drop. As with every Missy song, the anticipation for the music video sends our creative imaginations to a level 10 of wondering, what will Missy do now? In the meantime we took a trip down memory lane by flipping through the vault of Ms. “Supa Dupa Fly’s” extensive video collection. Indulge in a little nostalgia with us with a look back at 10 of Missy’s game changing videos. Read more…

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By “Anything Could Happen” Ellie Goulding Means Love Is A Bloody, Gory Thing

It’s a sad love story in Ellie Goulding‘s “Anything Could Happen.” Something tragic has left a pink haired Ellie on a rocky beach searching to piece back the broken fragments of whatever has happened to her. Filled with sadness, a teary eyed Ellie sings, “After the war we said we’d fight together.” When her lover appears he’s bloody and bruised, which leads to Ellie’s own nose bleed. As she looks over her deceased lover she reflects back to the accident. The car crash has left both of them injured, but more than the physical injuries the collision is a metaphor for their dying love. Read more…

by (@zaragolden)

There Will Be Blood In Green Day’s “Kill The DJ” Video

Green Day go full charge ahead in the video for ¡Uno!‘s kicky anthem “Kill the DJ.” Their pretty “Oh Love” ladies kept clearly aside, the clip finds the boys saddled up on big bikes and zipping through the desert, off to find a DJ to kill so that good punk fun can be had by all once more. The hit is only a symbolic one, though, and the only real violence to be had here is a slaying guitar riff. Rather, this is an assault against the dubbed-out sound that seems to be dominating today’s air waves, Green Day’s own and only pretend bloody dubstep demolition. Read more…

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Azealia Banks Goes Retro In “1991″ By Channeling Madonna And Aaliyah

Visually Azealia Banks owns the vogue and vintage look and feel in her videos. It’d be easy to mistake her for a high fashion model opposed to the Harlem bred speedy tongued rapper she is. Directed by Justin Mitchell “1991″ brings, well, 1991 back in style. A black pants suit has rarely looked as glamorous as it does against a white backdrop or in a blue room studio or behind a raindrop covered glass. Her aggressive lyrics directly contrast with the smooth house electronic instrumentation, which is what makes the song sound heavenly. Read more…

by (@zaragolden)

“We Are Never Ever Getting Back Together” Premiere: The Anatomy Of A Taylor Swift Break-Up

Here we have the new video for “We Are Never Ever Getting Back Together,” and in it we get to watch Taylor Swift actually break up with someone for once. The dismissed dude here is an indie-loving Adam Levine look-a-like, who Taylor tells us told her — extra emphasis on the air quotes — “needed space” before he changed his mind and came running back. But you know what? Grammy Awards, sold out tours, and quadruple-platinum albums and records broken — Taylor’s got a pair of cat pajamas calling her name and a really fun looking woodland creature dance party to attend to. “We are never, ever ever getting back together.”

The video takes us deep into Taylor’s post break-up life and shows off her crocheted home (which maybe isn’t so different than her lovely lacy real-life home). And shot it one-take, 5 costume changes and all, it really puts an emphasis on the “weEEEE.” Post-split Taylor is fun. Read more…

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Lupe Fiasco And Guy Sebastian Shed Those “Battle Scars”

Battle scars of life. Battle scars from love. Battle scars caused by war. Lupe addresses all three in the video to his third single from the September 25th Food & Liquor II. The visual for “Battle Scars” is quite the contrast from his previous controversial “Bitch Bad.” Lupe and Australian singer Guy Sebastian lament about being wounded from whatever it is that has caused one’s battle scars. Hurt people write down what they’re fighting to overcome on a blank page. Lupe lights a torch, throwing it inside the abandoned building to represent setting those hurdles on fire and overcoming. The pages are ripped from the book so each person can start anew with no more war wounds. Read more…