LeAnn Rimes is one of the best-selling artists in the history of country music, as well as the star of VH1′s upcoming reality show, LeAnn & Eddie (coming in 2014). Her latest album, Spitfire, dropped this summer and contains a mix of originals and covers. Her latest single, “Gasoline And Matches,” is from the latter category—it first appeared on Buddy & Julie Miller‘s award-winning 2009 album, Written In Chalk.
The Fray grew to be one of the most successful piano-pop acts of the post-Coldplay era thanks to the undeniable catchiness and emotional resonance of songs like “Over My Head (Cable Car)” and “How to Save a Life.” However, on their new song “Love Don’t Die,” the first single off their upcoming 2014 release Helios, there are no traces of piano to be found on the record whatsoever. And you know what? We love it.
Is it just us, or is it getting hot in here? It’s no secret our man Justin Bieber has been sexing up his image lately – he’s sporting buff biceps left and right, rocking the shirtless look like he’s lost in the desert, and is constantly spotted canoodling with gorgeous women (and/or hookers).
Kanye West‘s largely antagonistic approach to getting the word out about his incredible new album, Yeezus, took a weird turn over the last few days. After largely ignoring the American media since his album’s June release, he appeared on the debut episode of inflammatory author Bret Easton Ellis’ new podcast on Monday and used the opportunity to espouse his guiding principle of being (and we quote) “super dedicated to awesomeness, and making things better.” Those are qualities the world could definitely use more of, which is why we were totally thrown off guard when we saw the video for “Bound2,” which is neither awesome nor something anyone would describe as “making things better.”
It’s been a hot minute since we last heard from Lily Allen, the British songstress who has built her reputation on her unwillingness to play by the rules that govern today’s celebrity industrial complex. Her last album, 2009′s It’s Not Me, It’s You, gleefully genre-hopped from electro to country & western to pure pop, all the while making sly, sarcastic statements about the fetishization of celebrity (“The Fear”), boys who don’t believe in the concept of equality in the bedroom (“Not Fair”), and her issues with the politics of George Bush (“F*** You”). Allen took the last few years off to start a family, but she clearly kept one eye on the way popular culture was evolving (devolving?) while raising her two daughters. Her first statement as a new mom, “Hard Out Here,” dropped yesterday and immediately made waves online thanks to its timely critiques of the likes of Miley Cyrus and Robin Thicke. However, while we applaud the underlying sentiment of the song, we can’t help but feel like the final video treatment ends up betraying the song’s message.
You gotta hand it to The Goo Goo Dolls. If you were to take a time machine back to the year 1992 and predict an alternative rock act that would still be commercially viable 20 years from now, few would’ve selected Johnny Rzeznik and Robby Takac. Yet here we are in the fall of 2013 and the Goos are still going strong.
Sharon Jones & the Dap-Kings are one of the most dynamic live acts that you’ll EVER see perform, which is just one of the many reasons that they were selected to be one of VH1′s You Oughta Know artists back in 2011. It’s been a minute since their last album release, but in January of 2014, they’ll be back with their new LP, Give The People What They Want. The album’s completion was delayed by a few months to allow lead singer Sharon Jones time to deal with a recent cancer diagnosis, but her recovery efforts are going amazingly enough that the band just released a new video for “Retreat” (which you can watch above) AND an upcoming concert.
It’s Day Two of TLC Week here at VH1, which means that there are only six more days left until CrazySexyCool: The TLC Story premieres on October 21 at 9PM/8C. As we all know, TLC is widely recognized as being a dominant force in the genre of R&B, but one area where TLC doesn’t generally get the credit they deserve is in helping to pioneer some of the most memorable special effects moments in the history of music videos. In particular, their collaboration with director F. Gary Gray on “Waterfalls” in 1995 blew our (then) young minds when three water creatures morphed into T-Boz, Chilli and Left Eye.
In the entire history of the You Oughta Know franchise, Delta Rae have emerged as one of our favorite alums. Their debut LP, Carry The Fire, dropped in June of 2012 and we’re still spinning it on the reg. Their chief strength as a group is their versatility, as evidenced by their brand new video for “If I Loved You,” which showcases the powerhouse vocals of Elizabeth Hopkins.
When Britney Spears‘ video for “Work Bitch” dropped last week, the thing that caught the most attention about it was its reported $6.5 million price tag. That budget, if it were accurate, would make it the second most expensive music video of all-time, behind “Scream” by Michael and Janet Jackson. We say “if it were accurate” because, almost immediately, people began questioning the veracity of the $6.5 million budget, and director Ben Mor was forced to admit to MTV that “it’s not even a fraction of that. It’s 200 percent absolutely false and it’s almost embarrassing to say. The video absolutely did not cost that much.” So, how much DID it cost?