Music Videos

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Chris Brown, Big Sean And Wiz Khalifa Are High As A Kite In “Till I Die”

It looks like 04/20 with all the smoke in the air in Chris Brown’s self-directed video “Till I Die.” The wacky animation and overall playful vibe between Brown, Wiz Khalifa and Big Sean screams fun times. Breezy raps and sings, but with his flow we think he’s seriously going to make some rappers step up their game. We adore the rapping Breezy! Decked out with a grill (what rapper doesn’t own a set of gold teeth?) and gold necklaces, Brown is overly hype. When he meets up with his boys it goes down straight Bob Marley style.

Big Sean and all of his braggadocio adds the smooth, ‘look at me I’m the ish’ element. His confidence level is on a million as he rocks an open blazer sans a shirt. Being the proud weedhead that he is, Wiz Khalifa spits his verse in a smoked out house party where Redman and Method Man are smoking and then pass Wiz a trophy shaped bong. And what would a song about smoking “till I die” be without a cameo from Snoop Dogg? Well, it wouldn’t be proper smoker’s anthem.

Chris Brown is obnoxious in the video with the gold teeth and flashy jewelry. He’s amped to the 10th degree, but his rhymes tickle our fancy. Big Sean, Wiz and Breezy make for one dope trio as they all balance one another out. Wiz is the laid back chill one, Big Sean is boastful and Chris Brown is just rowdy. Brown gets props for creating a video that fits perfectly with the song, and all we want to know is: what’s up with a Chris Brown, Wiz and Big Sean collabo album?

Chris Brown featuring Wiz Khalife & Big Sean "Till I Die" Video

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Jay-Z And Kanye West Recreate Imagery Of Revolution In “No Church In The Wild” Video

Kanye and Jay-Z still have everyone watching the throne almost a year after the release of their collaborative Watch the Throne album. On Tuesday night the Romain Gavras directed “No Church in the Wild” video was released online sans an appearance from Kanye or Jay. One word that instantly comes to mind: revolution. Amidst slews of  global uprisings the two biggest rap stars in the world create a visual for Prague citizens challenging authority. The video starts with one man setting a Molotov cocktail ablaze and tossing it at police, which inevitably incites a brawl. Read more…

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It’s A Different World In Grace Potter & The Nocturnals’ “Never Go Back”

It’s all vintage everything in Grace Potter & The Nocturnals “Never Go Back” video. Grace Potter’s heavenly voice pierces as she travels back to her childhood, which for this video’s purposes seems pre-civilization. Facing those demons she sings about the quiet girl is taunted by tiny warriors in face paint. They jump on top of the table and eat with their hands. As if that wasn’t barbaric enough they break plates, throw a violin over the stairwell and jump on the bed. We totally understand how unappealing going back is, and why she sings, “I’ll never go back there no more.” We don’t blame you, girl. Read more…

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Raising “Daughters” Is Tough, Nas’ Daughter Destiny Makes A Cameo In New Video

Nas is unapologetically honest about what he’s experienced in his life. His music explores the good, bad and ugly. After much controversy over the details he disclosed in “Daughters,” the video has arrived. It’s chill and mellow like the soulful track. The third single from his forthcoming album Life Is Good gives a small glimpse into Nas’ private life as a father. Directed by Chris Robinson, the video begins with the birth of Nas’ daughter Destiny. Although an actress plays her role, Destiny makes a cameo at the end proving everything is all good with her and pops. Read more…

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Woodkid’s Black And White “Run Boy Run” Video Slays Your Favorite Music Video

Yoann Lemoine, aka Woodkid, is a man of many great talents. You may not know the name yet, but you’ve seen his work in the form of music videos from Katy Perry’s “Teenage Dream” and Lana Del Rey’s “Blue Jeans” to Drake and Rihanna’s “Take Care” and Taylor Swift’s “Back to December.” The French indie musician, graphic designer and music video director released his first EP Iron last year. More recently he directed “Run Boy Run,” which is the video to his new single. And we’re running alright– our finger over the replay button.

It’s an entire black and white video, which makes the cinematography that much more impressive. A young boy runs with tears streaming down his face into another world because the world he’s in “isn’t meant for [him].” Nature and an obscure white building  are the only other things in sight until eagles and a monster made of hay suddenly appear. We won’t tell you what happens next because you have to watch the video!

With minimum props Woodkid creates a phenomenal graphic piece of art. We were hypnotized by the beautiful simplicity of a little boy running with a sword with not much else going on. We predict his phone to be ringing off the hook with the biggest stars putting in a bid for his music video direction. At least that’s what we’d do if we were musicians. Run Boy Run by Woodkid

Run Boy Run by Woodkid [Devour.com]

by (@unclegrambo)

Video Premiere: Linkin Park, “Burn It Down”

Linkin Park is the last band of its kind still standing. Born during the nu metal craze of the early 2000s, this six-piece has successfully evolved their sound over the years and remained relevant while their peers like Korn and Limp Bizkit have long since fizzled out. “Burn It Down” is the first single off the band’s forthcoming fifth studio album, Living Things, and was the only real “rock” song that was showcased during this past weekend’s Billboard Music Awards.

As is to be expected from Linkin Park, the video is a visual treat. Much like “Waiting For The End,” it’s very futuristic in its overall feel. In particular, it seems to be inspired by H.R. Giger‘s influential design work on the film Alien; there is an undeniable combination of the organic and the mechanical present in the setting in which the band performs. Of course, a nod to the visual aesthetic championed by director Ridley Scott is quite timely, as his Alien prequel Prometheus is set to open here in the United States in a few weeks time.

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Destruction In “Take It To The Head” Video Featuring Rick Ross, Chris Brown, Nicki Minaj And Lil Wayne

DJ Khaled has the most incredible musical superpowers because only someone superhuman can consistently get all of the hottest artists on one track. This go ’round he brought together Chris Brown, Nicki Minaj, Lil Wayne and Rick Ross for the Colin Tilley directed “Take It To The Head.” Not to mention Drake, Busta Ryhymes and Baby (aka Birdman) make cameos. Next time there’s a hip-hop beef, we must call Khaled. He can get everyone toghether! Complete with crashing buses, graffiti and fire, the video is all about destruction. If the setting looks familiar perhaps it’s because you’ve been to Universal Studios in Orlando, FL. Per Stereogum.com, the set was in fact shot at the Earthquake ride at the popular amusement park. Now, if the rappers could’ve rapped their verses while on the ride, that would have been impressive. Read more…

by (@unclegrambo)

Katy Perry Is “Wide Awake” After Her Divorce From Russell Brand

At the moment, there is no more formidable team in music than Katy Perry, Bonnie McKee, Dr. Luke and Max Martin. During the 2009-2010 writing/recording sessions for Perry’s Teenage Dream album, this group wrote four songs together — “California Gurls”, “Teenage Dream”, “Last Friday Night (T.G.I.F.)” and “Part Of Me”. All four of those songs went to #1.

So when it came time for Katy to put together Teenage Dream: The Complete Confection earlier this year, she made sure to enlist the help of her dream team when it came to writing the sole “new” track for the record, which ultimately was titled “Wide Awake.” Back in March, she told our friends over at MTV News that the team wrote and recorded the track over the course of just four days. “I can’t wait eight months to be able to put out this feeling that I’m feeling right now,” she explained. “Not only did I write the song because I needed to flush that out of my system, but I wrote it for the film as well.”

Katy debuted “Wide Awake” at the Billboard Music Awards last night, and then dropped a brand new lyric video for the emotional track after the show. There is a “real” video for the track on the way, but as a way to satiate the masses until its release, this lyric video was released. It does not refer to the lyrics of the song directly — lyrics in which Katy comes to painful grips with her recent divorce from Russell Brand — but is notable in that it’s the first video to take on the look and feel of Facebook’s new(ish) timeline feature. And hey, if you pay close enough attention, you’ll see that VH1.com even gets a shout-out in it. Look ma, we’re finally famous!
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Nicki Minaj Juggles Nas And Chris Brown In “Right By My Side”

So far Nicki Minaj is holding it down with the summer boo anthem “Right By My Side” featuring Chris Brown. Nicki puts aside the characters and trades in the over the top costumes for pretty frilled dresses in the the fun, hold-hands-with-your-significant-other video. Instead of going with Chris Brown as the obvious romantic interest, Nicki opts for Nas to play her leading man. The track alone instantly sparks a warm fuzzy feeling of wanting a beau “right by [your] side.” With the complement of the on screen couple showing affection through hugs and strolls walking arm-in-arm, we’re feeling a double side of warm and fuzzy. On the rocks. Read more…

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Adam Levine Blows Up Cars (And Looks Real Fine Doing So) In Maroon 5′s New “Payphone” Video

We’re totally swooning over how fine Adam Levine looks in the “Payphone” video featuring Wiz Khalifa. (Admittedly, the repeat button was abused.) It’s all shoot ‘em up bang bang in this hot new vid, which is the lead single off Maroon 5′s upcoming Overexposed album. The story begins at the ending. A scraggly Levine attempts to reach a woman on the payphone. Although this happens first in the video, in the timeline of events this really occurs after he plays superman at the bank to save the woman he loves from robbers. He escapes a hail of gunfire only to find the police outside, and guess who they think is the culprit of the robber? Surprise (not really): Levine.

Shortly after Wiz valet parks his drop top Levine steals the car and take the cops on a high speed chase leaving his lucky woman behind. Hence the “I’m at a payphone, trying to call home” chorus. He eludes the cops and makes it to the desperately needed payphone. “Payphone” is without a doubt action packed — a gun fight, police chase and exploding cars all withing less than five minutes. Is Levine trying to tell us something regarding acting aspirations? We totally envisioned this as a movie. A predictable one, but a movie nonetheless.

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