Music Videos

by (@unclegrambo)

Brandy & Monica Discuss How Their Brand New Song, “It All Belongs To Me”, Came Together

On Monday night at 11 p.m. on VH1 and right here on VH1 Tuner, we will be premiering the brand new music video for Brandy & Monica‘s “It All Belongs To Me.” This marks the first time that Brandy and Monica have paired up on the same track since 1998, but this time around, the ladies are allies, not enemies.

In this exclusive interview, the two vocal heavyweights discuss how the track came together, as well as the message that they’re hoping to send to young women. “It’s empowering,” Monica tells us. “It should make you feel good. Even if he made you feel wrong, we’ll make you feel right.”

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by (@unclegrambo)

EXCLUSIVE SNEAK PEEK: Brandy & Monica Re-Team For “It All Belongs To Me” (VIDEO)

Big news! On March 5, VH1 and VH1 Tuner will be exclusively premiering the brand new video from Brandy and Monica, entitled “It All Belongs To Me”, at 11 p.m. ET. The song is the duo’s first since the 1998 smash, “The Boy Is Mine”, which, according to the Billboard charts, was the #7 song of the 1990s. That song was all about the girls battling, but this time around, the girls are teaming up to take on a no good dirty Lothario type. You’ll have to wait until Monday to see the whole thing, but we were able to get our hands on this :30 sneak preview as something to whet your appetite. Bon appetit!

Full press release, which just hit the wires, is below:

IT BELONGS TO US! VH1 PRESENTS THE EXCLUSIVE WORLD PREMIERE MUSIC VIDEO OF MONICA AND BRANDY’S NEW HIT SINGLE “IT ALL BELONGS TO ME”

First Video Collaboration For The Pair Since Their 1998 Grammy Award-Winning Hit Single “The Boy Is Mine”

Premieres on VH1 and VH1.com on Monday, March 5 At 11PM EST ET/PT

NEW YORK, NY– March 2, 2012 – Grammy-Award winning R&B songstresses Monica and Brandy belong to VH1 on Monday, March 5 with the exclusive premiere of the music video for their new single, “It All Belongs To Me” Monday, March 5 at 11PM ET/PT on VH1 and VH1.com. This premiere commemorates the first time the R&B superstars Monica and Brandy have reunited for a video since their 1998 Grammy Award-Winning hit collaboration “The Boy is Mine.” “The Boy Is Mine” held the #1 spot on the Hot 100 Chart for 13 weeks and won the Grammy for R&B Performance by A Duo or Group. It was declared the best-selling song of 1998.

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by (@kat_george)

Rise Against Cover Bob Dylan’s “The Ballad Of Hollis Brown” For Chimes Of Freedom

In honor of Bob Dylan‘s career and to raise funds for Amnesty International comes Chimes Of Freedom, an album full of covers of classic Dylan songs by contemporary artists. We already love Miley Cyrus’ cover of “You’re Gonna Make Me Lonesome When You Go,” and now we’re really getting into Rise Against‘s heavy metal cover of “The Ballad Of Hollis Brown.” The metal genre fits the angry mood of the track perfectly, and the folksy guitar riffs remain true to the Dylan style. The video shows the plight of farmers and rural workers in America, with written statistics and actual sound bites from the weathered faces on the screen. It’s a call to arms — and Rise Against’s rendition really gets to the bottom of the frustrated and desperate emotions depicted in the documentary style video.

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by (@kat_george)

Ellie Goulding’s New Video For “Lights” Is More Brilliant Than Blinding

Ellie Goulding‘s new video for “Lights” is flashy, but it’s more brilliant than it is blinding. Featuring a glowing Goulding singing the dance-led track back lit by a glorious halo of clean light, the song has club anthem written all over it. Goulding begins playing the tambourine, and transitions to drums as the video picks up its pace. There are some great moments where Goulding is frozen in time, in a 360 degree view, surrounded by neon illustrations. If Goulding’s hair shaking and drum bashing while neon laser beams flash around her doesn’t get you dancing, then it’s probable that nothing will. Bright and fun, were thinking “Lights” is the perfect song to lead into spring toe tapping along with.

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by (@kat_george)

Music Video Premiere: The Black Keys, “Gold On The Ceiling”

The Black Keys gave us a peek at their video for “Gold On The Ceiling” last week, and now we’ve got the whole shebang available for your viewing pleasure. The second single from their breakthrough album, El Camino, “Gold On The Ceiling” is an honest, organic rock song that is as faithful to the roots of the genre as any modern band can be. The video features footage from New York, with lines of people waiting to get into their shows at the Bowery Ballroom and Webster Hall for their album launch tour, as well as some dates in Los Angeles and overseas. There’s also footage of the guys recording in the studio, and an adorable trying on clothing montage in which they giggle over a bedazzled jacket. Mixed in are also some serious, “the road is a grind” moments with the band traveling in cars and airports, but overall, the vibe of the video is a fun one, and gives a sense of the adventure The Black Keys have partaken in during their meteoric rise over the last few months.

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by (@kat_george)

5 Visual Cues From Pop Culture In Adam Lambert’s “Better Than I Know Myself” Music Video

Forget Madonna Week for a second and take a moment to fawn all over Adam Lambert‘s new video for “Better Than I Know Myself.” But it’s not what you were expecting — instead of grappling with a lover, the video sees Adam’s personality split in two and confined to adjoining rooms, as if under observation, while he attempts to reconcile the dualling elements of his personality. The dichotomy is one that is as relateable to us as breathing — it’s the timeless battle of the little devil on one shoulder, and the little angel on the other. In one room, Adam is a Glampire, dark and brooding, restless and angsty, swigging liquor from the bottle and destroying his environment out of boredom and frustration. In the next room is a peaceful Adam, calm and happy, reading, relaxing, completely at ease in his solitude. With the two facets of Adam’s personality at such distinct odds, which one will rise to the top? We’ll let you watch the video to find out what happens, in the meantime, we’ve picked up on a few visual cues from popular culture that seem to have influenced the video. Do you agree?

1. Adam Cullen?

We guessed that Adam might appear in the video as a vampire, and there are definitely vampyric elements to Adam’s darker self. His pale skin and unsettlingly bright hazel eyes for instance, are reminiscent of Twilight‘s Edward Cullen.

2. The Skin Adam Lives In

It appears that the dual Glamberts are being watched — if only by each other. The imagery of the split room, the stark contrast between the aesthetic of the two rooms, and the voyeuristic wall of glass between them reminded us of the observational room in Pedro Almodóvar’s 2011 film The Skin I Live In, in which an unwitting prisoner is kept and tortured by her Peeping Tom. To an extent, it’s the same in “Better Than I Know Myself,” with each Lambert tormenting the other, simply by the fact of their existence.

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by (@kat_george)

The All American Rejects’ Buzzy New Video For “The Beekeeper’s Daughter”

The All American Rejects new video for “The Beekeeper’s Daughter” is less of a fail than their moniker would have you expect. The video is an all singing, all dancing extravaganza; there’s impromptu synchronized dances in the street, explosions of color and a whole lot of sex appeal. The poppy beat will almost make you forget that the song is about an inability to commit to a relationship and have you dancing instead, much like the girls in the video. “The Beekeeper’s Daughter” is The All American Rejects’ first single off the album Kids In The Street, and while it’s not much of a romantic track, it’s definitely a fun one. We’re really loving the joy of the video — especially the final scenes where the band is playing on a parade float, a giant inflatable bee buzzing above the celebrations!

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by (@kat_george)

Graffiti6 Turns Up The Romance In Their Video For “Free”

London band Graffiti6 released their debut album, Colours, two days ago, and the video for the first single, “Free”, off the LP, has us hooked already. “Free” is a song about passionate, all consuming love, and the visuals display both a sense of desperation and hope. Set against a hazy city skyline, it features front man Jamie Scott taking to the streets and the foggy rooftops of tall buildings to fight his inner battle, while his gorgeous model-esque love interest luxuriates in a bed. With a sense of frustration ringing true in the lyricism, the visual compliments the feeling by moving between the minimalist bedroom scene and the quiet streets at odd camera angles, always focusing on Scott’s pained expression. The video gets an injection of whimsy from animated colored geometries that appear across the screen at different intervals, and acts as a brilliant precursor to the wonderful album.

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by (@unclegrambo)

Wooderson Lives! Matthew McConaughey Reprises His Dazed And Confused Role In Butch Walker’s “Synthesizers”

A few weeks back, our VH1 News team caught up with Matthew McConaughey on the set of the music video for Butch Walker‘s “Synthesizers.” The song is partially a lament about the perils of growing older and becoming decidedly less hip, but it’s also a rallying cry about the merits of sticking to your guns and not chasing fads in an attempt to remain hip. These decidedly mixed messages make for an interesting song, but also for a thematically jumbled music video.

Reincarnating the character of Wooderson from Dazed And Confused for this video was a stroke of minor brilliance, as perhaps no one character in the recent history of cinema better represents how cool it can seem to be stuck in one’s ways. As the video begins, Wooderson —still wearing that same Marley Nugent t-shirt, mannnnn— makes his way into a modern day Hollywood nightclub, packed to the gills with table dancing Snooki wannabes and LMFAO-style hipster d-bags. Not surprisingly, he looks older and, if you can believe it, even more stoned than when we last saw this character; McConaughey initially plays it so Wooderson looks tired, desperate and past his prime, allowing a forlorn look of despair to creep across his face, despite the fact that he’s trailed by two smokin’ hot ladyfriends. However, as soon as the chorus kicks in and the song’s tone shifts from plaintive to defiant, the vibe of the video changes (not for the better), and Wooderson morphs from being an over-the-hill stoner and into the Pied Piper of Clubland by, get this, playing a trumpet and a tiny toy piano.

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by (@kat_george)

Scarlett Johansson Directs Jessie Baylin’s New Video For “Hurry Hurry”

Actor and musician Scarlett Johansson got behind the camera for Jessie Baylin‘s video for the first single, “Hurry Hurry,” of her album Little Spark. Old school buddies, Johansson and Baylin attended New York’s Professional Children’s School together, and Johansson told MTV Hive that, “One of the greatest gifts of growing up with Jessie has been watching her develop as a musician.” This affection is not lost on the video, which is a simple, tender portrayal of Baylin singing on the rain soaked Manhattan Bridge in New York City. The video itself is romantic and lends an extra air of whimsy to Baylin’s already ethereal sound. As Baylin strolls back and forth on one section of the bridge, she is sporadically illuminated as light glows from her back and hair, as if by magic. The song itself is sweet and sentimental, matching the visual to perfection, and her lofty vocal is both melodic and captivating.

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