Well, from what we can gather from this preview of “The One That Got Away,” her chances seem promising. Although it has some similarities to Rihanna‘s voice over/narrative-led video for “We Found Love,” Katy’s video seems much more whimsical, with a soft focus aesthetic and some very Zooey Deschanel moody eyes and eyelash batting. With building hype around the single and an emotional trailer, will “The One That Got Away” make Katy the kitty that got the cream?
We’re less than a month away from the highly anticipated premiere of The Twilight Saga: Breaking Dawn – Part 1, and the talented musicians who appear on the Breaking Dawn soundtrack have been keeping us company all month long as part of our ongoing Posted series. Tonight, we’re super excited to premiere the video for Christina Perri‘s “A Thousand Years”which is chock full of footage that Twi-Hards are going to be obsessing over until the film’s November 18th debut.
Perri, who we introduced to you as one of our You Oughta Know artists one year ago this month, delivers romantic lines like “I have loved you for a thousand years, I’ll love you for a thousand more” and “All along, I believed I would find you/Time has brought your heart to me” with the kind of emotional resonance that will have those who have long been obsessing about seeing Edward and Bella’s wedding finally come to life on the silver screen reaching for their hankies. In fact, it’s the kind of soaring ballad that one could easily imagine high school seniors all over the country voting as their Prom Theme come next May. That is, unless you’re on Team Jacob, in which case you’ll probably just have to make do with this awful reimagining of Justin Bieber’s “Baby” as “Bella.”
(This video premiere is brought to you by Chronicle.)
Hot on the heels of “Countdown”?which we’re still watching plenty?Beyoncé premiered a video for “Love On Top” earlier this week. As teased, the video begins with an homage to Brook Payne’s iconic New Edition choreography, but that’s only the half of it (literally). The video edit drops a verse from the song so that the video’s back end is devoted to the four key-change chorus repetitions. For these, she and her back-up dancers doll up in a series of era-evoking costumes, though the costumer must have made some sort of mistake, because they always end up short one dress shirt. Not to worry, though: Beyoncé takes one for the team every time. “Love On Top” may be miles apart from “Countdown,” but it’s no less the jam, and we’ve got no complaints about the video either.
It’s love on the run for Britney Spears in her new video for “Criminal,” in which real-life boyfriend Jason Trawick plays a bad-boy biker, on break from working the kitchen at a fancy party, when he witnesses Britney’s character being attacked by her controlling British escort (not that kind), comes to the rescue, and…you get the idea. Less Bonnie and Clyde than Thelma and Louise?or maybe even Aerosmith’s “Crazy”?the video follows the newly minted lovers and partners in crime as they rob at least one bank before getting cornered by the world’s most trigger-happy S.W.A.T. team. The two characters actually are way more committed to having sex than committing crimes (and we can respect that) but when Britney “borrows” her guy’s gun and pulls it on a convenience store cashier, they make the news fast.
Part of the reason the video works so well is director Chris Marrs Piliero. He and Britney share a comic sensibility that not only drove the madcap “I Wanna Go” video (their first collaboration) but also provides levity in this action-oriented video. The groin kick Britney gives her abusive date, Trawick’s mouthed “Oh s?” when he sees Britney pull the gun, and Britney’s wordless expression of more or less the same sentiment in the TV news still all point to one of Spears’s greatest talents: giving the impression that although she takes her career extremely seriously, she nevertheless doesn’t take it too seriously. The song might not quite be “Toxic” caliber, but its video is at least as entertaining a bad-girl adventure story, and her role here is essentially that of a (wait for it) femme fatale. Read more…
You have to sympathize with the girl in the video for “Mistletoe.” You’re getting some one-on-one time over hot chocolate at the café with your main squeeze Justin Bieber, when all of a sudden, some blonde girl comes out of nowhere and puts her hands on him. Don’t you hate when that happens? (“What was that about?” she mouths.)
Her insecurity seems understandable: after all, girls love Justin Bieber. The song, then, is his way of letting his “shorty” know that she’s the only one he wants to see under the mistletoe (or, for that matter, in a drop-top Porsche). How committed is our crooning lover? Enough to park in the middle of the street and sing until she puts down the book she’s reading (which just so happens to be New Moon) and finds the gift he’s snuck into her bedroom. That’s devotion, especially from a guy still young enough to get away with a line like “I should be playing in the winter snow.” Ah, young love! Read more…
If you tuned in to our five-day 100 Greatest Songs of the 00′s countdown last week, you already know that pre-preggers Beyonc? took home the #1 spot with hubby-featured smash, “Crazy In Love.” Good for them, right? The collabo is over eight years old, and still carries with it a sense of sonic recognition that might one day be categorized as “timeless.”
If you could have your way with our list’s top 10 songs, which one would you have crowned ?The Greatest of the 00′s? Take our poll and leave us your thoughts in the comments section. Don’t worry, we’re thick-skinned!
All week, VH1 has been rolling out the 100 Greatest Songs of The ’00s and tonight we finally made it to number one which is…(drumroll)…Beyonce’s“Crazy In Love”! We’ve always maintained that this song is like a party?(and we’re all invited) so we think its place at #1 is well-deserved, but we want to know if you agree. Our distinguished panel certainly does — they can’t help but booty pop in their seats just talking about it.? Mob Wives star Drita D’avanzo puts it best though, when she says, “Beyonce and Jay-Z is like peanut butter and jelly, and you just want it.” After the jump,?check out the full list of the top 100 songs from the ’00s, and then make your way to the comments section to let us know if Beyonce is the best choice to sit at the top of our list.
What’s better than a new video with Beyoncé? If you answered “a new video with multiple Beyoncés,” you’re going to love “Countdown”! The single is a standout from 4?not just a refreshingly uptempo jam among ballads, but a darn good one?and director Adria Petty certainly does the song justice with this clip. Petty combines intentionally stilted choreography with multiple frames and multiple exposures (and, yes, multiple Beyoncés) to create a sort of “Flashdance” by way of “Rockit” spectacle. Alternately, think of it as a Gap ad made by Mondrian, and starring robots. Words don’t do this video justice. Read more…
Perhaps the most anticipated collaboration from the now chart-topping(!) Duets II was Tony Bennett & Lady Gaga‘s rendition of “The Lady Is A Tramp.” To begin with, Gaga is as monocultural as they come these days. Plus, as Bennett told us, “she has the same gift as Ella Fitzgerald.” Then none other than Gay Taleseprofiled the duet for The New Yorker.
With the album in stores, naturally a video for the lead-off track has followed. Gaga is no less showy?that’s her nature?but her performance is in sync, not in competition, with Bennett’s. The duo riff on the lyrics, very much in a vocal jazz pop tradition. The least surprising change: a shout-out to songwriters Rodgers & Hart replaces one to Walter Winchell. Even if the redoubtable columnist had a 2011 equivalent (Nicki Finke plus Perez Hilton?) we doubt committed anti-bullying campaigner Gaga would sing his praises.
She’s also a smart fit for a vocal partner in this musical-theater tradition?so much so that the song seems well-chosen, until you realize how many others would have worked just as well (except perhaps for the titular pun). For all her outré accoutrements, Gaga fits snugly into this tradition, as someone seriously committed to her art yet mercifully unconcerned with Baby Boomer-born ideas of pop “authenticity.” It’s no wonder that Tony Bennett “gets” her. Read more…