The arrival of Santigold’s aptly-titled video from the soundtrack, set in the Girls‘ backyard gives us even more reason to talk about just how she and Dunham are portraying New York City, millennial culture and fellow loosely-tied down young women who also happen to be nursing ex-boyfriends back to health. Sorry, haters. But between the increasingly direct (and steamy) approach to both sex and its critics AND a Tuner-approved playlist, you might want to throw up a white flag and jump aboard. We’ve come so far from the sounds of Charlie and Ray’s underwhelming live shows in sweaty basements!
Like the lyrics say (“Oh, I just wanna take you anywhere that you like”) all five guys are up for just about any kind of dating activity, be it in the surf or snow—which means they each have the makings of the perfect Bachelor contestant, should they ever need help in that department—as they travel from various Elvis Presley-inspired locales (just in time for his birthday!). The diverse settings serve as nods to the King’s classics like Jailhouse Rock and Blue Hawaii, as well as Frankie Avalon‘s various cinematic vacation parties on the slopes and sand, allowing the guys to show off their sillier sides and their swim trunks.
Big Boi came back in the game figuratively screaming, “I will not lose.” Aside from the positive reviewsVicious Lies and Dangerous Rumors has received, we finally will get the Andre 3000 and Big Boi reunion we’ve impatiently waited six years for. There’s no Outkast album that we know of in the works, but Big Boi is planning on adding a verse to Frank Ocean‘s “Pink Matter,” which already features 3 Stacks. Read more…
Men lie. Women lie. Numbers don’t. After taking a deep-dive into this year’s VH1.com streaming data, we’ve come up with a list of the Top 40 Most-Watched Videos of 2012. All you favorites are below, and there are even some underdog surprises that we didn’t expect to rank so favorably. So yeah, consider this an early New Year’s gift, and start re-living all the music video glory that took place in this incredible year of the apocalypse.
‘Twas the Friday before Christmas, when all through VH1 everyone in the office was starting to hum. Beats By Dre buds were hung in ears with care in hopes a good Xmas tune soon would play there. PA’s tapped their toes all snug in their chairs, while visions of *NSync danced in their heads. And our editor with his iPad, and I mine too, listen on repeat to “All I Want For Christmas Is You.” So show us your preference, no matter your taste. Vote Mariah or *NSync to win first place! Now go, read our arguments for each cheery chart-topper while I go hang some mistletoe around the office.
Today’s Friday Face-Off honors VH1 DIVAS by having friends and fellow performersMiley Cyrus and Demi Lovato duke it out. Let’s see who’s video proves she’s the sassier diva before they hit the big stage Sunday at 9PM/8C: Miley’s “Party In The U.S.A.” or Demi’s “Give Your Heart A Break.” Can’t decide between the former Disney teen queens? Read our argument for each and vote while we hunt down someone to pick the brown M&M’S® out of this bowl.
Uh oh, Taylor Swift‘s in trouble. Like, a lot of trouble. So much trouble that she’s been forced to act. And act she shall–putting all the emotion in her now-23 year old body into the “I Knew You Were Trouble” video. It’s perfect, actually–those dip-dyed locks were made to roll around on the desert floor. Even a meaningful key drop is made dramatic by Taylor, who is a huge fan of metaphors. Want to see what we mean?
This new video for Taylor Swift‘s dubbed-out new single, “I Knew You Were Trouble,” is a curious thing. Gone are her pretty ballet flats and handsome fellas, the woodland creatures and Parisian skyline; and that cutesy Dirty Dancing routine she did with Harry Styles this is certainly not. Rather, we get Taylor with messy, pink ombre hair and a love interest who looks an awful lot like Pete Doherty, a crusty looking motel room and several ratty t-shirt changes, a long opening monologue ala Lana Del Rey‘s “Ride” video and lots of other moments that will have you thinking Taylor may not be such a goody two-shoes after all.
The mini-epic begins with Taylor alone and in the desert, just woken up in the detritus of some festival — if we had to guess which we would say Coachella, because she’s in the desert and too clothed to have just attended Burning Man –and all alone. An ominous score plays, and to the thumping of a heartbeat she delivers this dozy of a speech about her “kaleidoscope of memories” and “how can the devil be pulling you towards someone who looks so much like an angel” and the meaning of life, just in general:
Songwriter Skylar Grey is breaking out on her own with a little help from Eminem. “C’mon Let Me Ride” is a girl’s plea for her crush to let her ride…his bicycle. Only this boy and his two-wheel choice of transportation lives in the trailer park. Skylar’s grunge, edgy vibe causes her to stick out like a sore thumb from the other girls in the neighborhood with their faux tans and skimpy bikinis. Read more…