Now that we’re four weeks into this year’s race to determine the Song Of The Summer, the race is finally starting to heat up. Adele still has a firm grasp on the #1 spot, but closer analysis reveals that the gap between her and those who would gladly take her position is closing (thanks to minor slips in iTunes sales and the VH1 Top 20 Video Countdown this week).
While Adele isn’t giving up her throne anytime soon, it looks pretty clear at this point that Miami rapper Pitbull is shaping up to have his Best Summer Ever. He’s currently got three songs resting comfortably in the S.O.T.S. Top 20: He contributes guest vocals to both Jennifer Lopez‘s “On The Floor” and Shakira‘s new chart entry, “Rabiosa,” and he’s also the lead artist on the club-friendly “Give Me Everything.” Not only that, his new single with Marc Anthony, “Rain Over Me,” is just starting to bubble up and could make a strong run itself after his new album, Planet Pit, drops tomorrow.
Also, while we’re talking about potential songs that could dethrone “Rolling In The Deep,” keep an eye on Lady Gaga’s “The Edge Of Glory” next week. The video just debuted on Thursday night, and even though it underwhelmed many upon its release, the song should benefit greatly from increased exposure in the wake of Clarence Clemons’ tragic passing this week.
Got any thoughts on the Song Of The Summer? Tweet us @vh1 or leave your comments below!
Lady Gaga premiered the music video for “The Edge of Glory,” her third Born This Way single, tonight on FOX’s So You Think You Can Dance. “The Edge of Glory” is the not only one of the album’s standout tracks (and in the running for Song of the Summer) but also the first remotely organic single from the album, which is to say both that the song was not a planned single but enough of a hit with listeners that it was released to radio and that the video is low-concept, particularly compared to the “Born This Way” and “Judas” videos.
Gaga has said the song is a tribute to her late grandfather, but through director Joseph KahnHaus Of Gaga‘s eye, “The Edge of Glory” is about Gaga’s early days in lower Manhattan. In the MTV documentary Lady Gaga: Inside the Outside, she discussed playing metal records onstage with Lady Starlight before she got her break, and her starry-eyed reminiscence of her Lower East Side experiences are translated visually, and through the lens of Gaga’s love of musical theater, into somewhat of a recreation of the choreography of “Out Tonight,” a number from the musical Rent. She dances and prances all over a fire escape and up and down a block, and her leathered-out getup reads as positively throwback (not in a bad way).
Vulture caught up with Ke$ha at amfAR’s NY Inspiration Event at the Museum of Modern Art in New York City last night to ask about “Till the World Ends.” Specifically: “Why would she turn over such an obvious smash to Britney Spears, when she could have kept it for herself?” Her answer:
“That song,” Ke$ha explained, “I?ve never been more proud of anything in my career… It really solidifies me as a songwriter in the pop music world, which is what I consider myself first and foremost. So it actually is really, really exciting for me when I hear [Britney] sing it. Like, when I hear my own songs on the radio I have to kind of turn it down or change the radio or whatever. When I hear that, I f****** blow the speakers out and I order everybody to dance.”
If it doesn’t feel quite like summer yet, that’s because it’s still technically spring until the summer solstice arrives on June 21. After looking at the release dates of the songs atop this week’s Song Of The Summer chart, it certainly appears as if we’re still mired in springtime.
As you’ll see in our handy Microsoft Excel chart, Adele‘s dark and wintry chart topper “Rolling In The Deep” —which, we’ll continue to note until (if?) it leaves this countdown, was released in December (!)— has a strangehold on the Song Of The Summer crown for the third consecutive week. However, the smoky-voiced Brit seems to have some competition by the name of Bruno Mars, who lept over Katy Perry and J. Lo this week to snag the #2 spot with his breezy ditty, “The Lazy Song.”
However, even though “The Lazy Song” has yet to crest, we sorta feel like Pitbull‘s club-friendly plea as to why it’s best to just give in to your carnal desires, “Give Me Everything,” has the most momentum this week. Not only did it make its debut in the VH1 Top 20 Video Countdown, but it’s also holding down the number two spots on both the Billboard 100 and iTunes sales charts, which certainly signals that people are going to be listening Ne-Yo crooning this song’s catchy, Eurotrance-y hook all summer long.
What song do YOU think is poised to make a big leap this summer? Continue along with our analysis and then let us know in the comments!
It’s Monday, but Katy Perry is hoping people will be thinking?and talking?about her new video “Last Friday Night (T.G.I.F.).” She teased the video over a month ago by quoting, on Twitter, a friend who said the clip would “break the internet.” The clip certainly appeals to that demographic, which is no surprise: director Marc Klasfeld was also responsible for the clip “Scarface School Play,” so he knows a little something about viral videos.
In the first place, Perry’s costar in the video is Rebecca Black, whose “Friday” video, as of today, has 165 million views and remains in the YouTube Music Weekly Top 10 despite its 88% thumbs-down rating. Black is, of course, internet catnip, especially since she is apparently magical in this clip:
Latin-flavored pop music rarely crosses over in America unless the lyrics are sung entirely in English, but you can’t blame Shakira for trying. Her latest album, the bilingual Sale el Sol/The Sun Comes Out, debuted at #7 on the Billboard 200 (#4 among Digital Albums) when it was released in the first week of November against tough competition (namely, Kings of Leon and Sugarland), but the English-language version of single “Loca” featured British rapper Dizzee Rascal, who’s talented but hardly an American hitmaker.
“Rabiosa,” on the other hand, features Miami rapper Pitbull, so it’s getting a much bigger push, which seems warranted, since the lyric video posted a week ago already has nearly half a million views. (Granted, Latin artists perform disproportionately well on YouTube when compared to other charts.) Read more…
We’ve got a live one! Leaking last night with the rest of Beyonc?’s album, 4, “Party” might be one of the strongest new contenders for our Song of the Summer, and we’re hoping it will also be her third single. Produced by both Kanye West and Consequence and featuring an insane verse from novelty-spitter Andr? 3000, this sweetly sexy track delivers something for every listener, including a silly line from Yeezy woven in-and-out that’s so cheesy it might actually grow on us (I mean, “swag sauce” and “dripping swagu”? If you say so!).
But don’t let the song title deceive you; while “Party” can easily help complete a laid-back, trill evening with friends, its sound is more reminiscent of a come-hither lady anthem from the R&B 90s. And who better to pull off a grown and sexy summer smash than B, singing sassy lyrics that demand the most intense kind of intimacy from her suitor– but only if he “don’t tell nobody tomorrow.” The need for intimacy, however, is a self-proclaimed bi-product of a (perhaps unrequited?) love that crowns the track’s endearing confesional nature. Of course Beyonc? is a happily married woman, but at one time, she was a single lady looking for love and cruising for a man to be her equal. Perfectly suited for brewing summer romances, “Party” can serve as the backdrop to a BBQ, a bikini-targeted workout session, or -you guessed it- some good old-fashioned boot knockin’. Proceed with caution, y’all!
Welcome to Week Two of VH1’s Song of the Summer countdown. Each and every Monday from now until Labor Day, we’ll be utilizing today’s most advanced data collection techniques Microsoft Excel to chart the competition of what will become THE song that people will think of when they remember the summer of 2011.
Last week, Adele‘s monster smash, “Rolling In The Deep,” captured the top spot, scoring 87 of a possible 100 points. (For a reminder on how the scoring system works, click here.) Somehow, the English songbird managed to increase her stranglehold on the #1 spot in this countdown this week, racking up 91 (!!!) points and proving that no matter what medium people use to consume music these days, they’re using it to listen to Adele.
What is going to be the 2011 Song of the Summer? I honestly have no idea! I’m neither a prognosticator nor a music critic, but rather, I’m simply a fan. My colleagues Nick Minichino, Lacey Seidman and Jim Shearer have already weighed in with their thoughts on which songs will reign supreme (Burrito Supreme!) this summer, but all that I can guarantee about my three picks is that I will be listening to these a lot this summer. Either way, enjoy!
“Helena Beat,” their second single off Torches, is a synthy indie pop pleaser that will appeal to fans of MGMT. I will confess that I’m not entirely sure what the song is about, and lead singer Mark Foster‘s distinctively high-pitched vocals are sometimes a smidge tricky to decipher, but each and every time I hear this song, I can’t help but to tap my toes. Maybe it’s the washes of sound that roll through the track, maybe it’s the way the progression of the synth line builds, I’m not sure, but this song just feels like summer to me.
“Every Teardrop Is a Waterfall” has as big a hook as any Coldplay single before, but not much in the way of a chorus (much like “Clocks,” which hardly suffered for it). The Big Country-esque guitar solo and pinch of sidechain compression make it sound simultaneously retro and current, and its lyrical stabs at a communal experience of a solitary expression cast a wide net.