The late night shows had particularly strong musical performances yesterday. Eels on Letterman, Train on Leno, The Features on Kimmel, and Matt and Kim on Fallon all turned in great renditions of their singles. These records have all been out for a minute, though (except the Features’ Wilderness, but they’ve been playing “Golden Comb” since 2009).
Sometimes it’s nice to hear a (nearly) brand new song on television, and that’s why we have to hand the night to Shaggy. “Sugarcane,” which he performed on Lopez Tonight, is very much in the vein of his previous hits “Boombastic” and “It Wasn’t Me”: a charmingly bawdy summery reggae single (sample lyric: “She likes the taste of my sugarcane”). In interviews with Billboard and with Rolling Stone, he’s contrasted his music with that of more explicitly lewd dancehall artists like Vybz Kartel, which strikes us as a bit backwards, like saying you like rap “but none of that gangster stuff.” But it’s tough enough to break through in the United States with Jamaican music, and if that’s the angle he needs, more power to him. “Sugarcane” isn’t about to top the charts (sorry, Shaggy), but it may have modest success, and it was certainly just the thing for Tuesday’s late night lineup.
VH1 Top 20 Countdown contender (and Best Week EverHappy Hour participant) Gavin DeGraw teased the Tonight Show audience for a few minutes yesterday during his performance of the single “Not Over You.” The songwriter and multi-instrumentalist had a piano all set up for him, but he ignored it for most of the song, instead walking back and forth across the stage as he sang. But when the keyboardist in his talented and compact backing band strapped on an acoustic guitar for the second chorus, DeGraw finally relented. The appearance was simply more proof that when it comes to a certain type of pop-rock, DeGraw has the form mastered, from songwriting to showmanship.
Sorry, Emmylou Harris! You’re a very talented performer and your rendition of “New Orleans” on Late Night with Jimmy Fallon yesterday was great. But when Justin Timberlake is also a guest, and he and Jimmy Fallon provide a sequel to their raucously entertaining “History of Rap” from September, you’re going to get upstaged.
Transitioning effortlessly from old-school classics like Kurtis Blow‘s “The Breaks” to early-nineties hip-hop head favorites like Black Sheep‘s “The Choice Is Yours,” to more recent hits like Lil Wayne‘s “A Milli,” the duo entertained the heck out of the audience in the crowd and at home. Wisely, the two touched on a number of dance-associated tracks, so Timberlake, in particular, could show off his best Dougie, robot, and even Ed Lover dance. They even rattled off a few bars of “Up In Here,” possibly in honor of DMX‘s recent release from incarceration. This is the rare sequel that matches the original, and it’s a must-watch.
Last night’s television lineup was a bounty of musical riches: Edward Sharpe & the Magnetic Zeros played Conan‘s Summer Concert Series; Bono and The Edge, promoting Spider-Man: Turn Off The Dark (the show’s musical guests), performed “Stuck In a Moment” off-the-cuff; Britpop revivalists Viva Brother made their US television debut on Jimmy Kimmel Live!. Plus Jordan Knight and Imelda May! It’s not often that we have difficulty choosing a highlight among the evening’s musical performances, so we encourage you to check them all out (linked below).
That said, Baltimore’s Wye Oak won the night with their performance of “Holy Holy,” from their third album Civilian, on Late Night with Jimmy Fallon. The duo has a knack for sounding bigger and louder than they appear, and this performance was no exception. Drummer Andy Stack always keeps his left hand free for backing keyboard chords, and lead singer Jenn Wasner‘s deceptively simple electric guitar playing alternately hangs back for verses and fills the air for choruses. The band has been slowly but steadily building a following since their 2007 debut If Children (re-released by Merge in 2008), and refining their sound with each new release. Last night’s television debut was a great showcase of March’s Civilian, their best album yet, and we expect even better from the band in the future.
Sporting a handsome suit and a shiny pink bow tie, Chris Brown took to the stage this morning before upwards of 18,000 fans (!), performing “Forever” (video above), “She Ain’t You” (video below) and “I Can Transform Ya” on NBC’s TODAY in New York City. While a string of recent controversies seem to follow the troubled young singer, the large audience may serve as a band-aid step in the right direction.
NBC stated on their site that the show was “one of their biggest concert events ever,” but OK Magazine is reporting that this concert was, in fact, the largest in TODAY history, beating out pop force of nature Lady Gaga. However, Jezebel claims that 20,000 Little Monsters showed up to watch their Mother Monster perform, so
His rendition of “See No More” did not disappoint. Comparisons to Justin Timberlake are perhaps overstated, but they’re not off the mark. Jonas has the charisma to pull off a televised vocal performance of a largely digitally programmed song like this dance-pop single, and adapt it for a backing band (as he did last night). Plus this song, cowritten by Chris Brown, allows us to appreciate that R&B singer’s musical talent without having to reconcile it with his public behavior. We do have to agree with Jonas’s critics, though: ditch the backup dancers, Joe. They’re talented folks, but they distract and detract from your performance. Overall, though, “See No More” bodes well for the rest of the forthcoming solo LP.
Joss Stone‘s website proclaims that her forthcoming LP1 is “the first album Joss has recorded with total creative freedom.” Her fans needn’t worry, though; Stone’s newfound freedom is directed into another album of blues-rock soul, if last night’s performance of “Karma” on The Tonight Show with Jay Leno is any indication. She was joined by Eurythmics cofounder Dave Stewart, who co-produced LP1 and who, with Stone, comprises 40% of Mick Jagger‘s supergroup SuperHeavy.
“Karma” is the latest entry in the long and proud tradition of female vocalists’ wronged-lover songs, though despite Stone’s soul chops, it’s guitar-heavy and horn-free. Perhaps it’s more inspired by country’s takes on the theme, albeit with much less anger than, say, Carrie Underwood‘s “Before He Cheats” or Miranda Lambert‘s “Gunpowder and Lead.” LP1 was, after all, recorded in Nashville. Stone’s narrator does wield a loaded gun, though, so who knows?
Javier Colon was probably happy that the other late-night shows were in reruns last night when he appeared on the Tonight Show, but considering the ratings that The Voice pulled in for NBC, other musicians would probably have been just as happy not to have to face off with the show’s champion. He played the original composition that helped him win the reality competition, “Stitch by Stitch,” and it sounded great?an amalgam of the best bits of his performance on The Voice (e.g. live drums) and the studio version (a more fleshed-out, but not obtrusive, arrangement). As a conclusion to the televised promotion of both himself and The Voice before the show’s summer tour kicks off, it couldn’t have gone better.
The season finale of The Voice and the season premiere of Behind the Music (now streaming in full on our site!) stole the thunder of the two bands that performed last night on television, but you wouldn’t know it by watching them. Parachute, a band of University of Virginia graduates whose blend of Something Corporate emo-pop piano balladry and soul-band backup vocals and bass guitar works way better than it has any right to, kept the crowd excited on Jimmy Kimmel Live! with their single?”Something to Believe In.” The track has gained some traction on adult pop radio, even as the band is wearing t-shirts for bands like Snapcase while playing for rooms full of kids on their first headlining club tour. Before the show, lead singer Will Andersontweeted, “My goal on?@jimmykimmel tonight is to always be staring into whatever camera is on. Seriously. Watch for it.” We’d say he was fairly successful.
Meanwhile, on Late Night with David Letterman, Marty Stuart cranked out “Country Boy Rock & Roll,” a barnburner of a single from Ghost Train: The Studio B Sessions. Stuart is a country traditionalist, which describes not only his sound but also his look. Did you ever think you’d see hair like this on television in 2011? Read more…