The schism between Axl Rose and Slash is one of the most notorious feuds in rock, in many ways marking the end of Guns N’ Roses’ glory years. Theories abound as to why the duo’s relationship soured beyond repair, but now we may have the spark. According to the band’s former manager Doug Goldstein, Michael Jackson is to blame for their beef and subsequent split.
The movie Tommy debuted on March 19, 1975, setting the world ablaze as madman filmmaker Ken Russell transformed the Who’s 1969 rock opera into one of cinema’s all-time most audacious and incendiary trips of sight, sound, and fury.
In honor of Tommy’s 40th anniversary, then, let’s take a look back at the Who’s other contributions to film history, be it in the form of documentaries, concert movies, or performances by each individual band member—well, all except bassist John Entwistle who, aside from voicing himself on The Simpsons, never seemed to get bitten by the acting bug (perhaps Boris the Spider ate it in Ox’s case).
Listen up–’cause we’re about to save you a lot of embarrassment. There are some bands out there with names that mislead us into thinking they’re solo acts. But they’re NOT. When groups are named for the lead singer and/or said lead singer is the only prominent member among rarely seen bandmates (think Sade), things get confusing.
Newly minted Republican Presidential candidate Ted Cruz appeared on CBS This Morning to begin the long scramble for the White House. It’s his first full day on the campaign trail, and he’s already pissed off a huge demographic— rock ‘n’ roll fans. The GOP Senator from Texas has said that although he used to be a big fan of classic rock music, he was disappointed in how the rock community responded to 9/11. As a result, he’s now a die-hard country fan.
Metallica‘s classic 1986 album …And Justice For All has long been criticized for having a thin subpar bass sound, and now mixer Steve Thompson is pointing the finger at drummer Lars Ulrich. According to the engineer, Ulrich has very specific plans for how he wanted his drums to sound in the mix, and he didn’t care if other instruments suffered. In fact, he brought in a photograph of a mixing board set up to his standards!
Born in the 1950s via Elvis Presley on Ed Sullivan and Ricky Nelson on The Adventures of Ozzie and Harriet, the bond between television and rock-and-roll has been unbreakable since the earliest days of each medium’s very first revolutions in art, technology, and stirring up teenage trouble.
Proper rock TV theme songs didn’t really become a standard practice until the 1960s by way of hits like The Monkees, The Mod Squad, and perhaps the most inspiring of them all, Batman. However, with the ascent of hard rock, heavy metal, and punk in the ’70s, bands took to not only regularly wailing tunes in praise of their favorite boob tube entertainment, they often bashed out covers of TV theme songs. It’s a rich tradition that blazes on to this day.
Here now, are our picks for the 20 greatest hard-and-heavy rock revamps of classic TV themes.
Last night’s episode of Rock Icon‘s chronicled the life and music of the great Dave Mustaine. And we’re pleased to present you with this exclusive video, where series director Sam Dunn tells the story of meeting Mustaine for the very first time.
With its spate of landmark record releases, metalheads properly revere 1986 as the year thrash broke. Still, those twelve months of bone-crunching, lightning-speed, punk-infused heavy metal didn’t just stage-dive out of nowhere. In fact, 1985 produced its own array of mind-blowing, neck-snapping, history-making thrash classics.
While Metallica spent the year formulating and recording Master of Puppets, three of the thrash’s other “Big Four” groups issued crucial albums. So did countless other thrash bands, great and small, in increasing numbers all over the planet.
Chief among 1985’s towering thrashterpieces is Hell Awaits by Slayer, which celebrates its 30th anniversary this month. In tribute, let’s don patch-covered battle vests, lace up massive white Reeboks, and bang heads with total abandon with a mosh-pit tour of the Thrash Class of ’85.
This year on That Metal Show we’re doing things a little differently and thinking up exciting new ways to bring you the best coverage of all things heavy metal and hard rock. One of those things is That After Show, where we keep the cameras rolling after the regular broadcast is over and let the TMS boys and their guests talk about, well, whatever the f-ck they want to talk about. This week hear Jamey Jasta, Michael Angelo Batio and John Bush and Joey Vera of Armored Saint sound off about their life in music.