iHeartRadio Music Festival Gets A Lineup

by (@zaragolden)

In a season busied with festivals, iHeartRadio has proven itself in just two years to be a formidable force when it comes to bringing in the big acts. The Clear Channel festival debuted last year with a lineup chocked full of marquee names like Jay-Z, Carrie Underwood, Lady Gaga, and Nicki Minaj. And by the looks of the lineup released this morning, this year’s show will be as big a blowout as the last.

Set for September 21 and 22 at the MGM in Las Vegas, this year’s line-up includes blockbuster pop stars P!nk, Lil Wayne, Rihanna, Adam Lambert, and Pitbull; shining country stars Taylor Swift, Jason Aldean, and Brad Paisley; R&B crooners Usher and Mary J. Blige; as well as old favorites who are steady on the comeback like Green Day, Aerosmith, and No Doubt. And as if that were not enough, more acts will be announced in the weeks prior to the event. Tickets for the festival go on sale July 14th, and more info can be found here.

Check out the full press release below:

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Destiny’s Child To Release New Material This Fall While We Cross Our Fingers For Reunion Tour

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The ladies of Destiny’s Child have come a long way from the infectious “Bills, Bills, Bills” girl anthem of 1999. As one of the biggest girl groups of the 90s, we’ve long yearned for a DC reunion tour. That wish may not come true just yet, but we may be one step closer if Matthew Knowles has anything to do with it. Father of Beyonce and Solange, and powerhouse behind the success of DC and Beyonce, Matthew Knowles told HuffingtonPost unreleased music from DC will be released in November. “We still have our joint venture with Sony and in November we’re putting out two Destiny’s Child catalog records with new material,” said Knowles. The albums will include old material along with unreleased material, according to Knowles. Read more…

Kanye West Says, ‘I Make Perfect Music’ At Revel Concert

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He has a big ego. Such a huge ego. And we kind of love it. At Atlantic City’s Revel Hotel and Casino this weekend, Kanye West performed his first solo show since Coachella in 2011. During his set he told the crowd, “I make perfect music.” At least he followed it up by recognizing he’s a flawed human being. Performing for two nights, both sold-out (he talks like this ’cause he can back it up!), West performed “Way Too Cold,” “Mercy” with no guest appearances, “Runaway” joined by Pusha T, “New God Flow,” “All of the Lights,” and “In The Air” cover by Phil Collins. Yes, you heard that right. Yeezy showed off his novice vocal skills. Read more…

Is Adam Lambert Returning To American Idol As A Judge?

by (@zaragolden)

Word has it that American Idol is looking to recast the judges panel with one of their greatest successes past: Adam Lambert! According to an E! News report, Fox network executives are courting the season eight contestant with hopes that he will fill the not likely to return Jennifer Lopez‘s seat. From the sounds of it, the talent seeking show is looking to reboot for its 12th season, and bringing back a glittery old flame like Lambert to judge should help to do just that. As an alum — and a particularly successful one at that — he is well situated to guide and inspire contestants. And he’s already proven a hit amongst Idol watchers, so he could be just the hit of change the show needs ahead of its teenage years.

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Mary J. Blige’s Emotional Set Crowns Essence Music Festival’s Second Night

by (@Lacezilla)

For the fifth time in as many years, Mary J. Blige graced the Essence Music Festival stage last night in New Orleans. Galvanizing her legion of ravenous fans during a set that followed main-stage performances from Tank, Mary Mary, Ledisi and comedian Kevin Hart, even the ushers were two-stepping unapologetically; in between performing a number of hits that spanned her entire twenty-year career, Blige also made time to unleash covers of Chaka Khan’s “Ain’t Nobody” and Charlie Wilson’s “Outstanding” for the Mercedes Benz Superdome crowd.

When the beat dropped for songs like “Real Love,” “Family Affair,” “Just Fine,” and “Not Gon’ Cry,” audience members took to their feet and assisted the sequin-clad star with lyrics and adlibs alike, creating an energetic exchange with their heroine that was, on more than one occasion, acknowledged by a grateful, “so pleased” Mary J. Blige. Read more…

D’Angelo Continues His Re-Emergence On The Essence Music Festival Stage

by (@Lacezilla)


Each year in early July, the city of New Orleans welcomes fans of R and B, soul, and gospel music to flood its streets and enjoy three days of empowerment panels and concerts at Essence Music Festival. Listeners of all ages can take to the Mercedes Benz Superdome and find something they like, be it budding stars like yesterday’s blues-infused Gary Clark Jr. performing at one of the festival’s Superlounges, 70s and 80s family-trio The Pointer Sisters kicking off the main stage headliners, or Trey Songz, a radio-friendly artist who makes young girls and their mothers scream uncontrollably as he slowly disrobes on stage with each passing song in his set.

After The Pointer Sisters, last night’s main stage headliners shifted to Keyshia Cole and Trey, the former of which was likely booked to help promote her new BET reality show and upcoming album since she’s been on hiatus from making music while starting her family with husband, NBA player Daniel Gibson. Woman To Woman, Cole’s fifth studio record, is expected to be released in the Fall. Trey too has an upcoming album to promote; also his fifth LP, the August 21st release is aptly titled Chapter V. The highlight of the evening, however, was a set from neo-soul crooner D’Angelo.

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Last Lap: 108 Shows Later, Pearl Jam Diehard Gets His Dream Set

by (@zaragolden)

PEARL JAM DIEHARD GETS HIS DREAM SET
Superfan Brian Farias has been to 108 Pearl Jam shows but none so special as the 109th, when the band played a setlist (complete with two encores!) he had drafted for them. [RS]

DO YOU DRIP.FM?
Music nerds, behold! Based on HBO’s “quality, consistency and catalog” model, this new music subscription service “drips” new releases straight from the labels to your inbox several times a month. [LAWeekly]

KEEP COOL IN JAMES HETFIELD’S SUNGLASSES
The “road dog” Metallica frontman is releasing “faster than a speeding riff” pair of shades through Sutro Eyewear. And for just $219.99, they’re yours! [Vulture]

EXTRA! EXTRA! READ ALL ABOUT IT
In the New York Times this weekend, Frank Ocean talks about love and life and his new album; and James Murphy talks about his almost starring role in Noah Baumbach’s since slashed The Corrections adaptation. And to soundtrack your reading, “Sweet Life,” a Pharrell assisted leak from Channel Orange. Happy weekend! [NYT/NYT / Fader]

Beavis & Butthead Creator Mike Judge Turns Zac Brown Into A Robo Redneck In New Music Video

by (@zaragolden)

The Zac Brown Band got a make over from the man behind Beavis & Butthead and King of the Hill for the video for “The Wind,” the first single off their upcoming album Uncaged (due out next week). The song itself is, in many ways, your typical country love song, complete with a chorus that rings of love that “will find you anywhere.” Animator Mike Judge’s treatment is decidedly less lovey-dovey and way more country fried. And for that it’s all the more awesome.

Judge’s video tells the tale of “Robo Redneck,” aka “The Six Million Dollar Honky,” aka Zac Brown, returned to life bigger and badder after a dramatic back-country trucking accident. Half-man, half-robot, Robo Redneck is like your average beer swigging, duck hunting, guitar playing robo-country star, except with bottle openers implanted into the tip of each finger and automatic weapons built into his biceps. And wait ’till you see the way he shreds, swapping guitar for guitar for a fiddle until he pops a valve. The video ends with a “To Be Continued,” teasing of a Robo Redneck versus Bionic Peckerwood sequel. Is there more to come from this Judge/Brown partnership? We can only hope! Read more…

One More Posthumous Amy Winehouse Album? Yes, Please

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This week’s release of Nas“Cherry Wine” featuring the late Amy Winehouse sparked a trip down memory lane on the greatness that was Amy. Fortunately, the magic that is her voice will forever live on record. In addition to dusting off our ancient CDs of her first two albums, her father, Mitch Winehouse, gave fans something to look forward to in the near future. Mr. Winehouse recently sat down with BBC Radio 6 Music News and revealed there should be at least one more album released of his daughter’s material. “I’m not sure that there is much more but I’m sure that we will get at least one other album out, if not two,” he said. Anywhere Amy’s voice is, we are there. Read more…

Def Leppard Is Re-Recording Their Classic Songs, But Will You Buy Them?

by (@zaragolden)

Def Leppard is one of the most creatively and commercially successful rock acts of the last thirty years. Thanks to selling over 60 million albums worldwide and remaining a popular touring act to this day, they’ve earned themselves way more money than they’ll ever be able to spend. However, they have become increasingly irritated with their business associates at the Universal Music Group of late, mainly due to the fact that they feel like they haven’t been paid their fair share of royalties generated from past digital music sales. This is hardly a novel problem, but Joe Elliott and the rest of the Def Leppard camp have come up with a fairly novel approach to solving it: Instead of letting their lawyers haggle in court over fractions of a penny that they should be paid per download or stream of their catalog, Billboard is reporting that they have gone into the studio to re-record new versions of their old songs so that they’ll earn ALL of the money from future purchases of their music.

Yes, you read that right. Instead of being able to hear albums like Hysteria or Pyromania in their original form as recorded by legendary superproducer Robert “Mutt” Lange, newcomers to the Def Leppard fold will instead hear the 2012 incarnation of the band’s re-recordings of their hits. Singer Joe Elliott admits to Billboard that the process wasn’t exactly easy, either. “You just don’t go in and say: ‘Hey guys, let’s record it,’ and it’s done in three minutes. I had to sing myself into a certain throat shape to be able to sing that way again. It was really hard work, but we did have a good laugh over it here and there.”

Well, their hard work notwithstanding, how do the songs measure up? Take a listen to a :30 snippet of the 2012 version of their 1987 anthem, “Pour Some Sugar On Me.”

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