After Cleaning Up At The Grammys, Adele Says She’s “F***ing Off For Four Or Five Years”

by (@kat_george)

Well you didn’t actually expect Adele to be subtle, did you? The princess of the potty mouth told US Vogue this month that, “I am f***ing off for four or five years. If I am constantly working, my relationships fail.” And it’s going to be a well deserved break, after Adele’s historical year demolishing the charts, going through throat surgery and finally wiping the floor with her Grammys — all 6 of them! Moreover, Adele’s found love despite the heartbreaking subject matter of 21. Yep, the girl’s gone and done a Rihanna, finding love in a hopeless place, or a Swampy place, as we reported last month when it was revealed she was dating investment manager Simon “Swampy” Konecki.

And for all you Valentine’s Day cynics out there, Adele’s got a message of hope to go with her forthcoming hiatus — the lovelorn needn’t mope, there’s plenty of romance out there for us all! Adele said in the interview, “So at least now I can have enough time to write a happy record. And be in love and be happy. And then I don’t know what I’ll do. Get married. Have some kids. Plant a nice vegetable patch,” and that she’s tired of being a “bitter witch.” High fives for Adele! We’re looking forward to hearing the “Someone Like You” antithesis in 5 years time — instead of listening to it and immediately dissolving into a mess of tears and snot, it will be played and everyone will become suddenly, irrepressibly jubilant, for that is the immense power of Adele.

Adele: ‘I am fucking off for five years’ [NME]

Jack White Gives Us A “Love Interruption” For Valentine’s Day

by (@kat_george)

We’ve been listening to Jack White‘s “Love Interruption,” featuring Nashville singer Ruby Amanfu, on repeat since we first heard it last month. The track is the first release from White’s debut solo album, Blunderbuss, which is due for release on April 24th, a date which cannot come fast enough! So for Valentine’s Day we’re giving you a special Jack White treat — the official video for “Love Interruption,” so you can incorporate a visual into your new obsession.

The video itself is as simple as the song, with a sort of discordance that complements the impassioned lyrics. In a purple haze, White is joined by Amanfu and 2 other women playing instruments, each of which is dressed and coiffed to retro 60s perfection, while retaining a modernity in face and setting. White and Amanfu share a microphone as the shot blurs and refocuses, capturing the tone of the angsty love song. With an unassuming melody, “Love Interruption” is violent and worldly, lyrically at least, providing a jarring, passionate juxtaposition with White’s Bluesy guitar sound. The video plays off this perfectly, conjuring a sense of familiarity in tandem with a absurdity that is hard to place. And there’s the genius of Jack White all wrapped up and handed to you on a violet platter — he’s the master of contradictions, managing to turn chaotic emotion into the most practical, simple of things, without losing any of the romance.

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Tuned In: The Civil Wars Are “Birds Of A Feather” For Leno

by (@kat_george)

It’s been a big week for our You Oughta Know artist The Civil Wars, with two Grammys now under their belt and a brand new video with Taylor Swift for “Safe And Sound”, it seems like the folksy duo can do no wrong. The pair revisited the stage at The Tonight Show With Jay Leno to play their spirited track “Birds Of A Feather.” One of The Wars’ more upbeat track, “Bird Of A Feather” even inspired some dancing from the band, but even that was still as delicate and whimsical as their romantic sound. A beautiful love song, this is the perfect way to kick off Valentine’s Day, courtesy of a band that’s shaking up the music scene with their impeccable bluesy folk-pop.

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Taylor Swift And The Civil Wars Are “Safe And Sound” In Their New Video

by (@kat_george)

Taylor Swift and The Civil Wars have teamed up for The Hunger Games Soundtrack: Songs from District 12 and Beyond, and their collaborative track, “Safe And Sound” features a haunting video to go with the romantic vocal. The video sees Taylor walking barefoot in a whimsical, diaphanous gown through a harsh winter forest landscape, while bare trees throw up obtuse, magical shapes as she wanders between them. The scene flicks to The Civil Wars in stark contrast, sitting before a crackling fire in a cosy, domestic setting as their voices harmonize with Taylor’s.

The waifish Taylor continues to haunt the barren landscape while fires rage in the distance, almost spectral in her aimless meandering. With the mystical appearance of an apperating deer, the song takes on a fantastical, otherworldly import as Taylor roams, hopelessly hopeful that the dawn will bring her safety. As night falls there’s a sense of desperation as the deer turns to dust before Taylor’s eyes, but the soft crooning melodies remain a constant reminder that everything will be alright.

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Whitney Houston Confesses That She “Hated” The Song That Went On To Become Her 7th Consecutive Billboard #1, “Where Do Broken Hearts Go”

by (@unclegrambo)

The VH1 News special Whitney Houston: Death Of A Diva premieres on VH1 tonight at 8 p.m. ET/PT, and will repeat again at 9:30 p.m. and 1 a.m. The 30-minute program will honor the life and times of Whitney Houston, and feature the latest updates on events surrounding her death, plus reactions from attendees at her mentor music mogul Clive Davis’s annual pre-Grammy Awards music industry party on Saturday night (like L.A. Reid). Additionally, there will be tributes from officials, her peers (like Kelly Price), record executives and fans, as well as some previously unseen interview footage with Whitney Houston herself.

In the clip we have for you above, which was shot back in 2010 as part of the Jennifer Hudson episode of Behind The Music, Whitney discusses how she almost didn’t record the song “Where Do Broken Hearts Go” because she “hated” it. Ultimately, her mentor Clive Davis was able to convince her of the song’s merits, a track that would go on to be her seventh consecutive #1 single, a record that still stands to this day.

RELATED: Did The Grammys Do Enough To Honor Whitney Houston? [POLL] [VH1 Tuner]
Whitney Houston Discusses Jennifer Hudson’s Version Of “I Will Always Love You” In This 2010 Interview [VH1 Blog]

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The 100 Greatest Women In Music

by (@unclegrambo)

VH1′s is debuting our list of the “100 Greatest Women in Music” this evening at 10 p.m. ET/PT. These five, one-hour specials are the latest in our on-going series, The Greatest, and are focused on the last twenty years of music history. Last Friday, we gave you a preview by way of our Almost Greatest list, but now VH1 Tuner is proud to exclusively reveal the entire list for you in advance of tonight’s first episode, which will cover #100 (the Pussycat Dolls) through #81 (the Spice Girls).

So, what artist ended up being named the Greatest Woman In Music for their career accomplisments over the last 20 years? Read along to find out!

The Part Of Her We’ve Never Seen Before: Katy Perry Gives An Angry Performance At The Grammys

by (@kat_george)

You thought it was weird when Katy Perry‘s Grammys performance started with “E.T.” too, right? We certainly did. And being the Perryphiles that we are, it took us only moments to start pointing at the screen and indignantly yelling “That’s not Katy Perry!” as a strategically shrouded figure took to the stage. Cue a faux electrical glitch that had all those around us gasping, “But how could the Grammys mess up like that,” and we were rubbing our hands together in Mr. Burns style excellency — “This is it, here she comes! Excellent.”

And come she did! Appearing in a futuristic box descending from the ceiling, Perry wore blue hair and an ensemble that looked like a cheap version of Leeloo’s iconic Fifth Element get up — but we’re going to forgive her for the ill-chosen costuming because what followed was an impassioned performance of her fine new single (yes, we smell that 6th number one!), “Part Of Me” (one of the new tracks on the re-release of Teenage Dream: The Complete Confection). The opening lines of the song, “You chewed me and spit me out like I was poison in your mouth,” were poignantly at odds with “E.T.”‘s “Infect me with your poison,” and as Katy slowly rose to standing from her crouched feline perch, it became clear that she had something very important to say, and that we were all going to listen. And if there was any doubt about whether or not we’d be paying attention, Katy sang the emphatic, rage driven lyric “Now look at me!” before punching out the front of her cube, which shattered dramatically in cascading glass.

Yep, dancing in her cube, Katy made a very definitive statement, “This is the part of me that you’re never gonna ever take away from me.” We can only speculate that the track is a stiff middle finger in the face of ex-hubby Russell Brand, but marital politics aside, the performance showed us a part of Katy that we’ve never really seen before. Sure, we’ve seen a lot of flirty, sexy Katy, a bit of controversial Katy and some reflective, sad Katy, but when it comes to chart toppers, we haven’t ever seen angry Katy. There’s “Circle The Drain” from Teenage Dream, but the brutality of emotion of that song seems to wane in comparison to “Part Of Me,” which is driven, unwavering and anthemic. Watching Katy perform it live for the first time was almost chilling — the emotion she put into her spectacular, flame engulfed show was raw and powerful, showing the angsty side of a girl that is so much more than boob-shooting fireworks.

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Did The Grammys Do Enough To Honor Whitney Houston?

by (@kat_george)

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In a tragic turn of events the music industry lost one of its biggest legends, Whitney Houston, over the weekend. In a last minute reshuffle, the Grammys made an effort to pay tribute to the great star, with LL Cool J giving an eulogy at the start of the show, and big names like Alicia Keys, Rihanna and Stevie Wonder commemorating their hero (Alicia Keys performed a tribute to the recently passed Etta James with Bonnie Raitt but didn’t fail to acknowledge Whitney). But perhaps the most stirring tribute of all was Jennifer Hudson‘s emotional performance of Whitney’s iconic song “I Will Always Love You.”

While Jennifer’s beautiful vocal soared through the song, and physically she appeared to embody the ghost of Whitney, she didn’t quite hit the high notes with the same easy power as Whitney — so as she paid rousing tribute, she also reminded us of the awesome talent of the late performer, whose natural voice is unparalleled, even by someone who is considered one of the great contemporary vocalists of today. Jennifer’s performance was a deeply emotional one, and it seemed like the singer had some difficulty getting through as she was overcome by tears at the end.

So while it seemed like the Grammys did everything they could at the last minute to ensure Whitney was paid proper respect, some were still perturbed by the closing act, hoping for a Whitney tribute as opposed to Paul McCartney‘s Beatles Medley and the ensuing dad rock guitar-off. What do you think? Do you think the Grammy’s did enough in honor of Whitney? Or do you think there could have been more, for instance a closing ensemble cast Whitney Medley? Let us know in the poll below!

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Willie Nelson Sings Coldplay’s “The Scientist” For Chipotle’s Adorable Animated Commerical

by (@kat_george)

Last night’s Grammy Awards were punctuated with some very clever advertising, number one among the canny commercials being Chipotle’s ode to the local farmer, playing out to the tune of Coldplay‘s “The Scientist,” sung by Willie Nelson. The advertisement was one of the top trending Twitter topics during the awards show, and you can see why by watching the video above. Set to a quaint animation, Willie Nelson’s crooning vocal along with the visual gives the love song a whole new import. Speaking to innovation in the livestock industry, the pumping of animals with steroids and the problems with live food production, the commercial paints a somewhat frightening image (despite the cute cartoons) of the future of produce. Supporting locally grown, organic produce, Chipotle really hit a home run with a commercial that seemed to really resonate with the Grammys audience.

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Does Anyone Know How To Pronounce Bon Iver? (VIDEO)

by (@kat_george)

Last night at the 2012 Grammy Awards, Bon Iver won the prestigious award for Best New Artist, but there was still a question on everyone’s lips, or at least trending on their Twitter feed — Who is Bon Iver? While it seems strange to us that you could own a Twitter account and somehow have missed the Internet hype train that was “Holocene” last year, #whoisboniver was one of the top trending topics of conversation on the social networking device last night (a lot of people seemed to think his name was Bonny Bear).

We took to the red carpet before the ceremony to find out if anyone there knew who Bon Iver was, and we got some interesting results! Everyone we talked to, from 3-time Grammy winner Skrillex to Wilco and Mumford & Sons to Malin Ackerman, seemed to have two different pronunciations for the band’s name. The most interesting response, however, came from Snooki, who managed to throw in a penis reference and made this statement for the ages: “Well, I don’t know anybody if you’re not Rihanna.”

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