Alicia Keys‘ “Fallin'” may always be one of those songs that you automatically sing every single time you hear it. The beauty of timeless music! VH1 Storytellers: Alicia Keys aired tonight, and in case you missed it the full episode is available online, here. It’s only right we share the exclusive of the singer’s debut breakout song. It sounds as good live as it does on the album. Read more…
All day long we’re scouting out the newest, hottest, best, most-interesting songs to please your eardrums. You can find evidence of that on your TV, along your Twitter, across the newsfeed of your Facebook and even right in this very blog. But what about your jams? Those jams that are the jams–the ones that define a moment, a feeling, a topical holiday, anything that makes you wanna say: “This is my song and it’s AWESOME.” That’s where ThisIsMyJam comes into play. Literally.
ThisIsMyJam lets you choose that song you’re feeling, declare to the world that it’s your JAM and we’re excited that we can do the same. So sign up and join us in sharing some of the coolest music. We’ll be sharing songs that coincide with stuff that’s going on with VH1–everything from artist we love, new stuff we think you should hear and the songs you might have heard in some of our shows. So far we’ve recommended songs by Michael Kiwanuka, Young Jeezy and Marina + The Diamonds.
Kelly Clarkson is a lovely lady of the elements in her new video for “Catch My Breath,” the first single from her upcoming Greatest Hits–Chapter One compilation, which is finally out next Tuesday. The video’s premise is pretty simple, as it finds Kelly looking extra-svelte in a floor length dress and with her new bottle-blonde hair, calling forth wind, water and fire with her voice so powerful. No one can get her down, it’s all so simple now. Oh mighty Idol, hear ye roar!
Carrie Underwood‘s “Blown Away” tour mate and the Country Music Association’s newly anointed Best New Artist Hunter Hayes was the soundtrack to our morning here at VH1 headquarters, as his performance on VH1’s Big Morning Buzz Live was so powerful it raised all the way to our desk upstairs where are heels have been taping to the tune of his eponymous studio debut since. Hayes played his No. 1 single, “Wanted,” a song much more soulful than his 21-years and still-boyish good looks. Though he played every instrument on the song for the album version, he performed with a full band. The help freed him up to really lean into “Wanted”‘s heart-tugging moments, and to get up from his lyric scribbled piano and grab the mic for an especially crushing final verse. Also included in the above clip: seriously adorable bonus footage of a teeny-tiny Hunter Hayes performing on Nickelodeon back in the day. Seriously, Hunter, if you wanted to wrap us up, make us feel wanted — we wouldn’t mind.
VH1 has partnered with our friends at FIAT to present a twist on our You Oughta Know franchise. Usually, we use the You Oughta Know program to introduce you to musical artists on the rise, but since we’re excited to be attending the SCOPE International Contemporary Art Show in Miami next month, we’d like to introduce you to a few visual artists who we think You Oughta Know, too.
Meet Patrick Martinez, an artist whose work in the neon medium has earned him a highly coveted slot at this year’s SCOPE Art Show. As he explained to us, his work is heavily inspired by music. “I’ve been listening to rap music since I was a teenager, so [the musical influence] has always kind of been there. I started using it in my work a few years ago. If the lyric or phrase kind of resonates with me, it speaks to people and the current events that are going on, I find the opportunity to link the two.”
SCOPE Miami 2012 runs from December 4-9. For more SCOPE updates, you can head over to YouOughtaKnow.VH1.com, and also check out our You Oughta Know SCOPE playlist (featuring Hugh Hayden and Brent Birnbaum). Read our complete press release below.
It’s about that time to Re-Up, folks. On November 19th Nicki Minaj‘s Pink Friday: Roman Reloaded The Re-Up hits stores with eight new tracks. One disc will include eight new tracks featuring singles “Va Va Voom,” “The Boys” and “Freedom.” Adding to her Barbz’ suspense she released the snippets to the remaining unreleased songs. And like her first two albums Nicki can’t be confined to one box. Read more…
Just hours after Rihanna performed her single “Diamonds” on Saturday Night Live in front of a backdrop seemingly pulled right off Tumblr dashboards, Azealia Banks dropped a music video for “Atlantis” that featured similar Lisa-Frank-Meets-Seapunk aesthetics. Was it purely coincidence or did Rihanna’s SNL performance and Azealia Banks’ new video for “Atlantis” both pull from the same Internet aesthetic? And do either of them have to answer to the crew of Internet artists that have been calling foul?
Like much of the past few weeks, last night’s MVT European Music Awards were in large part a celebration of our VH1 Storyteller Taylor Swift. Taylor spent much of the night flexing her Surprise Face muscles for each of the three awards she won — for Best Female, Best Live Act and Best Look — and gabbing about how excited she is to have clocked her first EMA win. Of the other winners, a broken hearted Justin Bieber took three of his own (Best Male, Best Pop and Beste World Stage), Carly Rae Jepsen took Best Song, One Direction took Best New and Biggest Fans, and PSY of course won for Best Video; Rihanna meanwhile went 0 for 6 nominations, leaving empty handed.
And perhaps we’ve caught the Red fever, but we really enjoyed the old time-y circus act that was Taylor’s “We Are Never Ever Getting Back Together” performance (which the evening’s host, Heidi Klum, made way for by floating away with a balloon in hand). She donned a big black top hat and a red sequined jacket, and was joined on stage by clowns on tiny bikes, a harem of ballerina clowns and some fire breathers (pyrotechnics were big with all the performers last night). It was maybe not her strongest vocal showing, but after all the time she spent twirling round the circus ring of a stage, who could blame her for being a little short of breath by the end? Red has only just come out, and award show season is just around the corner, and there’s sure to be more winning night’s like this in the near future of Taylor
There’s no way that Alicia Keys has the problem of a guy not knowing her name. That is, if she wanted him to know her name, which she obviously wouldn’t as a married woman. But we’re talking the single Alicia Keys days. We don’t want to spoil tonight’s VH1 Storytellers: Alicia Keys by giving all the intriguing tidbits on how some of her greatest songs were created, but the sneak peek of “You Don’t Know My Name” is too good not to share. Alicia tells the story of working in the studio with relatively unknown artists Kanye West and John Legend. Yes, think back to the time Kanye was unknown. In the studio John and Kanye sang on one mic together, like the ol’ school artists–before the days one could send in their verse to be pieced together with fancy equipment. Read more…
Rihanna was on Saturday Night Live over the weekend to perform her blindingly bright new single “Diamonds” and then new and truly beautiful Unapologetic track called “Stay.” On the album she’ll be joined by space-y singer/songwriter Mikky Ekko, but she stood alone on the SNL sound stage, with only a spare piano line and the occasional cymbal flourish to back her new-found voice.
“Stay” is a rare Rihanna ballad, and a patient and particularly emotive one at that. With the past few records, Rihanna’s found her grove with the sort of literally dazzling dance track that “Diamonds” is, tracks that make good on her unique but not not exactly impactful voice. But when “Diamonds” came out, we noticed that she was experimenting with her vocals and sounding at times almost like Sia or Lana Del Rey. She took that one step further with “Stay,” a song that finally has her really singing. And so she might still be singing about Chris Brown (“Not really sure how to feel about it / Something in the way you move / Makes me feel like I can’t live without you / And it takes me all the way / I want you to stay.”), but at least she’s doing it in a different way. We just even more excited about Apologetic‘s release next week.