TMZ is reporting that Bonnie Pointer, one of the founding members of the famed Pointer Sisters singing group, was arrested in Los Angeles last night on drug possession charges. According to their report, the 61-year-old Pointer was pinched by the LAPD just after midnight last night for felony possession of a controlled substance. There are no details at this moment about what the controlled substance was, but we can only hope that it wasn’t a fistful of phentermine. After all, we all know what the combination of Pointer Sisters melodies and an excessive intake of diet pills did to Saved By The Bell‘s Jessie Spano.
Each week here on VH1 Tuner, our VH1 Top 20 Video Countdown host Jim Shearer (@jimshearer on Twitter) will be sharing his Shearer’s Spotlight with us. Be sure to tune into the Top 20 Countdown tomorrow morning when it airs on VH1 at 9 a.m. ET/PT.Besides whistling, shouting-out famous musicians in song titles seems to be all the rage this year.
Here’s how they rank:
10.) “Marvin’s Room,” Drake
This dizzying, chilled-out tune seemingly has nothing to do with Marvin Gaye, except when you discover that the song was apparently recorded in a studio used by the late-great singer, aptly named “Marvin’s Room.”
8.) “The Lisa Lisa/Full Force Routine,” Beastie Boys
Not so much a song as it as an outro for the Beastie’s latest album, Hot Sauce Committee, Pt. 2. Regardless, both musical acts from the 1980’s (Full Force and Lisa Lisa & Cult Jam) are curiously shouted out.
Florence + The Machine‘s cacophonous new album, Ceremonials, is anything but light, with huge, roaring vastness and a grandness reminiscent of epic movie soundtracks. The new video for “No Light No Light” matches the tone of the song to perfection, with a twisted fairytale storyline, otherworldly, dark magic at play and the dramatic attitudes of the flame-haired Florence Welch. Consuming and pervasive, the song has a certain open-endedness, as if it were constantly chasing an elusive rainbow, racing past blurs of cities and forests on a never-ending mission. This elemental sense of infiniteness is mimicked in the video, with Florence running away from an indefinable pursuer, which is where the song and the video differ — Florence’s reverent, soaring vocals suggest a race towards something, a propelling force, a search and hope, whereas the visual suggests tumult, chaos, evasion and escape from an ambiguous, phantasmal menace.
The video introduces us to three characters: Florence, the beleaguered angel, perhaps fallen from grace in her diaphanous black gown; the voodoo master, a contorting specter, haunting Florence’s every movement as a metaphor of a broken relationship; and the choir of pre-pubescent boys inside a cavernous, medieval church, offering Florence redemption. As the voodoo master torments Florence with pokes and prods, she looks out over the iconic New York skyline, before allowing herself to fall towards the street. Luckily Flo is saved by the boys’ choir, which not only catches her but holds her high above their heads in a Christ-like motif of resurrection. The intention of the video is glaring, and, like the song itself, there are no subtleties.
Look, we know the Gym Class Heroes track “Stereo Hearts” features Adam Levine, and we’re defintely fans, but the band’s performance last night on Leno with Estelle singing Levine’s parts… well… it was pretty amazing! Estelle brings a summery soulfulness to the song with her gravelly vocals, and the female voice adds an extra layer to the track — a certain mystique and romance. Not to mention how beautiful Estelle looked in a red maxi-dress (we’re sure you’d look just as pretty in a dress too, Adam!). Should Adam Levine be afraid?
We’ve been hyping this insanely awesome episode of VH1 Unplugged for weeks, and now you can finally watch the whole thing! We’ve got the full five-song set for you above, which consists of Kelly Clarkson‘s stripped-down performances of “Mr. Know It All”, “Dark Side”, “What Doesn’t Kill You (Stronger)”, “I Know You Won’t” and “Since U Been Gone.” You can watch it above, or head over to live viewing party on VH1.com to chat with fellow Kelly fans right now.
Don’t forget to tune-in to VH1 tomorrow night, Friday 11/18, at 11 p.m. ET/PT to watch the whole episode of VH1 Unplugged: Kelly Clarkson in glorious HD.
Die Hard Rihanna Fans Shows Off Album Art For Talk That Talk
Rihanna‘s new album, Talk That Talk, will be officially released on Monday November 21, but if you can’t wait, you can watch this die hard RiRi fan showing off the art work (read: racy pictures of Rihanna posing provocatively) that comes with the deluxe album. [Idolator]
NME Imagines What Pop Stars Would Look Like If They Joined In For “Movember”
Ever wanted to know what Lady Gaga would look like with a dirty old mo’ on face? Wonder no more, gentle reader — NME have used their Photoshop skills on your favorite stars to line their upper lips with fuzz. [NME]
Demi Lovato began her Unbroken tour last night in Detroit, and in a gossamer gown, sashaying back and forth across the stage before her screaming fans, she let it rip. While Demi didn’t necessarily have moves like Jagger—her performance lacked any sort of dancing other than the occasional sway—she did have the song, covering Maroon 5 and Christina’s Aguilera‘s upbeat number “Moves Like Jagger.” She may not have bought the moves, and the super sweet Disney princess certainly didn’t bring the sexy the way Adam Levine and Christina do, but she did belt it out with her strong, confident vocal, which in our books, totally rocks.
Oh Beyoncé! Why do you fill our work days with so many delicious videos to distract us from our jobs? With the much anticipated release of Bey’s Live At Roseland: Elements Of 4 DVD just on the horizon (the DVD will be released on November 21 exclusively at Walmart stores and online, and then worldwide on November 29), King B has gone ahead and released two live music videos for “End Of Time” and “I Was Here.” Both videos include footage of Bey performing at the Roseland Ballroom, and both have some titillating extras — most notably, the first ever images from Beyoncé and Jay-Z‘s wedding. Blink-and-you’ll-miss-it, the quick glimpse of Bey getting into her wedding dress is gasp-inducing, as all imagery from her nuptials have (until now) been famously kept under tight wraps.
While the “End Of Time” video features clips of Bey performing at Glastonbury Festival earlier this year, the “I Was Here” clip (below) has some decidedly more nostalgic footage. With footage of Beyoncé as a child, a teenager, and during the glory days of Destiny’s Child, the clip is a moving homage to Beyoncé’s full life. It’s a touching ode to the pop-star on a mission to change the world, simply by making people smile and dance, and we had to hold back a tear or two as Bey voice over the revealing imagery gave us chills.
The Fray is back with “Heartbeat,” which picks up where their hit “You Found Me” (off their self-titled, Grammy-nominated sophomore effort) left off in 2009. With such a lag time between new albums, the October release of “Heartbeat” as the first single off their forthcoming album, Scars And Stories definitely got pulses The Fray fans racing again.
Now the Denver quartet has collaborated with director Justin Francis (Weezer, Eminem, Black Eyed Peas) to create a video companion to the Billboard Hot 100-cracking track. In the clip, the guys frolic on the beach with some lovely ladies. A bonfire, night swimming and a jam session ensues. For such a moving and sweeping song—the lyrics were inspired by the despair lead singer Isaac Slade witnessed while traveling through Rwanda and South Africa—the visuals are definitely on the lighthearted side, but the ethereal loveliness of the tune definitely shines through.
So, the good news is that we’ve got a new single and a new video. The bad news? The album doesn’t drop until Feb. 7. Way to dangle a carrot, guys!
Lady Gaga reclines on a couch in a spangled dress and lavish hat, reading the foreword for her forthcoming collaborative photo book, which she worked on with the king of creep, photographer Terry Richardson. Dedicating the book to her “little monsters,” Gaga is every bit the Mother Monster we expect her to be, and the foreword is both eloquent and inspiring in the left of center way that Gaga has become renowned for. And while we’ve always been a bit wary of the controversial Richardson, hearing Gaga speaking of him so whimsically and reverently has piqued our interest in the joint project.
Gaga reads, “I’m convinced that we much push the boundaries of culture through love and acceptance. There is not moment to strange, no angle unflattering, no circumstance relying on blind artifice and never a time that I feel embarrassed or unsafe. Awakened into me is a perverse liberation, inspiring me to feel that it is OK to view yourself as hyper-human. This is how Terry views me. I am so real, he says, that I am unreal.” The book itself is said to be revealing, with the no-holds-barred visuals that Richardson and Gaga have built their names on.