No Doubt‘s long await comeback album has, at last, a name! The band revealed in a note on their website that their first record in 11 years, which is set for release this September, will be called Push and Shove. They also shared news that the album’s first single “Settle Down” will drop July 16th (finally!) with a video treatment by Sophie Muller, whose past work with the band includes classics like “Don’t Speak” and “Simple Kind of Life.”
Last month in a webisode, the No Doubt previewed a track — which we now know is the title track — called “Push and Shove.” Over a beat produced by the on-trend Diplo and Switch, Gwen Stefani sings: “You push and shove / I take the bait / It’s a risky business / Gonna play it anyway.” Which, given the time the that’s eclipsed since their last outing, could perhaps be about the pressures of returning to the studio. If so, it’s good to know that, solo albums and clothing lines and babies later, they are still willing to play together.
Today sees the release of her new, four-song EP, simply entitled The Elle King EP. In addition to “Playing For Keeps,” the record features two other original tracks (“Good To Be A Man” and “No One Can Save You”) and a live cover of Khia’s XXX-rated hip-hop classic “My Neck, My Back.” Before you decide to head over to the iTunes store to purchase it, you can stream the entire album right here on VH1 Tuner for FREE for the next seven days. So take a listen to this talented new artist whose powerful pipes are drawing favorable comparisons to Adele, and let us know what you think in the comments below!
And in the same swoop, we get a video for the album’s first single “Every Single Night,” by director Joseph Cahill. “Every single night I endure the flight,” she sings, inviting us into the surreal, zoological worlds of her dreams. There are hula-skirts and cuddling skeletons, squids and snails. Lots of snails. “I used to love to put snails on my arm,” she told Pitchfork. “I really like snails a lot.”
As Jay-Z’s latest protege there are high expectations for 21-year-old Rita Ora. Ora’s success in the UK is just the beginning; and if the pattern of British singers successfully owning the UK charts and eventually taking the US airwaves by storm continues, Ora is headed for the top of the charts. In front of 80,000 fans with their hands in the air, Ora performed “R.I.P.” at the Capital FM Summertime Ball in London. In eccentric jeans and midriff top, on a scale of one to 10, Ora’s energy was at 20. And with 80,000 onlookers every bit of her energy was reciprocated. Read more…
Back on December 25th in the year 2001, before Regina Spektor was signed to a major label deal, she decided to spend her Christmas Day in the recording studio. Over the course of the day, she recorded 12 original songs — ones that featured no other instrumentation besides her vocals and her piano — which ultimately became her Songs LP. This was a particularly fertile period for Spektor, creatively, and many of these songs remain fan favorites to this day. She decided to re-record that album’s first track, “Samson,” on her breakout 2006 LP Begin To Hope, and now she has decided to revisit another one of those early Lower East Side anthems that propelled her into the spotlight in the first place.
“Don’t Leave Me (Ne Me Quitte Pas)” was the closing track on Songs, but in its new incarnation, it’s the second single from Spektor’s brand new album, What We Saw From The Cheap Seats. We’ve been singing and dancing along with the original for years, but there’s no denying that the song has been tremendously improved by the addition of a more robust sonic palette, which includes adorable percussion (bells, a Casio Keyboard style drumbeat), a much needed bassline and even a rollicking horn breakdown. As for the video, it’s our favorite of Spektor’s since 2006′s “Better” (the one that propelled her to VH1 You Oughta Know status) — with its stately interior shots, slightly surreal imagery and continued use of slow focus, it’s the kind of music video that we imagine Stanley Kubrick might’ve been inspired to shoot. In it, Spektor remains as beautiful, quirky and ebuillient as ever, and thanks to the recent tide of interest in yé yé-style pop songs, perhaps this song —with its chorus of “Ne me quitte pas” — might land Spektor in the race for Song Of The Summer.
Mother Oprah has a way of asking just the right questions to get even the hardest gangster to open up about painting his grandmother’s toenails. On Orpah’s Next Chapter the queen of media interviewed 50 Cent, her former sworn enemy, in what turned out to show 50′s softer side, even more so than his gaggle of stuffed animals. Oprah talks to Fiddy (or we should say Curtis Jackson) about his childhood, his mother’s murder, the love of he has for his grandmother and if he’s ever been in love. The interview goes from serious to funny from serious back to funny. It gets all too real when Oprah asks about 50′s dog named Oprah. Read more…
Country cutie Taylor Swift and You Oughta Know artist Ed Sheeran have been logging lots of studio hours together, working hard — mostly! — on the follow-up to Swift’s Speak Now. Last night, the two took a break from whatever they’ve got cooking there to record this acoustic duet of Sheeran’s hit, “Lego House.” And it’s pretty much the sweetest thing you will see today.
Posted to Twitter late last night by Swift, the Viddy finds the two in her kitchen, on the floor in front of the stove, where Sheeran strums an acoustic version of his hit, “Lego House,” while Swift harmonizes. We’ll have to wait to hear what more they’ve got in the works, but, for now, this glimpse shows a promising chemistry between the two.
And as for Sheeran, he will be on VH1′s Big Morning Buzz Live tomorrow to celebrate the stateside release of his debut album, +.
There are few things that get us more giddy than a new Justin Bieber song or album on the horizon. Luckily for us it’s officially Bieber season with Believe dropping on Tuesday, June 19. So far we’ve zoned out to “Boyfriend,” “Die in Your Arms” and “All Around the World.” Today Idolator posted a leak of “Right Here” featuring Drake, which is only a snippet of the full song. Sounding like Chris Brown, Bieber is definitely on his grown man swag despite being barely legal. Drake raps about one thing he cares a lot about–love. As a team the duo deliver a hot song.
Usher’s influence on the 18-year-old pop star is apparent in both Bieber’s sound and lyrics. It’d only make sense that Usher’s protege pick up the very things that made Usher great and apply them to his own style. Bieber’s first album as an adult sounds like it’s laced with maturity and experience. The slow ballads touch on feelings and love while the more upbeat songs deal with partying and Biebs singing, “I can take you home.” His growth into adulthood not only means he’s legal (for all the cougars out there), but it also means the content of his music has expanded. And it’s Believable.
Ms. Lauryn Hill is perfectly sane, maybe misunderstood, but sane nonetheless. Only a coherent person could write the dissertation statement she released on her Tumblr explaining why she didn’t pay her taxes in 2005, 2006 and 2007. Warning: you may need to consult your thesaurus to follow along. Ms. Hill calls out the music industry for its “pop culture cannibalism” and accuses the media of trying to distort her image by painting her as a lunatic. Despite her eloquence, we’re almost certain Uncle Sam cares absolutely nothing about the reason she didn’t pay. They just want to get paid. Read more…
Looks like Will Smith is back to making moves on the mic. Ahead of Men In Black III‘s release, Will Smith gamely rapped the Fresh Prince of Bel-Air theme song along with an eager Graham Norton Show audience, and then he flexed a freestyle on 106 & Park. And you know what? He sounded pretty great! However, he explained that “There are too many people in my house making music right now,” dashing our hopes of a real return to rap.
And so The Fresh Prince returns instead with a remix of his still classic “Summertime.” The song leads the third installment of DJ Jazzy Jeff and Mick Boogie‘s Summertimemixtape series.
“A groove slightly transformed,” he rhymes over a drawn-out rework of the famous Kool & the Gang sampling-beat. Sounding his 43-years-old, he goes on to suggests that it might be “a little something to break the monotony of all that hard-core dance that’s gotten to be a bit out of control.” Funny how a line that’s over twenty years old can still resonate so strongly in present-day 2012. Read more…