Counter to the well wishes of a Belieber Army’s parents, the object of their daughter’s worship is growing up and into himself. Justin Bieber has already worked through PDA and baby mama drama, and his recently sophomore album made a concerted effort to present a mature (or at least maturing) artist. And now, August’s Rolling Stone cover — which was revealed (via a retweet) today by the Biebs himself – declares the once precious pop star once and for all “HOT, READY, LEGAL.” Could it be? Justin has made the transition from “Baby” to “Boyfriend”, but does that make him “ready”? Did Rolling Stone jump the gun? You might want to take a deep breath now, because something tells us we have only seen the tip of the ice berg.
All pop stars grow up, and Justin is not the first young pop star to come out as an adult on the cover of Rolling Stone. Below, see three other celebrities who jump started the second stage of their careers with a “Too Soon?” declaration of maturity on the magazine’s front cover.
Its been four years since Nasty Nas’ last solo album, the controversial Untitled. Early reviews are already pegging Life Is Good as one of the best in his catalog, and potentially one of the best albums of the year. His road to the happy space he’s in of living his best life (word to Oprah) has been one of overcoming many trials and tribulations. But the glow in his eyes at last night’s release is the look of a man that has triumphed. The look of success and longevity. Check out our gallery of a few pictures from last night’s celebration.
Brothers, sisters, everybody sing: Backstreet’s back! This morning on Good Morning America, the OG boybanders Backstreet Boys shared the good news that they are back to work on a new album, their first with all five original members since 2005. With a hand from Mary J. Blige and Train producer Martin Terefe, they hope to have the album set for release by the band’s 20th anniversary next spring. And before then, they will play their first of surely many comeback shows on GMA this August 31st. Alright! Read more…
Somebody hit that button they maybe shouldn’t have and all we can do now is thank them. That somebody is the indie band Pomplamoose, and what they did was combine the year’s two biggest hits into one, quite lovely mash-up. If you thought that the lush melodies of Gotye‘s “Somebody That I Used To Love” and Carly Rae Jepsen‘s bouyant “Call Me Maybe” could not be combined — hit play above — you are wrong. And if you worried that maybe they shouldn’t be, if only for the sake of a YouTube viewership already all too happy to spend their summer watching only those two videos — well, it’s too late. There’s only one video we need now. Because here we have it: the “Somebody That I Used To Know Call Me Maybe” mash-up of our dreams. Finally!
At last, No Doubt are steady on their return! Yesterday they dropped “Settle Down,” their first new track in over decade, and today we get the accompanying video. Directed by “Don’t Speak”, “Simple Kind Of Life” and “Underneath It All” director Sophie Muller, the clip casts the band’s four members as truck drivers looking to reconnect at some sort of LED-lit, carnival-esque parking lot party. It’s hugs all around when they get there, and then onto some skanking and an impromptu performance in a truck-bed.
Two kids later and bra-straps forever sliding out from her tank, Gwen Stefani looks and sounds almost exactly as she did when we last left her. And to be sure, that verve of hers is only in part thanks to the shiny red L’Oreal Paris Infallible lip gloss she flashes around. Time truly has not touched these guys, and they are still repping a similar sound and the same dance moves. And most of all, they still look cooler than we could ever hope to be. We are so glad to have the good influence of Gwen and her boys back in rotation!
Lil Wayne and his skateboard take over suburbia in his new video for “My Homies Still” featuring Big Sean from the upcoming sequel album, I Am Not A Human Being Pt. 2. The front lawns of nice homes in a quiet neighborhood are crowded with Lil Wayne’s circus of disarmed naked mannequins, an elephant and random furniture. Not to mention a hyper Lil Wayne rapping in leopard shorts sans a shirt. “Don’t make my goons go stupid,” Wayne raps while the neighbor walking his dog looks rather perplexed right before his head turns into the dog’s and vice versa. Big Sean chills out next to his skeletal pal draped with a purple feather neck piece. And have we mentioned the chick making out with one of the mannequins on the porch? Read more…
It’s no secret that we love July and August You Oughta Know artists The Lumineers‘ “Ho Hey!” So joyous and ever infectious, they stomped their way straight to our hearts. We would be remiss, though, if we didn’t share also The Lumineers’ more plaintive side. At VH1 headquarters for their You Oughta Know Live performance, they slowed things down for “Stubborn Love,” a beautiful and yearning song about love that won’t give up. “She’ll tear a hole in you, the one you can’t repair,” it so goes, “but I still love her, I don’t really care.” Refusing to give in and raised by a crescendo of drums and cello, they insist that you “Keep your head up, keep your love” because “It’s better to feel pain than nothing at all.” And when Wesley Schultz wails that, “The opposite of love is indifference,” you can’t help but feel moved.
Nas celebrated the eve of his album release on The Late Show With David Letterman. “Look at this cover, that’s me everynight,” Letterman laughed, poking fun at the Life Is Good album cover, which features a photo of the king of Queensbridge with his ex-wife Kelis‘ wedding dress draped over his lap. Chest puffed out with pride, perhaps for his 10th album, or maybe for precious little girl, Nas hit the stage in a pair of shades and glowing white pants and shoes. He performed his confessional “Daughters” with a live band behind him, and he sure sounded serious when he warned, “When she date, we wait behind the door with a sawed-off, because we think nobody is good enough for our own daughter.” Our hearts melted when, with a smile and a hand over his heart, he punctuated the performance with, “LOVE!” Aww!
50 CENT SHOWS SUPPORT FOR FRANK OCEAN
Haters be warned that, unless you want a taste of that famous 50 beef, you may want to give the Channel Orange artist a second chance, because 50 thinks that “Anyone that has an issue with Frank Ocean is an idiot.” [MTV]
We’ve been waiting for this! The xx have finally debuted proper “Angels,” a pretty first single off their much anticipated sophomore effort Coexist. Much like their eponymous debut album — and even some of their blockbuster side projects since — the oh-so-delicate love song is a carefully crafted and coy affair. “The end comes to soon, like dreaming of angels,” sings a yearning Romy Madley Croft‘s, before adding a long few beats later, “and leaving without them.” Tantalizing in how spare it is, the song builds slowly to a cluster of drum rolls before it gently decrescendos like an exhale to the close.
Coexist is out September 11th in the U.S. via Young Turks. Enjoy “Angels” above, and check out the album’s cover and tracklist below.