Lady Gaga’s Endless Promotional Campaign For Born This Way Will Continue Into 2012 With New Year’s Eve Performance

by (@unclegrambo)

Some have argued that the sales of Lady Gaga‘s Born This Way LP have been disappointing. Whether or not that’s actually true, you can’t lay any of the blame for the sales numbers on the Mother Monster’s promotional efforts. As we documented with our patented Gaga-Mometer™ a few months ago, she’s been pushing the merits of her album since way back on June 21, 2010, making stops at the Grammys, American Idol, the Howard Stern Show and the 2011 VMAs along the way. Soon, you’ll be able to add a Times Square concert for a million-plus revelers on New Year’s Eve to that list.

It was reported earlier today that Gaga has been booked to ring in 2012 with a performance on Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest live from the heart of New York City. Meanwhile, Fergie will be stationed in Los Angeles and will host whatever the West Coast equivalent to a ball-drop is. No further details about Gaga’s performance have emerged, so at this point, we ask for you to keep your fingers crossed that Jo Calderone won’t be working on a set of new material that night.

Lady Gaga Will Spend New Year?s in Times Square [Vulture]

[Photo: Getty Images]

Tuned In: Dave Grohl’s Talks “Real Rock n’ Roll,” Glee, And Cloris Leachman’s Love Of Adele On Chelsea Lately

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Dave Grohl made a guest appearance on Chelsea Lately last night?not to play music, but to talk VMAs with host Chelsea Handler (who of course emceed last year’s VMA ceremony).?With no musical guest on The Late Show and Kristin Chenoweth and Chris Colfer on The Tonight Show, yesterday may have seemed the perfect opportunity to repeat a cry for “real” rock music, and to clarify his much-quoted comment to the Hollywood Reporter, “F?k Glee.”

Grohl remains one of the nicest guys in music, and we love seeing him tell stories and wave goofily, even though he’s starting to sound like an old man when talking about music. In he interview he refers to the use of “computers” as “cheating,” and pointedly notes that when the Foo Fighters play live, it sounds like “five guys beating the s?t out of their instruments,” making an implicit contrast with artists who faithfully reproduce their recorded songs live. (Don’t count on the Foos playing The Colour and the Shape start to finish anytime soon.) We wouldn’t have the Foos any other way, but we certainly don’t want every artist to embrace this philosophy.?

As for Glee, well, far be it from us to say that Grohl should take lessons from Lady Gaga about artifice, but when a guy praises Kiss and Queen in one breath and spits out the word “musical” with derision in the next, there’s a bit of a disconnect. That said, Glee is more like professional karaoke than a Top 40 jukebox musical, and we will always have a soft spot in our hearts for nineties dudes who insist you don’t have to sell out to anyone. DIY-or-die may not be a requirement, but it’s always an option.

Our favorite bit of this interview, though, was Grohl’s anecdotes about Cloris Leachman at the 2011 VMAs. He told Handler that she spent the ceremony in slippers, and when Adele performed, the actress went right up to the stage to watch, camera crew be damned. Right on, Cloris! Who’s gonna tell you not to?

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Last Lap: Wednesday’s Odds And Ends In Music News

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Big Sean Video Features Kanye West And Cheesecake
And don’t the two go hand-in-hand? The Hype Williams-directed video for Big Sean‘s “Marvin and Chardonnay” splits the difference between Williams’s 2005 clip for Kanye West‘s “Gold Digger” and “Best I Ever Had,” the Drake video that West directed. [YouTube]

Blink-182 Release New Song
Two weeks after premiering the video for lead single “Up All Night,” Blink-182 have released another cut from Neighborhoods (due out September 27). “After Midnight” is available as a free download for winners of a mind-numbingly simple stopwatch game that we nevertheless kept playing until we won (after 13 attempts). [Spin]
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Madonna Has No Comment On Lady Gaga—Especially Not In Her Movie W.E.

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Madonna may have dropped a tidbit or two about her own music while in Venice promoting her new film W.E., but ask about the careers of others at your own peril. Belgian reporter Nicolas Crousse learned as much when he tried to draw a parallel between the film and Madonna’s life.

In W.E., Abbie Cornish‘s character Wally is an obsessed admirer of Wallis Simpson (the “W.” of the film’s title) who, in a parallel story over a half-century after the 1930s drama of Simpson and Edward VIII (the “E”), conspires to win a Wallis Simpson heirloom at a Sotheby’s auction. In his interview for Belgian newspaper Le Soir, Crouse asked Madonna if Wally’s fascination with Wallis could be seen as a commentary on the fascination Madonna’s fans (in particular Lady Gaga) have with the Material Girl.

Madonna dismissed the question outright, saying that Wally’s story offered an additional perspective on Wallis Simpson, to complicate what might otherwise be seen as black and white (“tout blanc ou tout noir”). “As for Lady Gaga,” she continued, “I have no comment to make about her obsessions having to do with me because I don’t know whether her behavior is rooted in something deep and meaningful, or superficial,” (per E! Online‘s English translation of her remarks). Madonna’s answer was an expert dodge of both a tangential topic and a potential PR fumble regarding any Gaga news of which she might not be aware. Nevertheless, Gaga can’t be pleased with the nature of the response.
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Lady Gaga Explores The Unnatural With Her “Natural” Bazaar Cover

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After Lady Gaga spent the 2011 Video Music Awards in Jo Calderone‘s plain attire, you’d be forgiven for thinking that she went a step further for the October 2011 cover of Harper’s Bazaar, appearing as Stefani Germanotta. Of course, it’s never so simple for Gaga, who would insist that appearing as “herself” would be a betrayal of appearing as her self. Though, as Laura Brown‘s interview explains, the “basically barefaced Gaga is very deliberately dressed down,” this, to Gaga, is just as artificial as any other way she has appeared:

Don’t you think that what’s on the cover of a magazine is quite artificial? There’s this idea that it’s all natural, but everything’s been staged to look natural. It is also an invention. It’s just that my inventions are different. I often get asked about my artifice, but isn’t fashion based on the idea that we can create a fantasy?

Gaga’s point here gets some support from the magazine itself, when a caption in its online Gaga gallery offers the advice, “To get Lady Gaga’s no-makeup look, try Studio Sculpt SPF 15 Foundation ($29.15), Prep + Prime Highlighter ($23), Brow Gel ($15) and Prep + Prime Lash ($15). All M.A.C.”
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Lil Wayne’s Tha Carter IV Sells Nearly A Million Copies

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The 2011 Video Music Awards had quite the effect on this week’s charts. Adele, Beyoncé, and Lady Gaga were among the artists posted who posted sales bumps after performances a week ago Sunday. Possibly none of them benefited as much as Lil Wayne, whose album Tha Carter IV went on sale less than an hour after the show wrapped on the East Coast. His performance of “How To Love” and “John” was one of innumerable factors that led to a monster first week sales tally of 964,000.

These numbers are no joke. The album not only hit #1 with a bullet on the Billboard 200 (followed by the Red Hot Chili Peppers with 229,000 copies of I’m With You) but it also could become the second-best-selling album of the year. Granted, the fourth-quarter schedule is packed with heavy hitters like Coldplay, whose Mylo Xyloto drops October 25, but Lil Wayne’s album has already sold more than half in its first week of what Gaga’s Born This Way has sold since its release, without the help of the type of loss-leading that scored Gaga the year’s biggest first week. We doubt any album (from anybody) will come near the three-million-and-counting sales of Adele’s 21, but the race to second place just got significantly more crowded (and more interesting), as we suspect Tha Carter IV will have not-insignificant legs.

MTV VMAs Boost Adele, Beyonce on Billboard 200; RHCP Scores Big Debut [Billboard]

[Image: Getty Images]

Irony Alert: Jeff Tweedy Covers The Black Eyed Peas

by (@unclegrambo)

Jeff Tweedy, lead singer of the critically acclaimed band Wilco, is not really known for his sense of humor. That’s not to say he’s a humorless fellow; rather, it’s just that when he chooses songs to cover, it’s generally because he’s paying homage to artists who have meaning (see: the two records he made with Billy Bragg comprised solely of Woody Guthrie covers).

That was not exactly the case in Chicago last night, where Jeff Tweedy performed at a book party for the release of Dan Sinker‘s The F***ing Epic Quest of @MayorEmanuel. Instead of going the somber route, Tweedy kept with the evening’s light-hearted nature and proved his comedic chops by busting out a solo acoustic cover of the Black Eyed Peas smash, “I Gotta Feeling.” We presume this decision had something to do with the fact that this song was played during the real Mayor Rahm Emanuel’s election party back in February, and the cover was delivered with exactly the right amount of irony that you’d expect from a Generation X icon like Tweedy. He warns listeners early on that his BEP cover “is gonna be bad, gonna be really bad,” but after the seeing the final results, we beg to differ with his assessment.

Jeff Tweedy performs the Black Eyed Peas’ “I Gotta Feeling” [Time Out Chicago via Growing Pangs]

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Tuned In: The Jim Jones Revue Cut Loose On Letterman

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Why are British musicians so good at revivalist music? It’s a question we pondered as we watched London’s Jim Jones Revue tear up the stage at the Ed Sullivan Theatre yesterday on The Late Show With David Letterman. The band considers itself a proud member of a garage rock tradition?Jones himself was a member of Thee Hypnotics?but last night’s “High Horse” was very much rockabilly in the style of Jerry Lee Lewis, albeit with a ragged garage sensibility (think punk with precision). And yet the song is very much pop of today, not some exhumed museum piece. The way in which the band combines current and past elements kind of reminds us of Mumford & Sons, actually.

It helps that the band practically left scorch marks on the stage. Frontman Jones stomped all over, even leaning out over the audience and all but erasing the barrier between crowd and talent. After the song, Letterman, obviously impressed, but never without a punchline, riffed, “This is the part where the mayor bans dancing.”?Back in March Taylor Hanson told us that based on the band’s studio recordings, the Jim Jones Revue was one of his most anticipated acts at this year’s South by Southwest. We can’t imagine that he was disappointed.

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Katy Perry’s “Last Friday Night (T.G.I.F.)” Is The 2011 VH1 Song Of The Summer

by (@unclegrambo)

For the last 14 weeks, we’ve been tracking the race to see which track would become this year’s Song Of The Summer. Since people consume music in so many different ways these days, our goal was to put together a democratic formula that compared how a group of over 70 songs performed across five of the primary channels that people frequently use to listen to their favorite jams: the Billboard Hot 100 (radio play & sales), the iTunes charts (pure sales), Last.fm scrobbles (listening on computer and mobile devices), the YouTube music charts (streams) and, of course, our VH1 Top 20 Video Countdown. Each week, we tracked how our group of competitors fared in each of these different platforms, and then added up the results.

So, without any further ado, we are psyched to announce that Katy Perry has taken home the first place prize in VH1′s first annual Song Of The Summer competition! When the summer began, it looked like Adele‘s “Rolling In The Deep” was going to be an unstoppable force, but as soon as Katy dropped her 80s-tastic “Last Friday Night (T.G.I.F.)” video during the week of June 27th, she dominated the countdown from there on out. Katy was gracious enough to film an quick speech for us while she accepted our totally awesome Song Of The Summer trophy, which we’ve got for you above.

For you completists, here is our final Song Of The Summer countdown chart (that is, until Memorial Day 2012 rolls around!). And you’re on Spotify, you can subscribe to our VH1 Song Of The Summer 2011 playlist and re-live the summer whenever you want.


[Click here for a larger image]

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Last Lap: Tuesday’s Odds And Ends In Music News

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My Chemical Romance Drummer Fired For Stealing
Drummer Michael Pedicone, who joined My Chemical Romance last year, following the departure of Bob Bryar, was abruptly fired on Thursday night. According to a blog post by guitarist Frank Iero, Pedicone “was caught red handed stealing from the band and confessed to police after our show.” Iero also stated that the band does not intend to press charges. This afternoon, Pedicone released a statement via Kerrang! that stated, in essence, that he’d actually been caught attempting to frame a member of the band’s crew for the supposed theft. “I made what was certainly the poorest decision of my life,” he wrote. “Rather than address the issues that I had with the crew member in an open and honest manner, I tried to make them look irresponsible.” And he would have gotten away with it, too, if it weren’t for those pesky Fabulous Killjoys. [AV Club]

Madonna Is Working On A New Album
Madonna just premiered W.E., the historical drama she directed, on Thursday at the Venice Film Festival, but she’s already talking about new music. She’s re-teaming with her Ray of Light collaborator William Orbit and other producers including Martin Solveig (if his name doesn’t ring a bell, “Hello” might). She hopes to have a single ready for January or February and an album in the spring, and whether she hits those marks or not, she’ll certainly be disappearing into the studio for a while after the promotional push for W.E. wraps. [Popdust]
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