Either Beyonc?‘s father Mathew Knowles is getting sandbagged by Live Nation, or else he just made the most colossal publicity mistake of his life. According to legal papers obtained by TMZ, Live Nation claimed to Beyonc? that her father had, as her manager, stolen money from the artist. An audit conducted by Beyonc?’s legal team corroborated Live Nation’s claim. This resulted in Knowles’s dismissal (replaced by a Live Nation employee!) just prior to a potentially profitable tour. Knowles’s legal filing requests depositions from Live Nation employees to determine how the company concluded that he was claiming an unlawful share of Beyonc?’s income.
Lenny Kravitz flexes his acting muscles (perhaps in preparation for his role as Cinna in The Hunger Games) in the new video for “Stand,” which premieres Thursday at 12 p.m. ET on VH1. In the sneak peak above, he appears as the host of a Let’s Make a Deal homage called “Run for Your Money,” as well as both the drummer and the vocalist of the Run for Your Money Band. The clip recalls the eight Andr? 3000s of The Love Below in “Hey Ya”, but unlike that video, and other homages to the Beatles‘ American television debut on The Ed Sullivan Show (like Nirvana‘s “Lithium”), this clip’s aesthetic is gonzo-seventies, not mod-sixties. That’s enough to make us very excited to see the rest of the video.
While we wait for tomorrow’s premiere, we’re going to listen to the song thanks to the lyric video embedded below, and try to decide which costumed contestant is our favorite. (Right now we’re going with American flag-night sky motorcycle-helmet dude in the bottom right, but there are so many good options.)
TMZ is reporting that Sherwood Schwartz, the creator of the famed Gen X television staples The Brady Bunch and Gilligan’s Island, passed away earlier today at the age of 94. It’s fair to say that those shows have two of the most recognizable and memorable theme songs in the history of television medium, and Schwartz (pictured above being kissed by Florence “Carol Brady” Henderson and Dawn “Mary-Ann” Wells) had songwriting credits on both of them! If there were a Hall of Fame for this sort of thing (and, frankly, it’s a shame that there isn’t), Schwartz would be a shoo-in to be inducted on the first ballot.
Of course, network television shows these days rarely utilize minute-long theme songs during their credit sequences as a way to ease viewers into the world that their characters occupy, mainly because that is time that the suits would rather sell to advertisers and the showrunners desperately need to develop their plotlines. However, at the time when Schwartz rose to prominence, the medium was still emerging from its primordial ooze stage, and theme songs were a handy narrative device carried over from the days of radio serials. To write just one of these legendary theme songs would surely place Schwartz in rare company, but to have TWO of them to his credit is just plain bonkers. Guess this means that Alan Thicke –yes, THAT Alan Thicke, the dad from Growing Pains, but also the same guy who is credited with writing the theme songs for The Facts of Life and Diff’rent Strokes– is responsible for carrying the TV theme song torch from here on out. Rest in peace, Sherwood.
Here’s the theme song for the Brady Bunch; bet you know every word by heart!
And here’s Gilligan’s Island…
As we parallel park into July and officially hit the curb of this year’s halfway point, it’s time to take a quick look back at what the past six months have taught us. Not conventional life lessons, however; we’re talking about stuff that’s a little bit less intense and also involves YOU! That’s right, in the first installment of our Top 100 Videos of 2011… So Far, we’re spilling the beans on the #100-51 most clicked-and-viewed videos on VH1.com. You’ll see that this pi?ata-like list of content contains tasty treats and slippery surprises alike! We’ve got brand-new videos that just recently launched, some VH1 Classic leaning clips (hey there, Megadeth), repeat offenders, and of course, effervescent, essential vids from the music video cannon. So take a look at the first fifty videos below and don’t forget to come back later this week as we continue on our quest to discover what artist snags the #1 spot!
100. Jack Johnson, “From The Clouds”
99. Chris Brown, “Deuces”
98. Ke$ha, “Tik Tok”
97. Bruno Mars, “The Other Side”
96. Beyonc?, “Video Phone (Extended Remix)”
95. Usher, “OMG”
94. B.o.B, “Airplanes”
93. Taylor Swift, “Mine”
92. Sara Bareilles, “King Of Anything”
91. John Legend & The Roots, “Wake Up Everybody”
Joss Stone‘s website proclaims that her forthcoming LP1 is “the first album Joss has recorded with total creative freedom.” Her fans needn’t worry, though; Stone’s newfound freedom is directed into another album of blues-rock soul, if last night’s performance of “Karma” on The Tonight Show with Jay Leno is any indication. She was joined by Eurythmics cofounder Dave Stewart, who co-produced LP1 and who, with Stone, comprises 40% of Mick Jagger‘s supergroup SuperHeavy.
“Karma” is the latest entry in the long and proud tradition of female vocalists’ wronged-lover songs, though despite Stone’s soul chops, it’s guitar-heavy and horn-free. Perhaps it’s more inspired by country’s takes on the theme, albeit with much less anger than, say, Carrie Underwood‘s “Before He Cheats” or Miranda Lambert‘s “Gunpowder and Lead.” LP1 was, after all, recorded in Nashville. Stone’s narrator does wield a loaded gun, though, so who knows?
Elsewhere on late night?
Black Eyed Peas Turn Themselves Into Split Peas
During a concert performance in England, will.i.am, Fergie and the other two guys told the crowd that the show was going to be the “last time we’re going to be in England for a long time”; they later expanded on that statement by announcing that they are taking an “indefinite break” from making music together. Sadly, this probably means that you are likely to see will.i.am once again appearing as a hologram on a television near you imminently. [HuffPo]
“Big Baseball Player Back In High School” From Springsteen’s “Glory Days” Identified
His name’s Joe DePugh, and he tried out for the Dodgers. He would probably amend his assessment about his glory days passing him by if asked today. [New York Times]
When Matthew Morrison stopped by VH1 to appear on Big Morning Buzz Live to promote his eponymous debut album back in May, we knew the Glee actor and solo artist would be a perfect subject for our Music Seen feature. As it turned out, his day was too jam-packed for him to explicitly show off his style to VH1 photographer Jen Marigliano, but these photos give a pretty good look anyway, as Morrison travels from BMBL to a VH1 Save the Music press conference to an interview with The Insider to a soundcheck and performance at the Hard Rock Caf?. That’s a lot of work?and a lot of wardrobe changes?without leaving Times Square. Our thanks to Morrison for being such a great sport.
Internet sensation Rebecca Black, fresh off a starring role in Katy Perry‘s Song of the Summer frontrunner, “Last Friday Night (T.G.I.F.),” clearly isn’t your typical 14 year-old. Not only does her confidence belie her years—as she explained to us, she doesn’t get nervous because “I don’t see the point in it”—but she has no intention of spending her summer vacation simply marinating with friends. Instead, she’s looking to catch viral lightning in a bottle for the second time in less than six months.
On July 18, Rebecca Black will make her new single, “My Moment,” available on both her YouTube channel and on iTunes. It seems highly unlikely that she’ll be able to grab the cultural zeitgeist by its proverbial cojones once again, but you never know! One thing we do feel fairly certain of is that, regardless of the quality of her song, she’ll quickly outpace Lexi St. George, the girl handpicked by Ark Music Factory CEO Patrice Wilson to be his company’s Next Big Thing™. Despite getting a week’s worth of promotion on ABC’s Good Morning America, “Dancing To The Rhythm (With Me)” has stalled out at 194,000 views and failed to crack either the Billboard or iTunes 100.
Rebecca Black to debut new single on July 18 [USA Today]
[Photo Credit: RebeccaBlackOnline.com]
When Lil Wayne spoke to MTV News last Thursday, he revealed an August 28 release date for Tha Carter IV and promised that the Sorry for the Wait mixtape would drop Tuesday or Wednesday (that is, tomorrow or the day after). The next day, the first mixtape track, “Tunechi’s Back” (based on the “Tupac Back” beat) hit the web. [HT Rap Radar]
Rap Radar is also our unlikely source of a new Colbie Caillat song (because Common is featured). “Favorite Song,” is the two artists’ first studio collaboration, though Caillat did duet with him when she sang Joss Stone‘s hook on “The Light” in February 2010 at the BMI “How I Wrote That Song” Panel. “Favorite Song” will be on Caillat’s All of You, due out tomorrow.
When Lady Gaga‘s music video for “Edge of Glory” premiered, we liked the stripped-back aesthetic, but we quickly found ourselves in the minority. Gaga acolytes who had been anticipating a high-concept spectacle from director Joseph Kahn, based on rumors of mermaid-Gaga (as she was costumed when she performed “The Edge of Glory” on French TV), fumed on social media until Gaga and Kahn responded directly (and for a while afterward, too). Lest her fans consider the mermaid concept scrapped, she tweeted the following:
In an interview with Taiwan’s V News on Saturday, Gaga confirmed that the concept would live on: “Yuyi is in incubation, for anyone who knows what that means.” She then added, “Yuyi may just be born in the next video.” Fans are speculating that the mermaid’s name (not mentioned until after the “Edge of Glory” video premiered) is a clue to the next single: Yu + y + i = “Yo? and I,” which is a clever bit of wordplay that could just as easily be coincidental. There is no word on who the new clip’s director will be, but we suspect Kahn didn’t get the call this time.