Young The Giant played “Cough Syrup” last night on Jimmy Kimmel Live!, and they were simply hypnotic. With something of a young Kings Of Leon in the verses (sing “The Bucket” along with the first verse of “Cough Syrup” and you’ll see), Young The Giant are both familiar and new. Their referential (the choruses are reminiscent of The National) style is comfortable, and yet they evoke wide open, uncharted spaces in the way they play their influences off one another to create dynamism in both music and vocal.
Beef Alert! Soundgarden Sounds Off At Kanye West
Soundgarden gave Kanye West a mouthful on stage at an Australian festival after Kanye performed his sound check on a neighboring stage during Soundgarden’s set. Front man Chris Cornell said to the audience, “Sounds like there’s children playing music there, retarded children, retarded as in held back.” OUCH! [Idolator]
Pulp Annouces US Tour Dates
Yep, Pulp are playing shows outside Coachella. Feel free to jump on your desk and squeal with glee (we did). [A.V. Club]
A few weeks back, our VH1 News team caught up with Matthew McConaughey on the set of the music video for Butch Walker‘s “Synthesizers.” The song is partially a lament about the perils of growing older and becoming decidedly less hip, but it’s also a rallying cry about the merits of sticking to your guns and not chasing fads in an attempt to remain hip. These decidedly mixed messages make for an interesting song, but also for a thematically jumbled music video.
Reincarnating the character of Wooderson from Dazed And Confused for this video was a stroke of minor brilliance, as perhaps no one character in the recent history of cinema better represents how cool it can seem to be stuck in one’s ways. As the video begins, Wooderson —still wearing that same
Marley Nugent t-shirt, mannnnn— makes his way into a modern day Hollywood nightclub, packed to the gills with table dancing Snooki wannabes and LMFAO-style hipster d-bags. Not surprisingly, he looks older and, if you can believe it, even more stoned than when we last saw this character; McConaughey initially plays it so Wooderson looks tired, desperate and past his prime, allowing a forlorn look of despair to creep across his face, despite the fact that he’s trailed by two smokin’ hot ladyfriends. However, as soon as the chorus kicks in and the song’s tone shifts from plaintive to defiant, the vibe of the video changes (not for the better), and Wooderson morphs from being an over-the-hill stoner and into the Pied Piper of Clubland by, get this, playing a trumpet and a tiny toy piano.
Jason Mraz gave some insights on love at Sundance, and revealed the inspiration behind his hit song “I Won’t Give Up.” Speaking candidly about his songwriting, Mraz said, “as a writer I always write about things going on in my life, and what I know, what I’ve been through. And I feel like if there’s ever been a profound shift in my life, or something that’s occurred to me that’s woken me up or got me to the next level, that’s when it’s best to write a song and gives me purpose in writing music as well.” He goes on to talk about lost love and the continuation of love even after a relationship breaks down, and it sounds like he’s really speaking from honest experience (Mraz also gave a heartfelt performance at Sundance, which you can watch after the jump).
And it seems like the heartache isn’t turning out so bad for Mraz after all — aside from seeming to stay very positive about his breakup, “I Won’t Give Up” is proving to connect with audiences, perhaps showing that there’s still a desire for emotion and sincerity in pop music. Debuting on the Billboard Hot 100 at number 8, “I Won’t Give Up” (now sitting tight at number 22), selling 229,000 downloads and debuting at number one on the Digital Songs Chart (Mraz first ever digital number one). See him perform below!
Do you know what Lady Gaga was doing when she was in high school? Probably the same thing as every other tween growing up in New York City — hanging out in Times Square trying to get a glimpse at TRL. In a sneak peek clip from VH1 Rock Docs: The TRL Decade, Carson Daly recalls interviewing Lady Gaga about her TRL experience as a teenager, and how she and her girlfriends took to Times Square with a sign that read “Carson Let Me Up!” It’s an endearing anecdote, and a great insight into the importance of TRL and the motivations of a young Stefani Germanotta.
VH1 Rock Docs: The TRL Decade, premiers on VH1 on Sunday the 29th of January at 9:30 PM.
The 2 Live Crew‘s As Nasty As They Wanna Be was a cassette tape that everyone who grew up in the Eighties owned but kept carefully hidden from their parents’ prying eyes (and ears). While certainly not the first rap crew to brag about their sexual conquests, Luther Campbell and his posse of perpetually horny MCs made waves by pushing their sex rhymes deep into XXX rated territory. Their lewd and lascivious “pornocore” material ultimately caught the eye of Florida legislators and got them, as Luke would famously put it, “Banned In The U.S.A.”
Well, nearly 20 years after disbanding, Luther Campbell announced over the weekend —at the Sundance Film Festival, no less!!!— that 2 Live Crew would be getting back together for a reunion tour this fall. You may recall that the group got together for a one-off performance at VH1’s 2010 Hip Hop Honors show, but this time around, the group will be taking their show on the road. No details about the tour have been announced, but Uncle Luke promises that “We’re going to perform the songs and everybody’s going to be excited.” Um, hopefully not TOO excited, if you catch our drift…
[Photo: Getty Images]
You’d think that 80s power pop/rock, awesome hair band Bon Jovi and sensitive, indie, regular hair band Bon Iver would make strange bedfellows, but New York City’s Miracles Of Modern Science have put the two together in what we think is a very successful, very attractive little package. The band, taking on the alias “Bon Joviver,” sing Bon Jovi’s “You Give Love A Bad Name” in the wistful style of Bon Iver. The lyrics are a perfect fit for Bon Iver’s fantastical introspective falsetto, and with the addition of some whimsically bleak imagery that invokes the chill of winter, we’re hoping the two Bon’s might be inspired by Miracles Of Modern Science’s effort and give us the duet we’ve now decided we’ve always wanted.
The self proclaimed “Female Weezy” is treating ‘em mean to keep ‘em keen — making fans wait to hear her new album, Roman Reloaded. Originally promised for Valentine’s Day, Nicki Minaj has inspired a resounding sigh amongst die hard Barbz by pushing the release date back to April 3rd. Nicki made the frustrating announcement with the following Tweet:
Aside from the promise of “surprises,” Barbz were blessed with the “Stupid Hoe” video on Friday, and next month will get to see Nicki performing at the Super Bowl alongside the legendary Madonna. Time flies when you’re having fun, and it looks like Nicki has plenty up her sleeve to distract fans from the prolonged release.
Seemingly everywhere you turn your head these days, Steven Tyler is standing there. Leno on Friday night? Check. American Idol on Fox? Check. On the victory podium with AFC champions the New England Patriots? Check. Wait, what???
Yes, that’s right, the Aerosmith lead singer is buddy buddy with billionaire businessman and owner of the NFL’s New England Patriots franchise, Robert Kraft. He brought some good luck to his hometown team by singing the National Anthem at yesterday’s AFC Championship game, a performance that his Idol co-hort Randy Jackson would describe as “pitchy.” Depending on how many cups of CLAM CHOWDA you ingested yesterday afternoon, you’ll either love it or hate it.
Oh, and after the seventeen hours of football that was on yesterday (only a slight exaggeration), there was a new episode of American Idol on, too. We don’t know what’s going on with the water in San Diego, but Tyler didn’t score very high on our new Dude Is Acting Shady Meter (which now come complete with an ACTUAL meter, designed by our own Lauren Deiman). He didn’t so much as bat an eyelash with Jim Carrey‘s 24 year-old daughter, Jane, but he did turn on the charm a smidge for two of yesterday’s female contestants.
Paying tribute to the late Etta James live in concert at New York’s Radio City Music Hall this weekend, Kelly Clarkson gave a beautiful performance of “I’d Rather Go Blind.” It was a poignant enough moment in the face of James’ tragic passing, but also given that 10 years ago Kelly sang “At Last,” for her first ever appearance on American Idol, which she went on to win, the performance was a rather weighty one. While most of the videos we tracked down of the performance were rather shaky (see above, which was the least shaky but unfortunately from a distance), the poor visual was negligible in light of Kelly’s spine tingling vocal. Even on fan-filmed, amateur film, there’s no mistaking the distinct power of Kelly’s voice as she sings the words of the great Etta James.