One of the minor instant celebrities of last night’s Video Music Awards was Tyler, The Creator‘s mother, who sobbed with pride and excitement when her son won the Best New Artist Moonman. It turns out that her on-camera presence is due in part to an unlikely VMA hero: Nathan Williams of Wavves, who claims on Twitter to have given her his Black Carpet pass. Left Brain of Odd Future seems to confirm this on his Tumblr, describing Williams as “a crazy white kid,” and further noting that Williams “sparked a blunt when [Lil] Wayne was performing and Ron Artest told him to put it out!” All that, and the premiere of I Just Want My Pants Back! featured new Wavves song “I Wanna Meet Dave Grohl,” a wish that apparently came true at the VMAs. [Tumblr]
Last night, Dave Grohl used part of the Foo Fighters‘ Best Rock Video VMA speech as a call to “look a little harder” but “Never lose faith in real rock n’ roll music.” Just thirty-odd hours earlier, The Strokes, arguably one of the higher-profile recent standard-bearers for “real rock n’ roll,” were not exactly hiding?they headlined the main stage at the UK’s Reading Festival.
Apparently the band was a little abashed that they’d be playing after Pulp, because they invited that band’s lead singer Jarvis Cocker onstage to accompany them in a cover of The Cars‘ 1978 hit single “Just What I Needed.” Watch above as Cocker trades lines with Julian Casablancas (after the Strokes lead singer’s two false starts). This clip is just what we needed this afternoon.
While NYC residents are relieved to have been spared the worst of Hurricane Irene (we’re thinking of you, Vermont), I must admit to shallow disappointment in her pulling a robbery on my social life this weekend. Forced to stay indoors, I was able to spend some time with Lil Wayne’s recently-leaked Tha Carter IV while suffering through meteorologists and weather anchors overusing words like “hunker [down]” and “pounding [wind and rain],” wanting to throw a thesaurus at my television. After closing the MTV VMAs last night, the New Orleans native, who is unfortunately all too familiar with hurricanes, officially dropped his ninth solo album digitally before running off to host an after-party that coincided with Tha Carter IV’s release.
Because it’s dropping in such close proximity to Jay-Z and Kanye’s Watch The Throne, Tha Carter IV is a an easy target for direct comparisons. Wayne is a one-man show, and despite having a bushel of features (from the likes of Andre 3000, Nas, Bun B, and
Bob Rick Ross), facing off against Jay and Kanye’s well-marketed collaboration LP certainly isn’t apples to apples, but the pot will inevitably be stirred! One of the songs on Tha Carter IV contains a verse directed at Jay-Z and talks about kidnapping newly pregnant Beyonc?, so speculations were high that some sort of altercation would occur at the VMAs last night. Likely retaliation for Hov’s “baby money” verse on “H.A.M.” back in January, Wayne’s verse on the C4 track, entitled “It’s Good” (also featuring Jadakiss and Drake), sounds like it’s just come to term; the passion in Wayne’s voice and use of verbs in the present tense suggest it was recorded many months ago, not recently. That, mixed with the fact that Jay didn’t respond publicly last night, might mean it’s water under the bridge.
Tyler the Creator reupped his distaste for Bruno Mars on the Black Carpet at the 2011 VMAs last night. Prompted by Jim Cantiello‘s observation that Tyler was last, behind even Bruno Mars, in VMA Twitter mentions, Tyler remarked, “I’m a f? I’m a failure,” adding, with a bit of hyperbole, “I’m gonna kill myself,” which was also his threat should “Grenade” win Video Of The Year (it didn’t). Why the continuing feud? “I really hate his music.”
He was forced to backpedal later in the show, after seeing Bruno Mars’s bravura performance in the tribute to Amy Winehouse. He tweeted, “F?k I hate Bruno, but that was really good.” Maybe this Odd Belieber will be won over yet.
Despite memorable moments at the 2010 and 2009 Video Music Awards, Taylor Swift was not in attendance this year?but she had a good reason: a concert the same night at the Staples Center, which put her in the same city as the ceremony but unable to attend.?
The VMAs were broadcast live on the east coast, which meant that they wrapped taping just shy of 8:30PM Pacific Time?cutting things far too close for the country star, but certainly leaving plenty of time for a VMA attendee?like, say, Nicki Minaj?to catch a ride over to the Staples Center and make a surprise appearance.?
Swift, who “rapped” with T-Pain for the 2009 CMT Awards, but whose Nicki-karaoke skills pale somewhat in comparison to Michelle Trachtenberg‘s, nevertheless is a big fan of the Young Money star, particularly of summer hit “Super Bass.” So she (and her Los Angeles fans) thrilled at the impromptu duet. That’s one way to celebrate a Moonman!
The musical performances at the 2011 Video Music Awards were pretty consistently great, if slightly flawed in certain ways. Adele‘s rendition of “Someone Like You” was ever-so-slightly sharp, but still brought the house down. Pitbull, Ne-Yo, and Nayer turned in perhaps the best “Give Me Everything” performance we’ve seen on television, but we’ve seen a lot of them in the nearly six months it’s been a single. Lil Wayne closed out the show with a two-fer of “How to Love” and “John,” the latter of which was probably really good, though we could hardly tell since it was so heavily bleeped. A pair of performances, though, stood above the rest (and two others fell a little short). Presenting the highlights (and lowlights):
Any eyes that weren’t already on Beyonce quickly turned her way when she intimated to photographers on the black carpet that she might be pregnant, and her performance of “Love On Top” was bookended by vocal and visual confirmation of the fact. Even Beyonce’s own pregnancy couldn’t take attention away from her performance, though. In a sequined suit, she cruised through “Love On Top,” perhaps the uncoolest jam on 4 (whoever said it sounds like Jonathan Butler‘s “Lies” was dead-on) and definitely one of our favorites from the album. Beyonce effortlessly hit all the key changes and brought back late 80s R&B in a big way. She’s so good at being “on top” that we almost feel like she intentionally set us up for that pun.?
Lady Gaga flipped the script on those who speculated as to what she’d wear to the 2011 Video Music Awards by spending the entire show in character as Jo Calderone and making a case that when one is expected to wear something particularly outlandish, the most surprising choice is to dress down (albeit in drag). Adopting an accent reminiscent of VMA-infamous Andrew Dice Clay, “Calderone” monologued at length (Kanye, eat your heart out) prior to “his” performance of “Yoü and I.” When she wasn’t laying it on a little too thick (“And then the guys?meaning me; I’m one of the guys“) she was alternately self-aggrandizing and self-mocking, describing a Gaga who wears her heels in the bathtub and never breaks character except at orgasm.
After three and a half minutes, she launched into her performance of “Yoü and I,” first solo at the piano, then at the head of an all-male crew of backup dancers, with Brian May playing guitar behind a pillar until Gaga introduced him for his solo, to the absolute delight of Dave Grohl (to whom the cameras cut away as he grinned and pumped his fists in the air).
“Calderone” got a bit more confrontational when presenting Britney Spears with the Video Vanguard Award. After claiming to have masturbated to posters of Britney in her introduction, she moved in for a kiss, which Britney considered, then declined, remarking, “I’ve done that already.” Maybe Jo had whiskey-breath; cutaways to the audience showed Gaga, glass in hand, all night.
Today would have been the 53rd birthday of Michael Jackson, one of the greatest entertainers this world has ever known. Sadly, though, his life was cut short back in 2009 after he overdosed on Propofol (a case that has yet to see a full resolution). Still, his legacy lives on and, in many ways, has taken on an even greater significance since his passing.
In order to celebrate his remarkable life and his achievements, we took a cue from one of our favorite Tumblr sites, Awesome People Hanging Out Together. We crawled through almost 40 years worth of archive photographs to find these pictures of Michael Jackson hanging out with people from every profession and walk of life: his fellow musicians, actors, directors, politicians, diplomats, and even an inanimate object or two! So as you fire up your favorite MJ tracks today, take a look through our gallery and relive some of his most famous (and most random) celebrity encounters.
Pink Friday is nearly a year old, and its biggest single, “Super Bass,” was a bonus track, but the Nicki Minaj album still has legs. Witness “Fly” (featuring Rihanna), the newly minted single whose video just premiered during the 2011 MTV Video Music Awards pre-show. A late-breaking entry in the “Music Video with a Message” pantheon (whether that brand-new VMA category will return in 2012 remains to be seen), “Fly” witnesses Minaj, first in her Bride of Frankenstein guise, then with a pink pixie haircut and white-rose-print-and-chiffon dress, then with leopard-print hair, and finally suited up in padded white garb to fight off hater-ninjas. The all-grey-everything airplane-fuselage landscape feels a little unreal, like she and Rihanna have wandered into the Resident Evil town somehow. Worry not, though: it gets better, as evidenced by the vines and flowers blooming by video’s end.
Nearly every truly iconic music video since 1984 has been nominated for at least one Video Music Award in its year of eligibility, but in the twenty-seven years that the ceremony has been held, only ten individual music videos have won five or more Moonmen. (This year, Adele‘s “Rolling In The Deep” and Katy Perry‘s “E.T.,” featuring Kanye West, could potentially join the club.) These videos got the attention and praise of everybody in their respective years of release. But do they stand the test of time? What about their competition? Here’s our look at the ten most-lauded videos in VMA history.
Madonna, “Ray of Light”: Five VMAs (of eight nominations)
Concept: Madonna raves on fast-forward all over the planet.
Competition: “Ray Of Light” wasn’t the only video with eight nominations: Garbage‘s video for “Push It” had as many nods (though, ultimately, no wins). We’d totally forgotten about “Push It,” actually, and its stocking-masked nun heist/exorcism would be huge today, because it looks like a Lady Gaga video from the 1990s, and if there are two things music fans like these days, they’re Lady Gaga and the 1990s. The year of eligibility for this ceremony was also the height of jiggy rap, but while Diddy‘s five nominations were split among four videos (Puff Daddy and the Family: “It’s All About The Benjamins”; Notorious B.I.G. Featuring Puff Daddy: “Mo Money Mo Problems”; Mariah Carey Featuring Puff Daddy and the Family: “Honey (Remix)”; Puff Daddy & Jimmy Page: “Come With Me”), Will Smith got as many nominations just for “Gettin’ Jiggy Wit It” (though the video only won one Moonman).
Verdict: While we love “Push It,” the fact that we had to refresh our memory sort of proves that “Ray Of Light” was simply the stronger video that year. As for jiggy rap? Hype Williams was robbed, sure?none of the Best Direction nominees, even, were jiggy rap?but Diddy has gotten his fair share of VMAs over the years (and even hosted one of the ceremonies). HOLDS UP