Recent Glassnote signees and Dirty Projectors tourmates Givers made their television debut on Late Night with Jimmy Fallon yesterday, and they picked the perfect song to play. Granted, “Up Up Up” is their single, but it’s such a bright combination of multilayered rhythm and Afro-pop-tinged indie-rock guitar that it suited the band’s own excited energy at appearing on Fallon. Guitarist and co-lead singer Taylor Guarisco couldn’t stand still for a second, bouncing and chicken-walking all over the small amount of stage space he had available to him. The smiles on the rest of the band’s faces spoke almost as loudly as his dancing.
The band’s Southern jam-pop is in the vein of Annuals‘s “Brother,” the over-hype of which may have caused more harm than help to that North Carolina sextet. But the Louisiana-based Givers have Daniel Glass on their side, so we’re not too worried about their future?and we expect to hear another single from their debut In Light (released last week) soon. Our only complaint about the performance is that we would’ve liked to have seen more of what equipment the keyboardist was working with.
Before officially catching the wild wave of success that he continues to ride to this day, Kanye West was on a mission to prove his own talent and worth to the world. During that time, hip hop vet Jay-Z was the big brother, the mentor, and the boss man, letting Kanye audition tracks for placement on Roc-A-Fella Records artists’ albums. Fast-forward twelve years, and it’s Kanye who is now on the verge of building an empire, and his one-stop-shopping label, management, and production hybrid G.O.O.D Music could be his ticket out from under the giant-sized shadow of Jigga Man. Things move pretty fast in hip hop, but whether you know it or not, you may already be familiar with some artists Kanye’s signed to his squad, including Common, John Legend, “Day N Night” breakout artist Kid Cudi, and Pusha T: one half of brotherly rap duo Clipse, and the artist who performed with ‘Ye on last year’s VMAs. Other members of the G.O.O.D Music team (acronym for Getting Out Our Dreams), however, are either newer to the music world, or still taking time to build a tangible buzz. Either way,?they might be worth getting familiar with before it’s too late!
Last Thursday night, in front of a ravenous Brooklyn crowd and with the help of Heineken’s summer concert series Red Star Access, Kanye unleashed a G.O.O.D Music showcase on the masses. Performing solo hits and giving his crop of artists their own short sets to shine, Yeezy would go back and forth appearing on stage, and at times, joined his proteges for songs they’ve collaborated on together. A good example and important collabo to note, freshly leaked “Marvin Gaye and Chardonnay” is a song that will be included on G.O.O.D/Def Jam rapper Big Sean’s debut album Finally Famous, out June 28th. At the album’s exclusive listening party held (also in NYC) on Tuesday of last week, Kanye compared the young, up-and-coming rapper to Beyonce, saying he had the potential to be what she is to R&B, but in hip hop. Hell of an introduction, wouldn’t you say? Certainly no pressure to Sean, who luckily? already has a? healthy following off of mixtapes released over the past four years. And speaking of Beyonce, there’s a rumor brewing? that Kanye and his team of G.O.O.D. Music hooligans (including Pusha, CyHi Da Prynce, Kid Cudi and Big Sean) will guest-star on a yet-to-be-released remix for “Party,” the song that we’re keeping on eye on for Song of the Summer.?
We try to cover all the music stories that matter here on the VH1 Blog. Sometimes, though, we find too many stories to cover, stories that don’t exactly “matter” but are worth sharing, or even just good stuff from our peers. Here’s your Monday roundup:
Clarence Clemons Is Reportedly “Responsive” After Stroke
No official word has yet come about Clarence Clemons‘s condition following his stroke, but Bruce Springsteen fansite Backstreets quotes “a close friend” as saying, “His vital signs are improving. He’s responsive. His eyes are welling up when we’re talking to him. He was paralyzed on his left side, but now he’s squeezing with his left hand.” [Billboard] Read more…
If it doesn’t feel quite like summer yet, that’s because it’s still technically spring until the summer solstice arrives on June 21. After looking at the release dates of the songs atop this week’s Song Of The Summer chart, it certainly appears as if we’re still mired in springtime.
As you’ll see in our handy Microsoft Excel chart, Adele‘s dark and wintry chart topper “Rolling In The Deep” —which, we’ll continue to note until (if?) it leaves this countdown, was released in December (!)— has a strangehold on the Song Of The Summer crown for the third consecutive week. However, the smoky-voiced Brit seems to have some competition by the name of Bruno Mars, who lept over Katy Perry and J. Lo this week to snag the #2 spot with his breezy ditty, “The Lazy Song.”
However, even though “The Lazy Song” has yet to crest, we sorta feel like Pitbull‘s club-friendly plea as to why it’s best to just give in to your carnal desires, “Give Me Everything,” has the most momentum this week. Not only did it make its debut in the VH1 Top 20 Video Countdown, but it’s also holding down the number two spots on both the Billboard 100 and iTunes sales charts, which certainly signals that people are going to be listening Ne-Yo crooning this song’s catchy, Eurotrance-y hook all summer long.
What song do YOU think is poised to make a big leap this summer? Continue along with our analysis and then let us know in the comments!
Two weeks ago, we put out a call for questions for Jordan Knight for our Ask Me Anything feature, and we asked as many of your questions as we could?so many that we had to split the responses into two videos! Above, Knight responds to questions about smooshing, underwear, those amazing 1990 American Music Awards jackets, and more. Stay tuned tomorrow for part two!
If a picture is worth a thousand words, this picture is the first thousand words of Guy Ritchie’s next film treatment. Sure, it’s got boxing (a November 2008 light-welterweight fight in Las Vegas), and it’s got foulmouthed Brits (at least, it has Liam Gallagher in his natural state, i.e. flipping off a camera). But see the redhead over Liam’s left shoulder, sternly looking off-camera? That’s Steve Allen, Gallagher’s bodyguard, business partner, and, according to Sunday’s Mirror, alleged death-threat sender.
Sam Berry and his girlfriend Claire Humphries both received letters in the mail containing bullets, the paper reports. The letters allegedly referred to one of several civil disputes in which former business associates Berry and Allen are entangled. The first of four such disputes ended with Allen forced to pay Berry ?54,000. On Sunday, Allen was arrested in connection with the death threats, then released on bail.
Allen is not only Gallagher’s bodyguard, but also managing director of the singer’s fashion brand Pretty Green, film company Savile Row Films, and production company In 1 Productions. Gallagher described Allen as a “constant companion,” according to The Guardian. He has not yet been alleged to have hung any recording artists out of hotel windows, but he was present at the 2002 brawl in which Gallagher got his front teeth knocked out.
At the time of this writing, his life rights are still available.
In case you missed the Tony Awards last night on CBS, Neil Patrick Harris closed out the show with a recap rap as the credits rolled, providing a brief summary of the night and concluding by acknowledging the unnamed chorus performers and entreating viewers to go see Broadway shows. But if that’s not enough for you, here are the top three musical highlights:
“You know,” Chris Rock quipped before awarding the Tony for Best Musical to The Book of Mormon, “If you would have told me two years ago that I would miss the best basketball game ever to hang out with Nathan Lane I would have said, ‘You’re crazy.’” At first glance, The Book of Mormon‘s nine Tonys (out of fourteen total nominations) might seem just as implausible, but the show’s creators certainly had the pedigrees. South Park co-creators Trey Parker and Matt Stone had shown their love of, and aptitude for, the musical form with their films Cannibal: The Musical and South Park: Bigger, Longer, and Uncut, and Robert Lopez had already co-created Avenue Q. (When that show won the 2004 Tony for Best Musical, it was a surprise.) Any remaining doubt was quashed when Andrew Rannells performed the satirical “I Believe,” a song about doubt and (Mormon) faith that contains the line “I believe that in 1978 God changed his mind about black people.” Read more…
It’s Monday, but Katy Perry is hoping people will be thinking?and talking?about her new video “Last Friday Night (T.G.I.F.).” She teased the video over a month ago by quoting, on Twitter, a friend who said the clip would “break the internet.” The clip certainly appeals to that demographic, which is no surprise: director Marc Klasfeld was also responsible for the clip “Scarface School Play,” so he knows a little something about viral videos.
In the first place, Perry’s costar in the video is Rebecca Black, whose “Friday” video, as of today, has 165 million views and remains in the YouTube Music Weekly Top 10 despite its 88% thumbs-down rating. Black is, of course, internet catnip, especially since she is apparently magical in this clip:
Clarence Clemons suffered a stroke at his home last night at his home in Florida, an AP source confirmed after an initial Showbiz411 report surfaced last night. The Showbiz411 story suggests that the stroke was extremely serious, but there has not yet been confirmation nor denial of this report.
Clemons, the legendary saxophone player from Bruce Springsteen?s E Street Band, has also had a long history of guest appearances?most recently on several tracks of Lady Gaga‘s Born This Way. He also wrote a partially fictional memoir last fall. We wish him the best in his recovery, as does Lady Gaga, who sent this Tweet out earlier this morning:
It’s hard to look good while camping for four days in heat that exceeds 100 degrees. It’s also hard to look good when the only real opportunity to bath is to wait for brown water to spurt out of a giant mushroom sprouting in plain sight of Bonnaroo‘s stages. Yet we were able to spot some girls who we are guessing would look good even after a nuclear holocaust. As you may know, bikinis are the outfit of choice at the festival. But since this is about style, we selected only beautiful Bonnaroo bitties who were wearing somewhat more than that. Notice this year’s trends: Head wraps, belly dancing skirts with bling, and body painting.