After delving into the histories of two hip-hop icons, this season of Behind the Music takes a left turn tonight with a look into the life of country star Miranda Lambert. In this sneak peek, she describes her 2009 album Revolution as a document of “what I’m living for now” and looks back at her first meeting with lifelong idol Loretta Lynn at the 2010 CMAs in November (where she won in four categories). To see the story of how she got there, watch Behind the Music: Miranda Lambert tonight at 10 p.m. ET/PT.
A rapper of Lil Wayne’s stature has certainly earned the right to release music whenever he wants to, so it’s sort of refreshing and endearing that the title of his newest mixtape is geared toward apologizing to his eager fans. Released late last night, Sorry 4 The Wait borrows beats from Rick Ross’ MMG proteg? Meek Mill, Beyonc?’s “Run The World (Girls),” newly signed white femcee Kreayshawn, Young Money/Cash Money compatriot Drake, and street anthem “Racks” by Atlanta rapper YC.
Pushed back for quite a while now since being released from his eight-month stint in the clink, Weezy F Baby’s next full LP, Tha Carter IV, is finally set to street on August 29th. For those of us who can’t wait for tunes any longer, the new mixtape can be downloaded here, and since a now-sober Weezy is trying his hand at hip-hop without being completely kablammed (and because his last few rock-inspired records didn’t do as well as 2008′s Tha Carter III), we should probably accept his apology and support the new movement. Give the 12-track tape a whirl, and let us know what you think!
Lil Wayne Drops Mixtape ?Sorry 4 The Wait? [Idolator]
[Photo Credit: Getty Images]
Bassist Nick Oliveri of Kyuss and, formerly, Queens of the Stone Age, held his girlfriend hostage last night at his Los Angeles duplex, according to TMZ. Oliveri’s girlfriend allegedly told police she had left the apartment they share on Monday after he struck her during an argument, but returned the next evening to collect her belongings and move out, at which point the two got into another heated exchange. Oliveri barred police responding to a neighbor’s 911 call from entry to the apartment. He would not permit his girlfriend to leave the apartment for two hours, and did not himself leave the apartment for an additional two hours. A search turned up a loaded “high powered rifle.”
Queens of the Stone Age fans may recall that allegations of domestic violence were the cause of Oliveri’s firing back in 2004. As reported by Billboard in July 2005, frontman Josh Homme told BBC’s Radio 1 that he’d heard a rumor about an incident of domestic violence involving Oliveri, and at the time told the bassist, “If I ever find out that this is true, I can’t know you, man.” In 2004 Homme received independent confirmation of abuse and dismissed Oliveri. He has not since played with the bassist in any capacity and opted out of the recent Kyuss reunion.
[Photo Credit: Getty Images]
July Posted artist Jason Derulo is still in Europe, but that hasn’t stopped him from guest-blogging for us. Read on for his latest post about restroom culture shock, plus bonus photos he shared of his new tattoo and of the T4 On The Beach festival stage.
Yesterday, we introduced you to the upper reaches of our Top 100 Videos of 2011 … So Far list, serving up the #100-51 videos that you’ve been clicking on most so far this year. Although a hefty portion, consider that first installment just an appetizer for today’s first course and tomorrow’s main entree. Going a bit deeper into the list, we now give you #50-11, inching closer and closer to #1.
50. Train, “Hey, Soul Sister”
49. Goo Goo Dolls, “Notbroken”
48. Jennifer Lopez, “Love Don’t Cost a Thing”
47. Jennifer Hudson, “Where You At”
46. Beyonce, “Run The World (Girls)”
45. My Chemical Romance, “SING”
44. Adam Lambert, “If I Had You”
43. Fitz and The Tantrums, “Money Grabber”
42. Kid Rock ft. Sheryl Crow, “Collide”
41. Bruno Mars, “Just The Way You Are”
Exciting news hot off the wires: Radiohead‘s 55-minute King of Limbs special, recorded for BBC’s From the Basement, will premiere in North America on Palladia on Saturday, July 23 at 9PM ET. The band plays the entirety of the album plus b-sides “Staircase,” previewed above, and “The Daily Mail.”
Full press release below:
Dave Grohl brought his inner Ian MacKaye to the fore Monday night at Foo Fighters‘s iTunes Festival performance in London. No, he didn’t wear a goofy bucket hat?he stopped the band’s performance of In Your Honor b-side and live favorite “Skin and Bones” to address a violent fan from the stage, as MacKaye often did as the frontman of Fugazi. “Hey! Hey!” he shouted when he saw a fight erupting. “Who’s fighting? Let me see him!” When the crowd parted to reveal the “f—ing guy in the striped shirt,” Grohl addressed him directly. “Get the f— out of my show!”
Yesterday marked the release of Within and Without, the debut LP from Georgia’s Washed Out, and it’s gotten rave reviews from Brandon Soderberg at Pitchfork (who gave it their “Best New Music” moniker) and Andy Beta at Spin, who in their sub-headline called the album “Lush chillwave for people who can’t stand chillwave.” Washed Out is not about to top the charts with this album, but its release more or less marks the second anniversary of chillwave, a joke name that stuck for a genre that, for the moment, isn’t going anywhere. So, what do we talk about when we talk about chillwave?
Only Katy Perry could make planking controversial. At about 1:45AM ET she posted the twitpic above of herself dressed as a mermaid, ostensibly on some sort of set, in this tweet:
In less than an hour, the TwitPic’s comments were swarmed by angry Gaga fans. Remember Lady Gaga’s “Yuyi the Mermaid” character from
“Edge of Glory” her next single? How could Katy copy Gaga, these fans wonder, generally by tweeting the hashtag #KatyCopyGaga (and, not infrequently, referring to Perry as a b?ch). Pastiche is an essential part of pop iconography, and Gaga herself has been accused of much more specific and serious appropriation, but try telling that to her superfans.
Gaga is an expert at directing her fanbase, whether for self-promotion or the “Get Well” video for Clarence Clemons. This independent call to arms (call to paws?) among Little Monsters, ostensibly acting on Gaga’s behalf, is hardly different from, say, hacking Amy Winehouse’s website. Apparently, this is what happens when you (appear to) copy a singer on the Internet.