Lana Del Rey is almost nothing like you’d expect her to be. Let us explain.
In just under six months, Del Rey has gone from being a virtual unknown to landing a highly coveted gig as the musical guest on this weekend’s episode of Saturday Night Live, an opportunity that some artists work their entire careers for and never achieve. The booking of this artist, best known for her uniquely sexy voice and a cinematic style of music she describes as “Summertime sadness,” totally makes sense, though. While it’s true that she hasn’t even released her album yet —Born To Die streets on January 31— Lana has already experienced a career’s worth of buzz (and, subsequently, backlash) in indie blogosphere circles, mostly stemming from questions regarding her quote-unquote “authenticity.” This, in combination with the mysterious persona she projects in her videos and her somewhat defiant performance at the Bowery Ballroom back in December, led us to believe that she might come off as being cryptic and guarded during her interview here at VH1 HQ in New York City yesterday. The Lana Del Rey we met, though, was anything but: During the 45 minutes or so we spent with her, she was happy, effusive, relatable and totally forthcoming about the rocket ride that she’s been on for the last half of the year.
“You wanna hear a little story?” We’ve been talking to Del Rey for a few minutes about her self-made, self-edited, collage-style music videos for “Video Games” and “Blue Jeans”, the treatments of which propelled the indie chanteuse from obscurity into the spotlight, but that were also initially met with puzzlement by clueless suits at record labels (“For a long time, nobody thought that anything fit together. I brought things into different labels and to different people and they all thought it was really f***ing weird. They thought that the videos didn’t have a strong narrative and that they were creepy.”). We raise the issue of Paz De La Huerta, an actress who, depending on your vantage point in life, is either a hot mess or your spirit animal. Footage of a clearly overserved Paz made its way into Del Rey’s cut of “Video Games,” an intriguing creative decision that lends a zeitgeist-y and almost Lynchian-circa-Mulholland Drive feel to the video, underscoring the overlap in the Venn diagram of Hollywood where glamour, darkness and tragedy meet. So, we posed, did Lana ever hear from Paz herself?