What happens in Vegas is supposed to stay in Vegas, but when tempers roar and fists fly, that’s not always the case! Early this morning, a very heated Ray J called in to The Breakfast Club on New York’s Power 105 to vent on a scuffle that occurred last night backstage before a Fabolous concert at Sin City’s Palms Hotel. Because Ray J was emotional and yelling endless expletives about the still-warm incident during his phone call, drawing detailed conclusions on what actually occurred is still bit difficult.
What we can gather, however, is that the For The Love of Ray J and A Family Business star was apparently upset by a series of tweets that poked fun at him performing in Floyd Mayweather’s living room on HBO’s 24/7, sent by constantly-joking Twitter personality and rapper Fabolous on Saturday night. During his uncensored Power 105 interview, Ray J claimed to have confronted the Brooklyn rapper backstage with a punch to the face, and in addition to making other outlandish threats, vowed to repeat the violence if he or his cohorts come across Fab again in the future.
“Don’t start that article with none of that Ice-T disses Rick Ross bullsh*t,” Ice-T tells me, mere moments after dissing Rick Ross.
The scene was the 11th floor of the Paley Center for Media, roughly an hour or so before last night’s world premiere screening of VH1’s latest Rock Doc, Planet Rock: The Story of Hip Hop and the Crack Generation. The green room was filled with some of the larger-than-life personalities that make this powerful movie what it is: Notorious crack kingpin turned socially conscious rapper Azie Faison (pictured above), cultural critic and highly regarded journalist Nelson George, and the O.G. himself, Ice-T (I would be remiss if I didn’t mention that Ice-T’s bombshell wife, Coco, was typing away on her Blackberry while sitting on a couch on the other side of the room). Because Ice was very forthcoming with his thoughts, I’m going to honor his request and put his scathing words for the likes of Rick Ross, Lil Wayne and Kanye West on hold for a bit (but don’t worry, we’ll get to ‘em quick).
Planet Rock is the first documentary film to focus on the undeniable effect that the crack cocaine “epidemic” of the 1980s had on the world of hip-hop, and vice versa. After watching the doc and its strikingly honest interviews with former gangbangers turned music superstars like Snoop Dogg, B-Real of Cypress Hill, and RZA and Raekwon of the Wu-Tang Clan, you really get a vivid picture of not only how these worlds were intertwined from the outset, but also the incredible fallout that resulted when crack was introduced into these neighborhoods (which, some allege, was the direct result of C.I.A. intervention). Even Ice-T, who was out of the game when his single “6 In The Mornin” hit big in 1986, was running with some of the crack game’s biggest players.
“Freeway Rick is my friend, he came to my wedding,” Ice-T tells me when I ask him if he ever crossed paths with Freeway Ricky Ross, who has a starring role in the documentary and was the crack game equivalent of Scarface‘s Tony Montana in mid-eighties era Los Angeles. “I knew all those cats, I grew up with them. People would ask me if Freeway Rick was a drug dealer, and I would tell them that I never saw him deal drugs. How can you say that’s what someone is if you never see it personally?”
Madonna may have dropped a tidbit or two about her own music while in Venice promoting her new film W.E., but ask about the careers of others at your own peril. Belgian reporter Nicolas Crousse learned as much when he tried to draw a parallel between the film and Madonna’s life.
Madonna dismissed the question outright, saying that Wally’s story offered an additional perspective on Wallis Simpson, to complicate what might otherwise be seen as black and white (“tout blanc ou tout noir”). “As for Lady Gaga,” she continued, “I have no comment to make about her obsessions having to do with me because I don’t know whether her behavior is rooted in something deep and meaningful, or superficial,” (per E! Online‘s English translation of her remarks). Madonna’s answer was an expert dodge of both a tangential topic and a potential PR fumble regarding any Gaga news of which she might not be aware. Nevertheless, Gaga can’t be pleased with the nature of the response. Read more…
Tyler the Creator reupped his distaste for Bruno Mars on the Black Carpet at the 2011 VMAs last night. Prompted by Jim Cantiello‘s observation that Tyler was last, behind even Bruno Mars, in VMA Twitter mentions, Tyler remarked, “I’m a f? I’m a failure,” adding, with a bit of hyperbole, “I’m gonna kill myself,” which was also his threat should “Grenade” win Video Of The Year (it didn’t). Why the continuing feud? “I really hate his music.”
He was forced to backpedal later in the show, after seeing Bruno Mars’s bravura performance in the tribute to Amy Winehouse. He tweeted, “F?k I hate Bruno, but that was really good.” Maybe this Odd Belieber will be won over yet. Read more…
The Video Music Awards are a celebration of the best music video work that musicians and technical personnel have to offer. They’re also a live event attended by more than a few outsized personalities, all interacting with each other in close proximity. Part of what makes the event so exciting to us is the tension that proximity creates. Sometimes, though, it boils over past professional rivalry into personal beef.
With that in mind, here is a look back at the ten most memorable VMA fights. Will anyone get into it this year? (Pitbull and Lindsay Lohan?) We’ll be tuning in to MTV on Sunday at 9 p.m. to find out.
Normally, defense lawyers tell their clients to keep their lips publicly zipped when it comes to matters like this, but the always dapper club sensation took to his website, PlanetPit.com, to tell his side of the story. He admits that when he first heard news of the lawsuit, he thought “it was very ironic,” but once he understood the severity of the allegations, he changed his tune. Pitbull claims the whole thing is just a misunderstanding over misheard and misinterpreted lyrics. “I didn’t look to defame, hurt or degrade someone else’s career,” he tells an off-camera honey. Rather, he explains that he was just attempting to keep her “relevant” and, furthermore, it’s considered a compliment to be “locked down” where he comes from. We’re not sure where you stand on this, but after watching Pitbull’s faux deposition, we’re officially on Team Pit on this one.
LIL WAYNE SPRINGS A LEAK, THREATENS TO KIDNAP BEYONCÉ
Where’s the beef? On Lil Wayne’s just-leaked Tha Carter IV, that’s where! According to Blackbook, Weezy’s new track “It’s Good” features this bar directed towards Jay-Z: “Talkin? ?bout baby money, I got your baby money/Kidnap your b****, Get that ?how much you love your lady?” This is apparently in retaliation to a verse that Jay sung on “H.A.M.” that dissed Young Money. First Game disses Jay, now Wayne? Sh*t’s about to get real, son! [Blackbook]
JOSEPH GORDON-LEVITT PAYS HOMAGE TO KURT COBAIN
The 20th anniversary of Nevermind is just around the corner, so Nirvana-mania is clearly in bloom (drum roll). At a concert in Seattle last night, the Inception star played a cover of “Lithium,” which he punctuated with this off-the-cuff dedication: “You know it seems like everytime people bring up Nirvana, people wanna talk about how Kurt Cobain killed himself. But I gotta say, it doesn’t matter to me. It doesn’t matter that he’s dead, it doesn’t matter how he died, his songs are f***ing awesome, that’s what matters.” [Everybody Loves Our Town]
During a recent interview, writer Heath Daniels asked Grammy-nominated veteran songwriter Linda Perry what she thought about changes in the music industry over the last twenty years. The 4 Non Blondes frontwoman and writer/producer for big-name artists like Christina Aguilera and Alicia Keys had some biting words for pop star Katy Perry. “Who wants a f*cking Katy Perry record?” asked Linda, doubtful that fans of the other Perry actually purchase her full-length albums when they can just consume her singles piecemeal.
“Not saying that Katy is bad; she’s great for what she does, but she’s not reinventing the wheel, she’s not giving substance, she’s just giving microwave popcorn for you to feast on right at this moment.”
These comments could not have been made at a more interesting time. Earlier this week, Katy Perry tied Michael Jackson’s billboard chart record for having five #1?singles from one album. Katy Perry is only two (mainstream) albums into her career, and she’s certainly churning out fun-loving hit singles like wildfire.?But does her music have a shot at holding up like The King of Pop’s, whose albums, as full bodies of work, are often considered classics? Linda Perry thinks not. While she did concede that it’s fine Katy’s “not looking to change the world musically,” the interview concluded with her saying that music focused on the quick buck is?”part of the reason why the music business is in turmoil.” Touch?.
Sadly, though, it seems that Tony Iommi was misquoted by an overzealous journalist. He corrected the misreported information in a statement posted on his official website, Iommi.com:
“I’m saddened that a Birmingham journalist whom I trusted has chosen this point in time to take a conversation we had back in June and make it sound like we spoke yesterday about a Black Sabbath reunion. At the time I was supporting the Home of Metal exhibition and was merely speculating, shooting the breeze, on something all of us get asked constantly, ‘Are you getting back together?’ he said. Thanks to the Internet, it’s gone round the world as some sort of ‘official’ statement on my part, absolute nonsense. To my old pals, Ozzy, Geezer and Bill, sorry about this, I should have known better.”
Bats of the world, you’re safe for now. We repeat, for now…
On Monday night, Tyler, the Creator of Odd Future took a break from live-tweeting his attempts “to take a photo of [his] fart” to lash out at cook and poker enthusiastSteve Albini. The rapper was defending himself against Albini’s claims that, on a shuttle bus leaving the Primavera Sound Festival in Barcelona in May, Odd Future used the word “n—a” frequently, cursed the bus driver, and bragged about how much they’d been paid at the festival.