The highly anticipated posthumous album Amy Winehouse Lioness: Hidden Treasures was officially released today amidst mixed reviews and high emotion. Amy‘s father, Mitch Winehouse, has expressed how emotional the process of producing the album has been, saying, “The estate, which I’m a part of – my ex-wife and I – we could decide to put it out or not put it out, and when we went to listen to the album it was a very difficult time for us. It was very emotional.” It seemed, on all accounts, that the sheer poignancy of Amy’s death would be enough to carry the album, and to have it connect with her legions of fans and admirers. However, the album, now released, has been met with mixed reviews.
The Seattle Post Intelligencer calls Lioness: Hidden Treasures “sublime,” “nostalgic, wine-soaked heaven.” The Guardian, however, was not so forgiving, acknowledging that the album is revealing of Amy’s struggles, but that it is subpar considering the strength of Frank and Back To Black. Cynically, the Guardian review surmises, “Presumably it was felt that was what was wanted by the audience Lioness: Hidden Treasures is expected to attract: not the kind of diehard fans who normally flock to posthumous collections of out-takes and demos, but mainstream record buyers, Radio 2 listeners, the Christmas market. Which, of course, tells you something else about Amy Winehouse,” positioning the album essentially as a cash grab by Amy’s estate.





















