We’re going to announce this summer’s winner here on the VH1 Blog on Tuesday, but before we do that, we’d love to find out what YOU, the VH1 audience, felt was this year’s Song Of The Summer. What song did you jam the most on the beach? Which track was blasting when you put your ragtop down so your hair can blow? What jam got you and your friends pumped up for a night out on the town? Vote as many times as you like in our poll below. (Oh, and congrats to You Oughta Know artist Foster The People for being only the third song all summer long to hold the top spot in our countdown with their zeitgeisty smash, “Pumped Up Kicks”!)
At this time last year, hopes for Maroon 5‘s third studio album, Hands All Over, were high. The lead single, “Misery,” had hit #1 on Billboard‘s Adult Pop chart, and since the band had convinced famed superproducer Robert “Mutt” Lange to come out of semi-retirement to produce their album, everyone looked for the band to take the leap from a well-liked, fairly popular M.O.R. band to the next level and a spot among the world’s most commercially successful bands. However, once the album finally hit streets in October 2010, the masses shrugged their shoulders and largely ignored the album. The record was certified gold by the RIAA for shipping over 500,000 copies, but worldwide sales stalled out at just 529,000 total units.
Perceived failures like this have sunk many a band in the past, but thanks to charismatic frontman Adam Levine and ten weeks of national TV exposure courtesy of NBC/Universal’s The Voice (corporate synergy at its finest!), the band has totally reversed their fortunes in less than a year. Their new track, “Moves Like Jagger,” hit #1 on the iTunes chart this week, and Levine’s featured hook on Gym Class Heroes‘ “Stereo Hearts” propelled the song to a Top 20 finish in this week’s Song Of The Summer countdown. No wonder artists like Mariah Carey (The X-Factor), Sara Bareilles (The Sing Off) and more are looking to land prime positions as judges on televised singing competition shows; it’s exactly the kind of exposure to Middle America that the flagging music business is no longer in a position to give these artists using “traditional” music channels. As Maroon 5 has proved, it’s great work if you can get it!
As for the rest of our Song Of The Summer chart —only two more weeks until we crown a champion!— kudos to Katy Perry for her ninth consecutive week in the #1 spot.
Electro-sleaze goofballs LMFAO are, at this moment, the only thing standing between Katy Perry and the history books. As we told you last week, their smash single “Party Rock Anthem” is blocking “Last Friday Night (T.G.I.F.)” from ascending to the top of the Billboard 100 chart (which would be Perry’s fifth Number One off her Teenage Dream LP). LMFAO is also currently besting Perry on the YouTube and iTunes charts, while Katy is maintaining dominance on Last.fm as well as airplay on our station. And our friends over at New York Magazine‘s Vulture just named “Party Rock Anthem”—a song they described as “a contrived, effective bit of nonsense about how ‘everybody?s gonna have a good time’”—as their current Song of the Summer.
Despite this onslaught from the progeny of Motown records founder Berry Gordy, our highly scientific formula still shows Perry atop our charts for the seventh consecutive week. While it will be incredibly difficult to topple her, it’s good to see Foster The People making a run at the Top Five. After a standout performance at Lollapalooza this weekend, their outstanding single “Pumped Up Kicks” is quickly climbing the charts; if the word “alternative” still carried any weight as a genre, there’s little doubt that Mark Foster could lay claim to the “alternative” Song of the Summer crown.
The dog days of summer are upon us, people. It’s August, it’s hot outside, and the news cycle is starting to slow to a crawl. The general sluggishness of the season is even affecting the music industry, as music fans don’t seem to be gravitating towards any new material. Instead, they seem to be content to play the same songs that they’ve had on repeat all summer long.
Case in point: Katy Perry‘s “Last Friday Night (T.G.I.F),” which has exhibited a stranglehold on the top of our Song of the Summer Countdown for six consecutive weeks. Her song looks to have a lock on the prize at this point, but then again, maybe The Throne (aka Jay-Z and Kanye West) can mount a last-minute challenge when their highly anticipated collaboration Watch The Throne drops next week? Stay tuned!
When Michael Jackson tragically and unexpectedly passed away two summers ago after an overdose of Propofol (which may or may not have been administered by Dr. Conrad Murray), the primary coping mechanism that people utilized while dealing with their grief was rekindling their love of his extensive musical legacy. People who hadn’t visited record stores in years flocked to purchase his back catalog, radio stations worldwide spun his songs for months on end and, as a result, Michael Jackson became a bigger star in death than he had been during the last 15 years of his life.
Well, in terms of her cultural relevance, it’s safe to say that Amy Winehouse was no Michael Jackson. However, her untimely (if somewhat expected) death this weekend at the age of 27 has done a lot to rekindle people’s interest in her musical output, which consists of two studio albums (2003′s Frank and 2006′s Back To Black) and a handful of B-sides. Not surprisingly, she currently occupies three of the top six spots on the iTunes album charts (see below), and “Rehab” —sadly, the song that will now forever define her career— has sold enough and been spun enough in the past three days to land it at #15 on this week’s Song Of The Summer Countdown.
As for the rest of the chart, there’s not much to say this week. The top seven spots in this week’s countdown are identical to the top seven songs from last week’s countdown; Katy Perry is still holding court at the top of the charts, and Adele is still nipping at her heels, closely trailed by Pitbull, LMFAO and Lady Gaga.
At the moment, everyone who isn’t named either Adele or Katy Perry is currently playing for third place, but that’s a tight race, too. Pitbull and LMFAO each continue to hold strong with their club-friendly megahits, while Lady Gaga‘s “The Edge Of Glory” makes its highest appearance on the charts so far this summer, despite its video being widely panned as being too underwhelming and not up to snuff with the rest of Gaga’s video canon. It’s also worth noting that OneRepublic‘s “Good Life” would also find itself in the running for the top prize, if not for a total lack of traction on YouTube and LastFM.
One last note: Rebecca Black‘s follow-up to “Friday”—a song which might just be the most popular (and hated) song of 2011 so far—is scheduled to be released at 8 p.m. this evening. We should know in less than 24 hours time whether this song has got what it takes to make a late summer run at #1.
You know the moment when, near the end of horror movies, the seemingly-dead killer pops back to life, only to be shot/stabbed/poked-in-the-eye-with-a-wire-clothes-hanger by the protagonist? Well, if the Song of the Summer Countdown were a horror movie –this analogy is admittedly a stretch, but just follow us here for a sec– and Katy Perry were the doe-eyed Final Girl, then Adele would have to be the villain of our race.
Last week, after being unseated the week prior by “Last Friday Night (T.G.I.F.),”“Rolling In The Deep” came back from the grave to make one final (?) run at the #1 position. However, on this week’s just-updated Song of the Summer countdown, Katy Perry once again asserted her dominance as the Queen of the Summer Songs to claim the top spot back from the British songbird. However, the race is nowhere near over yet.
Pitbull and Ne-Yo’s ode to joys of pre-apocalyptic nookie, “Give Me Everything,” continues to climb its way up the charts; its third-place position this week marks the song’s best performance on the charts to date. LMFAO‘s “Party Rock Anthem” is currently sitting atop the Billboard and iTunes charts, and OneRepublic‘s “Good Life” burst into the Top 10 in its first week on this chart, no doubt propelled by Ryan Tedder’s recent appearances on NBC/Universal linear properties, The Voice, Platinum Hit and the Today Show (corporate synergy at its finest!). It’s entirely possible that the zeitgeist could blow in the direction of any of these songs and put some serious wind behind their sails (and sales), but at this point, it sure seems like Katy is once again the girl to beat!
When Monica and Rick Ross talked to MTV a year ago about collaborating, their mutual admiration society vibe didn’t exactly lend credence to the possibility. Yet here we are! Missy Elliott, reinvigorated after being away from the game to attend to her health issues, flips another Notorious B.I.G. track, and once again, Lil’ Kim is also on board. (In 2007, it was a “Juicy” sample for Keyshia Cole‘s “Let It Go”; this time around Missy reworks “Who Shot Ya.”)
In other chart insights, the summer of Pitbull continues to roll along nicely. “Give Me Everything,” which features Ne-Yo, Afrojack and Nayer, just hit #1 on the Billboard Hot 100, which factors both sales and radio airplay in its formula. The song seems unescapable at the moment; Pitbull and Ne-Yo performed it both on the Today Show and The Voice last week alone, continuing to give it some much needed momentum as we begin to approach the dog days. But as huge as this song is in its current incarnation, we can’t help but wonder how big it would’ve gotten if Shakira had sang the hook (as she was originally supposed to)?
One other interesting factoid for you S.O.T.S. watchers out there. If you check out the Top 100 songs on Metrolyrics, a site that is solely dedicated to helping readers find out what some of their favorite vocalists are actually singing, their current number one is “Super Bass” by Nicki Minaj (which seems to be making a nice run of its own right now). If we were to take a guess as to why this song is popping over the rest, we would have to say that the speed at which Nicki raps probably confuses a lot of her listeners, so getting a helping hand with the lyrics really comes in handy when, like Taylor Swift and Selena Gomez, someone asks you to start spontaneously rapping!