The 2011 VH1 Do Something! Awards air this Thursday, August 18 at 9 p.m. ET. We’ve already shown you what everyone was wearing on the blue carpet tonight, but we have yet to pass along any of our sartorial assessments of who wore what. So, if your name is Tyra Banks, Adam Lambert, Zach Levi, Demi Lovato, Victoria Justice, Kim Kardashian, Amy Poehler, Charity Shea, Dax Shephard or Olivia Wilde, take a deep breath: You’re either on our Best or Worst Dressed list for this year’s Do Something! Awards. With that in mind, we’d like to pass along our fond “Congratulations! or sincere “Better luck next time!” to all of our finalists.
Dozens of celebrities, including Justin Bieber, Kim Kardashian, Victoria Justice and Adam Lambert, gathered in Los Angeles on Sunday night for the annual Do Something! Awards, an event in which they were able to honor their peers and some of the most devoted young people in the country committed to social change.
The award show, hosted by Jane Lynch and featuring musical performances from Demi Lovato, Foster The People and OneRepublic featuring B.o.B, is taping tonight at the Hollywood Palladium, but will air on VH1 this Thursday, August 18 at 9 p.m. ET/PT. However, you don’t have to wait that long to catch a glimpse of all the celebs in attendance who walked the blue carpet tonight —and a few shots of rehearsals, too!— in our gallery below.
With specials focused on the lives and careers of music industry powerhouses like Adam Lambert, Missy Elliott, Mary J. Blige, it’s been quite an outstanding season of Behind The Music thus far. That hot streak continues this weekend with the premiere of Behind The Music: Ricky Martin (which, sadly, is the last episode of this season).
In this special sneak preview from the show that debuts this Sunday, August 14, at 10 p.m. ET/PT, international superstar Ricky Martin finally seems to be at peace. After having to deal with gossipmongers trying to reveal secrets about his sexuality ever since he rose to fame as a member of Menudo, he’s now living his life openly and honestly. He’s been in a steady relationship with Puerto Rican financier Carlos Gonzalez, which has helped give him the strength to lead the fight for equality on both the sexual and cultural fronts. “Who wants to feel like a second class citizen?”, he explains. “That’s why I say about equality, ‘I don’t want more rights than you. I want the same. That’s all.'”
Never let it be said that Simon Cowell doesn’t have canny timing. It’s been nearly a month since the first television promo for Fox’s The X Factor premiered during the MLB All-Star Game, but over a month until the show itself premieres on September 21. With auditions taped but under wraps, the show is out of the news. So what better timing for Cowell to come forward with his version of the judges’ table drama that led to the replacement of Cheryl Cole with Nicole Scherzinger? His is certainly a story we want to hear.
The one thing about which Cowell isn’t entirely forthcoming is the exact reason why Cole was let go from the American version of the UK singing competition. (To be fair, this may be for legal reasons.) He merely explains, “After two cities [of US X Factor auditions], I offered her the job back in the UK, [as a replacement for the Fox gig,] which initially she accepted. And then unfortunately when it went public the negotiations fell apart.” Cowell’s stated rationale?that she’d be “more comfortable doing the UK show than the American show,” does little to contradict rumors that Cole’s Geordie accent had tested poorly with American audiences. (So much for airing Geordie Shore in the United States, MTV UK.)
As for the delay in announcing Scherzinger (who Cowell says has been a “revelation”) as a replacement? Cowell claims that when an agreement about the UK X Factor could not be reached, he generously gave Cole the “chance to come back to America,” which she declined (possibly because she’d be getting paid anyway). “I am sorry for the way it worked out as we were incredibly close,” Cowell said. “She is still grumpy with me.” We’re not too worried on Cowell’s behalf; we suspect he’s had lots of experience dealing with people who are “grumpy” with him.
The latest episode of Behind The Music will focus on the life and times of the one, the only Adam Lambert. Last week, we shared with you a clip from the show where Adam discussed his American Idol experience, particularly as it related to his struggle to keep his sexual orientation under wraps (as directed by Idol‘s producers).
And with the debut of Behind The Music: Adam Lambert now just three days away—it premieres this Sunday, August 7, at 10 p.m. ET/PT—we’ve got another sneak to share with you. In the video above, Adam discusses the early stages of when he “realized that I was probably not the same as the other boys.? This was around the time that he was 12, and he confesses that “to me, it was a deep secret … I didn?t know how my parents would react, and I didn?t know what that would be like, and I think, at at that age, it was something that I was ashamed of because it was so different.” For Glamberts the world over, this is a special not-to-be missed.
I never really had much patience for the tired gripe that “MTV doesn’t play videos anymore.” After all, the complaint was already a chestnut before I started watching MTV, and yet in my early years of exposure to the channel, I scarcely had trouble finding videos. My family lived in a condo complex in Stratford, CT that, until 1996, had the most basic cable service possible, which somehow meant no MTV. So a decade and a half after the channel’s debut, I was experiencing the channel the way that those nearly a generation before me had: curiously and furiously seeking out the channel at my friends’ houses. I remember racing home after school the day that our condo’s cable package was going to be expanded to include MTV, and watching hours of videos after school, starting with “Bulls on Parade” by Rage Against the Machine.
Sure, there was plenty of MTV original programming, as there always had been. Some of it was reality television and some was not. Some of it was great and some of it was not. But I quickly adapted to the schedule of the network, and could find what felt like twelve hours’ worth of videos on some weekend days. This was the beginning of a second golden age for music videos; Hype Williams gave jiggy rap its signature proto-Michael Bay sheen. Big-budget action sagas like Mariah Carey‘s “Honey” coexisted with Michel Gondry art-dreams like “Everlong.” And this was without even delving into 120 Minutes. All of this was pop, and it all coexisted. Jess Harvell analyzes this, in so many words, in a piece on Beavis and Butthead for Sound of the City (which, incidentally, is the only venue not in-house that’s actually given MTV’s entire history a fair shake for this anniversary).
As we near the end of our celebration of MTV’s 30 birthday, we figured it would be apropos to look back at thirty of the moments that defined the channel. Now, we easily could’ve listed 30,000 reasons why we love our MTV, but we’ll just have to wait until MTV’s 30,000th birthday to publish that list. For now, enjoy this cornucopia of memorable reality shows, groundbreaking music videos, hilarious interviews, jaw-dropping moments of violence, and celebrity beef.
30) Kurt Loder Prevents A Full-On Brawl Between Madonna and Courtney Love
The scene: The 1995 Video Music Awards. During a post-show interview with the unflappable Kurt Loder, Madonna gets pelted with a compact thrown by the Queen of Grunge, Courtney Love. (Heroin-fueled) hilarity and awkwardness ensues.
29) “Paint The Mutha Pink”
This memorable promo for a 1984 MTV contest was pegged to the release of John Cougar Mellencamp’s album, Uh Huh, which featured the eighties heartland anthem “Pink Houses.” The grand prize winner received a house in Bloomington, Indiana (Mellencamp’s hometown), which came with a special paint job: Pink.
28) Totally Pauly
Hey buhhh-deeee, don’t go weezin’ all the juice! After landing a gig as a VJ in 1989, Pauly Shore went from being an unknown stand-up to a major motion picture star inside of two years.
With MTV officially celebrating its 30th birthday today, music nostalgia is in the air. But for each music fan, the initial introduction to MTV’s music programming was unique and personal, and likely rouses up flashbulb memories to this very day. Speaking only for myself, that initiation process started with YO! MTV Raps.
After being on the air for almost seven years, MTV first aired YO! in April of 1988. While other television outlets like BET were showcasing African-American culture at the time, MTV, quite frankly, wasn’t really in the business of having black artists’ videos on the channel. And hip hop, specifically, was certainly not yet used as a vehicle of pop culture; if it wasn’t an indisputable, mainstream force like Michael Jackson, you probably wouldn’t see African-American artists on-air besides an occasional crossover video from Run DMC and Jazzy Jeff. Unless you witnessed hip hop music and culture bubbling within New York City’s five boroughs or other domestic regional pockets first hand (or watched Video Music Box), the genre probably hadn’t really made its way into your world yet.
From it’s inception, YO! MTV Raps curated an balance of hip hop via in-the-moment self-exploration. Since hosts Fab 5 Freddy, Doctor Dr? and Ed Lover didn’t have quite enough content to populate the show’s segments at first, videos from other genres like reggae, funk, R&B and soul were peppered-in to help hip hop’s still-developing definition expand its scope. From that fundamental, harmonious and educational coexistence came more of the same, and soon light-hearted videos like Digital Underground’s “Doowutchalike” and “Humpty Dance” were seamlessly airing beside Public Enemy’s political anthem “Fight The Power” and sonically dynamic “Passin’ Me By” from The Pharcyde, and the South’s sexually-charged posse 2 Live Crew were showcased just as much as funky artists from Queens like A Tribe Called Quest. Additionally, lyrically savvy Juice Crew member Big Daddy Kane would spin alongside the West Coast’s gangster juggernaut N.W.A., and strong female voices like Queen Latifah, MC Lyte and Roxanne Shant?: all women who didn’t need to sell sex to survive.
When Nirvana first appeared on MTV’s Headbanger’s Ball in the fall of 1991, they weren’t yet the cultural phenomenon they would become just a few months later. At the time, the word “grunge” had not yet percolated in the mainstream, and Kurt Cobain and Krist Novoselic were just two-thirds a well-regarded (if little known) band from Seattle, not international superstars nor rock icons. So, it’s little surprise that Headbanger’s Ball host Riki Rachtman –whose allegiances to the LA hair metal scene made him “the enemy” for these Seattle upstarts– treated them as curios rather than the megastars they would eventually become. And who can blame him, really, with Kurt Cobain all but refusing to engage in conversation and dressed in a ridiculous yellow ball gown?
You can catch highlights from the early days of MTV during this, the 30th anniversary of the channel?s launch, all weekend long on VH1 Classic.
When television viewers changed their dials to MTV in the eighties and nineties, the omnipresence of music videos and wildly eclectic original shows weren’t the only way that the network differentiated itself from the competition. During the era on the network that predated its current reality-show-centric slate, the network had a proclivity for interstitial experimentation. Not quite “programming” (at least, in the “traditional” sense of the word) and not quite commercials, MTV often aired short burst entertainment in the form of animated films (think Bill Plympton), proto-animated GIFs (all of those bizarre MTV logo treatments) and outlets for outrageous original characters, like Denis Leary and Jimmy The Cab Driver.
Long before Jimmy Fallon and Rachel Dratch debuted their Boston Teens characters on SNL, actor Donal Logue brought his comically exaggerated Southie accent and unique perspectives on the music video medium to MTV’s airwaves. There were over 40 of these spots produced, most of which can be found in this Jimmy The Cab Driver playlist. However, the one we picked out show’s Jimmy parodying Alanis Morisette‘s iconic video for “Ironic” (which, we should note, won the VMA in 1996 for Best Female Video), mainly because the image of Jimmy in pigtails is now permanently stuck in our brain, and we feel it’s only fair if we stick it in yours, too.
You can catch highlights from the early days of MTV during this, the 30th anniversary of the channel’s launch, all weekend long on VH1 Classic.