We were lucky enough to spend an hour or so with Adam Lambert earlier this week when he swung by our New York City headquarters. We talked to him about a variety of topics, including his new video for “Better Than I Know Myself” and some of the thematic differences you’ll notice between For Your Entertainment and Trespassing, but we also got his thoughts on some recent goings-on in the pop culture world. We’ll be sharing the full interview with you over the coming weeks, but we wanted to get this clip out to the Glambert Nation as soon as it was humanly possible.
Since Adam is no stranger to controversial live television performances (*cough* the 2009 AMAs!!! *cough*), we thought we’d get his opinion on Nicki Minaj’s “Exorcism Of Roman” number from at the Grammys this past weekend. “It was a really intense idea,” he told us. “I was just trying to follow what the narrative was, I was a little lost. But it was interesting and she went for it.”
Lambert continued, “Being an artist, it doesn’t always work, whatever it is that you’re doing. But there’s something to be said about going for it. She has a point of view, and she’s bold, and she wanted to tell a story. I just wasn’t sure the story, but it looked rad.”
We’ll have more from our interview with Adam Lambert for you next week! (PS, only 32 more days until Trespassing comes out!)
Nicki Minaj‘s Grammys performance, entitled “The Exorcism Of Roman” was a treat for the senses — from a sumptuous set, decadent choreography, a vivid, if not chaotic plot, and Nicki actually singing (a singer singing, can you imagine!), the whole shebang was nothing less than a show stopper. The performance began with Nicki in a confessional booth, the priest she walked the red carpet with listening to her candid rap from his side of the booth, both of them appearing to lose more and more of their minds as Nicki writhed manically and pulled several of her patented insane faces. The back story, from what a pre-recorded clip then told us, appeared to be that Nicki was possessed by the spirit of her alter ego, Roman Zolanski, and a priest was sent to exorcise her.
Once the video cut back to the stage, Nicki appeared shackled at the top of a pyre in some sort of cathedral that toed a line between Catholic and cult that might have been somewhat uncomfortable for any zealots watching (although we’re pretty sure the Grammys is mostly for heathens anyway). In this Roman Catholic Church meets Illuminati-esque environment, the story hit a glitch and became somewhat stunted in development — basically, Nicki was at war with Roman, and her internal monologue, the song, flipped between the two personas in an insane battle for the body. While a tormented Nicki staggered around the stage, weird contortionists and occultist dancers put on a pretty impressive show of physical agility in the Laurieann Gibson choreographed extravaganza (that’s probably why you have a lingering taste of Gaga).