Attention BeyHive! Here’s your chance to see Queen Bey live!
It’s so much more than a weirdly tropical Hump Day here in New York City. The funny minds over at Saturday Night Live are letting you–yes, you–make a case for the musical guest you think deserves a shot on the late-night program. No promise on whether they’ll listen, but #SNLMusic Suggestion Day, as you’ve always dreamed, is finally here.
— Saturday Night Live (@nbcsnl) January 30, 2013
20 years! Boy bands never really left though, so cue the legion of BSB diehards tweeting until their fingers turn blue:
While they present very logical arguments–and we fully support celebrating any anniversary with china–we have a few ideas of our own. Read more…
Two days into Season 12 of American Idol and we are sincerely feeling for the entire crew. Mariah Carey and Nicki Minaj didn’t waste any time trading not-so-discreet digs on Wednesday night’s premiere, and episode two saw Nicki take issue with the entire program as a whole (no discrimination, for better or for worse). Live-tweeting the second night of auditions, as stars are wont to do these days, Nicki hit Twitter with a message of disapproval, directed at the show: “Is Idol really gonna play themselves and show that sh-t? Smdh. Wow.”
We can’t be too surprised by this reaction, mostly because we’ve had plenty of warning that this day would come. Nicki’s live-tweeting did provide a shout-out to Lazaro Arbos–the Cuban-born contestant who struggled with a stuttering problem but delivered an amazing rendition of “Bridge Over Troubled Water”–and sought to promote any positive mentions of her judging style from the loyal Barbz who fill her timeline. Thursday night’s episode did, however, see Nicki “jokingly” argue with a female contestant she wasn’t impressed by over their similar purple eye shadow, as well as wave a hand Mariah’s way when she attempted to counter with her positive comments. Consider it a lite version of the time she threaten to knock Mimi out.
Nicki is somewhere giving the National Academy of Recording Arts and Sciences a major side-eye like the one in the above photo. A day after Justin Bieber‘s manager, Scooter Braun, used his Twitter page to rant about Bieber deserving a Grammy nomination, Manaj’s manager, Cortez Bryant, caught on to the trend. And Bryant isn’t happy with his artist’s non-inclusion. It was all positive at first. “Congrats to @LilTunechi and @Drake and @Hit_Boy on their Grammy Noms butttt……” With that many t’s in ‘but’ the next tweet was bound to go awry. “They was on some bullsh*t for not nominating @NICKIMINAJ.” Oh, really? Read more…
It has to be written: Chris Brown and Rihanna are the new age Bobby Brown and Whitney Houston. The main ingredients of their similarities are rebellion and
dysfunctional addictive love. Rihanna’s Oprah interview opened the floodgates for the pair’s openness about their friendship/not-so-secret-relationship that would soon follow. Whatever their relationship status is, “ain’t nobody’s business” (except the whole Internet). They’re now comfortable letting the world publicly see their love for one another through tabloids, Twitter and Instagram, and you will deal. By the way, Chris is back on Twitter, as we predicted he would be. It took all of a week. Read more…
Courtney Love hasn’t said one way or another if she liked Lana Del Rey‘s Nirvana cover. But she’s insistent that one thing be clear before Del Rey goes on with the cover: that the song was originally written about Love’s very own, so-called heart shaped box. Kurt Cobain‘s once wife Tweeted — Twitter being her chosen vehicle for all thoughts unhinged and some things so true — and then deleted two messages @-ed to the attention of Del Rey that said: “you do know the song is about my Vagina right? “ and “so umm next time you sing it, think about my vagina will you? lol xc.” Well then! Cobain’s lyrics are charged with meaning and myth, and thankfully we have Love to defend what truths may be among them.
Two Door Cinema Club have the internet buzzing this afternoon. The Irish trio debuted “Sleep Alone,” the first single from their forthcoming sophomore album Beacon, and now both “Sleep Alone” and “Two Door Cinema Club” are trending on Twitter as evidence of a world as excited about these You Oughta Know alums as we are! Back again are the jangly guitars and danceable beats that remind us almost of New Wave, if only Ian Curtis could have had access to a MacBook, and we are so glad. Have a listen below, or download it for free off of their website.
VH1 News caught up with the guys last month in L.A., where they were still hard at work on their new album — and on a new diet. “We spend the first hour or so just drinking coffee and watching YouTube or something, and then we’ll just take it as it comes and work until 11 in the evening and then go home and do it all over again,” they said of their process. And in the off hours that they weren’t in the studio? They were out enjoying Southern California’s hills, sunshine and preferred roughage. “The most L.A. thing we’ve been doing is just eating really healthily,” guitarist Sam Halliday admitted. “I’d never heard of kale before.”
We’ve heard plenty from Lily Allen since she releasedIt’s Not Me, It’s You in 2009, but not very much of it was music-related, because that, the big mouth songstress said, she was done with. Except apparently she’s not.
Last night Allen announced on Twitter that she is back in the studio, thus ending her self-imposed hiatus. “you will be pleased to know that i am currently in the f****** studio with [It's Not Me, It's You producer] @GregKurstin so SHUT UP PETER!” she wrote, countering a from the site PopJustice about her paused career and breaking the news in one tweet. “No big deal really,” she clarified. ”im just throwing shit at the wall and seeing if anything sticks.” But for eager fans, any news of new music is good news enough.
Allen has kept plenty busy in her break from music: she launched a clothing rental store with her sister; started her own record label, a Sony imprint called In the Name Of (Brooklyn’s Cults were her first signee); and, after suffering through several very public miscarriages, she gave birth to her first child, Ethel Mary.
Quitting Twitter only to return days later is the new publicity stunt for celebrities —no matter how big or small— looking to make blog headlines. Harlem-bred Azealia Banks is easily one of our favorite upcoming artists of any genre. Her dance sound, reminiscent of garage music, is refreshing, yet her raw lyrics are the epitome of “real” hip-hop. The fast eccentric flow on “212″ is unlike anything any other artist — male OR female — is currently doing in hip-hop. As odd as the sound seemed upon first listen, we have been hypnotized by the 21-year-old woman that rapped, “What you gone do when I appear? When I premiere?” Apparently we weren’t the only ones intrigued by what she had to offer. To date, over 19 million people on YouTube have watched the “212″ video, and that’s with her still being a somewhat underground artist.
Buzz has continued to grow around Banks’ music career, as many are hoping that she will eventually become the female rapper to give Nicki Minaj a healthy dose of competition. However, just as the excitement about her music began to burgeon, so has the controversy. Since Banks is not quite mainstream, there are few interviews or TV appearances that fans can turn to for perspective on her personality or who she is as an artist. Therefore, Twitter became the platform where she seemed the most comfortable expressing herself. Fans connected with her there, and onlookers were able to gauge the burning question, “Who is Azealia Banks?” Although her tweets would never be able to define all of who she is, it did reveal some disturbing traits that would turn out to become consistent patterns. Read more…