Bob Dylan is an artist who does things on his own schedule. Forty-eight years after “Like A Rolling Stone” was released in the summer of 1965, Dylan released a new interactive video for the classic track. The video features an expertly produced lip dub of 16 television channels with talent mouthing along to Dylan’s words.
Rock clubs are frequently noisy, smelly, dark and cramped…and we wouldn’t have it any other way! Music history is born out of these crowded and smokey venues, where tomorrow’s megastars are today’s opening act, struggling to be heard over a drunk dude’s repeated request for “Free Bird.” The recent film CBGB paid tribute to the eponymous NYC rock spot, which gave us dozens of timeless bands before closing in 2006. This got us thinking of some other incredible joints that have earned their spot in rock mythology. Read on to see our picks for the 10 most legendary rock clubs of all time!
Happy Thanksgiving! While you’re savoring the day with friends and family and a big ole’ feast, we’re celebrating with a crew of our favorite artists at the table this year. Here’s what everyone’s bringing:
While that’s getting prepped, Snoop will set up the beverage station — “Gin and Juice,” anyone?
Rick Ross, the real star of this meal, will handle the hors devours: “More better, more cheddar” (“Here I Am”); ”Air train and peanuts, it’s time to slide” (Yung Joc‘s “Brand New”); “Order crab legs with the heavy butter” (“New Bugatti”); some lobster bisque (“I Love My Bitches”); and let’s get an order of those lemon-pepper Wingstop chicken wings, because why not.
For years now, the fine folks at Daytrotter have been doing a great thing where they open their studio doors to bands, big or breaking, for an extra-stripped down set. Over the years, they’ve featured offbeat and intimate sessions with everyone from Bon Iver to the Avett Brothers, Kid Sister to Dawes (three times over). This week, Mumford & Sons get the Daytrotter treatment. Recorded on their tour bus during a stop-over in Illinois, the eight-song session counts Babel closer “Not With Haste” and a slew of covers, two of which are particularly noteworthy: Bruce Springsteen‘s “Atlantic City” and Bob Dylan‘s “Nine Hundred Miles.”
Dylan and Springsteen are giants in the American music landscape, but British Marcus makes for a worthy Dylan and their signature banjo makes for a dark and stormy “Atlantic City.” And we probably should have expected as much, they being the gang of Brits who sparked an Americana revival. Their first new album Babel had a killer first week out, they deserve this flexing victory lap.
Head over to Daytrotter and have a listen for yourself. What songs would you like to hear them cover?
Mumford & Sons and Friends [Daytrotter]
A famous scene from D.A. Pennebaker’s landmark 1967 documentary Don’t Look Back shows Bob Dylan tangling with the press as they try draw serious answers from him. “Would you say you care about people particularly?” one woman asks, earning only another question in response: “Well, yeah, but we all have our own definitions of all those words. Care, and people?” Today the fine folks of TMZ have done their best Pennebaker-ing, making available to the greater public these three videos of Lil Wayne‘s deposition hearing with powerhouse lawyer Pete Ross that find Wayne working his charm just as Dylan did in ’65 — brilliant or insolent, as that charm may be.
For background, Lil Wayne has raised charges against Quincy Jones III, Quincy Jones‘s son, alleging that he used a number of unauthorized tracks in his documentary about Wayne The Carter. Given that this is Wayne’s case to win, you might assume that Wayne would be on his best behavior or at least cooperative; but these videos suggest, well, something else. Acting a wise guy, Wayne ducks and dodges the lawyer’s “stupid ass” questions, questioning the questions and pulling his hoodie over his head while refusing to give much more than “I don’t recall.” At one point, Wayne gets chastised for pre-empting a question — and a nice one, too, about whether or not he won a Grammy in 2008 — with an “I don’t know,” and he just rolls his eyes: “I’m sorry, that’s my psychic.”
Watch on… Read more…
“Fun fact,” tweeted Taylor Swift before last night’s premiere of “We Are Never Ever Getting Back Together,” proud to have you know that the wheEEEE-msical new video — which includes five costume changes, multiple dance parties, and a boyfriend very dismissed — was shot in one continuous and unedited shot. And as she should be, as the latest to pull-off the one-shot feat.
A particular fixture of the 90s, this sort of one-shot music video was popularized by Michel Gondry, and includes classics like Lisa Loeb’s “Stay (I Missed You)” and Weezer’s “Undone (The Sweater Song).” But the one-shot seems to have fallen out of favor as late, computers generally being the video-director’s preferred trick. It’s nice to see reviving this old one. And so, in celebration of Taylor’s entry into the One-Shot Club, let’s take a look back at five other important one-shot videos:
Today may indeed be Earth Day, but the date 4/20 means something else entirely to people who are proud owners of medical marijuana prescriptions (and maybe a few of you lawbreakers out there, too). April 20 is an unofficial national holiday for weed enthusiasts, and since we know that a few of you out there partake in the occasional puff puff pass session, we thought we’d take some time to update the list we created back in 2008 of Dope Tracks: The 20 Best Songs About Weed. That list focused exclusively on the rap community’s obsession with Mary Jane, so we thought we’d branch out a bit and put together a brand new Spotify playlist for you that incorporates the sticky-ickiest songs from not just the hip-hop universe, but also from classic rock, reggae, and folk music. So, without further ado, we present to you this brand new collection we’re calling Dope Tracks: The Top 25 Songs About Weed.
We’ve got our complete guide as to why we selected these songs for you below.
Levon Helm decided he would become a musician when he was six years old after catching a Bill Monroe bluegrass show. Today, he died a legend. Levon was known mostly as the drummer of The Band, a band that first gained major exposure by playing backup for Bob Dylan, then became a force in its own right with two seminal ’60s country-rock albums (Music from Big Pink and The Band). But Levan also used his twangy southern tenor to double at times as a lead singer, and periodically played mandolin, guitar and bass.
Levon had battled throat cancer since the late ’90s, but the seriousness of his current condition was only made public earlier this week when his daughter and wife posted a message to his website saying that he was in the “final stages of his battle with cancer” and to “please send your prayers and love to him as he makes his way through this part of his journey.”
In honor of Bob Dylan‘s career and to raise funds for Amnesty International comes Chimes Of Freedom, an album full of covers of classic Dylan songs by contemporary artists. We already love Miley Cyrus’ cover of “You’re Gonna Make Me Lonesome When You Go,” and now we’re really getting into Rise Against‘s heavy metal cover of “The Ballad Of Hollis Brown.” The metal genre fits the angry mood of the track perfectly, and the folksy guitar riffs remain true to the Dylan style. The video shows the plight of farmers and rural workers in America, with written statistics and actual sound bites from the weathered faces on the screen. It’s a call to arms — and Rise Against’s rendition really gets to the bottom of the frustrated and desperate emotions depicted in the documentary style video.
A gravelly-voiced Bob Dylan paid tribute to Martin Scorsese at the 17th Annual Critics’ Choice Movie Awards, performing “Blind Willie McTell.” It made perfect sense that the music legend should pay tribute to the film legend, as both have an iconic stature in cultural history. Moreover, Scorsese’s “No Direction Home” is a documentary about Dylan. The CCMA performance itself was dark and gritty, and Dylan personified the Scorsesean anti-hero on the dimly lit stage.
Scorsese was awarded with the Critics’ Choice Music + Film Award by Leonardo DiCaprio and Olivia Harrison, and his movie Hugo was nominated for 11 awards, taking home the award for Best Art Direction.