It always hits fans hard when they lose beloved music artists, especially when the deaths come unexpectedly. Fortunately, artists have troves of tunes fans can sift through to remind them of the hits they love. But when we all can rally around new releases after the artists have passed away, there are times when we tend to flock to those final bits of music.
We still can’t believe Beastie Boys‘ Adam “MCA” Yauch is gone. He kept his word on never selling out to corporate, though, and even in death he’s honoring that promise. DNA Info reports that MCA’s last will and testament specifically instructed that his image, music and any art he’s created be prohibited from use in advertisement. Considering the number of ads where deceased stars like John Lennon, Kurt Cobain and Louis Armstrong have appeared well past their death, this ban is completely understandable. The rhymes from “Triple Trouble” take on a whole new meaning now. “Cause I’m a specializer, rhyme reviser/Ain’t selling out to advertisers/What you get is what you see/And you won’t see me out there advertising.” Read more…
It’s on, folks! Voting for Round Two of Bracket Madness for the greatest artists of the 90s is upon us. And the choice isn’t getting any easier. By popular vote, Nirvana slaughtered Pearl Jam in a land slide win of 29%. In a much closer call, TLC beat out Boyz II Men by a 13% vote. Now it’s time for the alternative rock band to duke it out with the super girl group for the chance to take on either Green Day or Mariah Carey for the championship win. Since we’re in Olympics mode we want you to jump hurdles, cartwheel or leap to vote for either Nirvana or TLC. Read more…
Best Coast Launch A Line Of Clothing With Urban Outfitters
Best Coast singer Bethany Cosentino is collaborating with Urban Outfitters in her first foray into fashion. We’re guessing that the line is going to mimic her indie-cool vintage style, with flirty florals and lots of cute dresses. [Pitchfork]
Listen To Kurt Cobain’s Isolated “Smells Like Teen Spirit” Vocal
This is absolutely haunting to say the least. Kurt Cobain‘s stunning isolated vocal from Nirvana‘s iconic “Sounds Like Teen Spirit” will send chills up and down your spine. [SPIN]
This weekend, the world welcomed baby Blue Ivy Carter, the offspring of Beyoncé and Jay-Z, and possibly the most important baby on earth right now (or ever, who knows?) into its open arms. After months of speculation, second guessing, and red herrings, the baby girl is finally here and now we’ve got a whole new set of questions to deal with. For starters: When are we going to see baby Blue Ivy? Do you think she’s made of gold or magic or sparkles? Does she have super powers? Will she grow up to fulfill Mom and Dad’s musical legacy? And if so, how long do we have to wait to hear the chosen one’s voice on a record?
With all these questions in mind, we tracked down some other famous babies with musician parents, found out how long it took them to get from the womb to the recording studio, and employed the law of averages to try and figure out when we can expect Blue Ivy’s first number one song. According to the following cross section, we’re expecting Blue Ivy to lay down her first album by age 11…
- Sean Lennon, son of John Lennon and Yoko Ono. In 1981, at the age of 5, Sean recited a story on his mother’s album Season of Glass.
- Hailie Jade Mathers, daughter of Marshall Mathers a.k.a Eminem. At age 6, Hailie’s vocal was featured on Eminem’s “My Dad’s Gone Crazy”.
- Chloe Lattanzi, daughter of Olivia Newton John. At age 8, Chloe provided backing vocals for “The Way Of Love” from Olivia’s 1994 album Gaia.
Following the announcement that Amy Winehouse‘s first posthumous album will be released a mere four months after her death on July 23, we started wondering how that timeline compared to some of history’s other notable posthumous record releases. From Nirvana to the Notorious B.I.G., we take a look back at the often uneasy relationship between art and commerce.
Artist:The Notorious B.I.G
Died: March 9, 2007
Album: Life After Death
Release Date: March 25, 2007
Speed To Market: 16 days
Artist: Otis Redding
Died: December 10, 1967
Album: (Sittin’ On) The Dock Of The Bay
Release Date: January 8, 1968
Speed To Market: 29 days
Died: September 7, 1996
Album: The Don Killuminati: The 7 Day Theory
Release Date: November 5, 1996
Speed To Market: 59 days
When Krist Novoselic announced that he’d be performing at this Tuesday’s Nevermind tribute concert at the Experience Music Project in Seattle, some hoped for a reunion of the surviving members of Nirvana‘s 1991 lineup?but it was not to be (although PROMO ALERT thanks to VH1 Classic we will be premiering unseen 1991 concert film Nirvana: Live At The Paramount Friday, September 23 at 11PM ET/PT on VH1, VH1 Classic, and Palladia). But Novoselic, Dave Grohl, and producer Butch Vig did reunite recently, for at least the second time in the last year (the first was in the studio for the recording of “I Should Have Known” for Foo Fighters album Wasting Light), to talk to Jeff Weiss for Britain’s NME.
“My life was split in two by Nevermind,” Grohl tells the magazine, noting that he doesn’t remember the recording sessions or album release that well?and recalls plenty of time after its release but before it really broke: “In our own little world, things stayed the same for a while.” Of course, all three spend the interview alternately downplaying the content of the album as particularly revolutionary (chalking its success up to timing and pop sensibilities) and giving any credit for what might be special about Nevermind to the late Kurt Cobain. “You can’t forget what an artist Kurt Cobain was,” Novoselic insists. “He would draw, he would do sculpture, and he would write songs. He was really gifted.” (When later asked what would have happened if Cobain had not died, he only responds, “You can’t downplay what happened at the end, so that’s a really hard question to answer. It’s just too monumental.”)
Butch Vig, who would later form Garbage, mostly stays quiet (though if you’re interested in his comments on the album, check out the documentary Classic Albums: Nirvana: Nevermind, in which his extraordinarily obvious-in-retrospect observations about his production technique belie his real talent as a producer). Of course, there was little to add about the experience of recording because, as Vig reports here, “There was no drama.”