Billy Corgan Compares Modern Musicians To “Strippers”
Billy Corgan got all “grumpy old man” in an interview at SXSW and said things like, “I was part of a generation that changed the world — and it was taken over by poseurs.” Everyone has an opinion, right? [Spin]
Courtney Love Has Beef With The Muppets
Even though it was approved by surviving Nirvana members Dave Grohl and Krist Novoselic, Courtney Love is furious with The Muppets’ cover of “Smells Like Teen Spirit.” Ah, Courtney, will there ever be an end to the Love vs Everyone Else beef? [Pigeons & Planes]
Best Coast Launch A Line Of Clothing With Urban Outfitters
Best Coast singer Bethany Cosentino is collaborating with Urban Outfitters in her first foray into fashion. We’re guessing that the line is going to mimic her indie-cool vintage style, with flirty florals and lots of cute dresses. [Pitchfork]
Listen To Kurt Cobain’s Isolated “Smells Like Teen Spirit” Vocal
This is absolutely haunting to say the least. Kurt Cobain‘s stunning isolated vocal from Nirvana‘s iconic “Sounds Like Teen Spirit” will send chills up and down your spine. [SPIN]
Nirvana Are Re-Releasing “Smells Like Teen Spirit” To Vie For Number One
We swear the late Kurt Cobain turns in his grave every time something like this happens. Nirvana decided to re-release “Smells Like Teen Spirit” when it came to the surviving band’s attention that fans were rallying to make the classic song Britain’s Christmas Number One over whoever takes out the X Factor crown. Sigh. [NME]
Lady Gaga Goes To The White House To Battle Bullies
Lady Gaga really does love her ‘Little Monsters.’ So much so, she’s heading to the White House to chat with Obama‘s administration about combating bullying. Go go Gaga activism! [Popdust]
It wouldn’t be Monday morning without waking up to some deliciously NSFW antics from rock’s original angst princess, Hole frontwoman Courtney Love. This weekend at Brazil’s SWU Festival, Courtney mouthed off on stage after being provoked by an audience member holding up an image of her late husband and Nirvana frontman, Kurt Cobain. The emaciated Courtney, mere millimeters away from slipping a nip, burst into an angry tirade, aggressively swearing and giving the finger to the fan who had so offended her in what we can only imagine was an attempt at honoring Cobain.
Spitting into the microphone, Courtney scathed, “You know, I don’t need to see a picture of Kurt, a–hole. And I’m going to have you f–king removed if you keep throwing that up. I’m not Kurt, I have to live with his f–king shit and his ghost and his kid every day. Throwing that up is stupid and rude and I’m going to beat the f–k out of you if you do it again.” Somehow, her rant turned to Dave Grohl and the politics of his relationship with Cobain when they were both in Nirvana. Seething, but with a half smirk on her face, Courtney declared, “Go see the f–king Foo Fighters and do that shit,” before flipping the audience a solid bird and storming off stage.
Following the announcement that Amy Winehouse‘s first posthumous album will be released a mere four months after her death on July 23, we started wondering how that timeline compared to some of history’s other notable posthumous record releases. From Nirvana to the Notorious B.I.G., we take a look back at the often uneasy relationship between art and commerce.
Artist:The Notorious B.I.G
Died: March 9, 2007
Album: Life After Death
Release Date: March 25, 2007
Speed To Market: 16 days
Artist: Otis Redding
Died: December 10, 1967
Album: (Sittin’ On) The Dock Of The Bay
Release Date: January 8, 1968
Speed To Market: 29 days
Died: September 7, 1996
Album: The Don Killuminati: The 7 Day Theory
Release Date: November 5, 1996
Speed To Market: 59 days
You’re forgiven if you’re feeling a little bit of Nirvana overkill of late, because we’ve been dealing with those same issues in the wake of Nevermind‘s 20th anniversary. However, Urge Overkill‘s Eddie “King” Roeser just shared an incredible story on the band’s official website about the handful of dates back in 1991 when his band opened for Nirvana just as they were beginning to break out in popularity, so we figured it was worth sharing with you. In his blog post, Roeser talks of how, over the course of one week, Kurt, Dave and Krist went from playing a “flat” show in Cleveland to “freaking out” because of the sudden onslaught of “meatheads” that started attending their shows. Roeser describes these gigs as being “easily among the greatest rock shows I have or will ever see,” but the bands ultimately split ways in Kansas. As Roeser tells it…
“Both bands drove through Stull, Kansas, as they wanted to partake of the legendary haunted crossroads celebrated by our song of the same name (we had just released the Stull EP). It was a warm autumn day and Cobain sat down against the huge oak tree by the church and joked ‘If there is a Satan, I want him to come and get me.’ No sh*t, that?s what he said.
Next time I saw him he had married Courtney Love.”
It’s tough to write a kicker that will top Roeser’s slam, so we’ll just leave well enough alone.
It Was 20 Years Ago Today?. [UrgeOverkill.com via Todd Wicks]
Remember the naked baby on the cover of Nirvana‘s Nevermind? You know, the one who was swimming in hot pursuit of the almighty dollar? Well, turns out that little baby isn’t a baby anymore. The Nirvana baby’s real name is Spencer Elden, and he’s a 20-year-old student at the Art Center College of Design in Pasadena, California (and, if you haven’t put two and two together, he’s the guy in the picture above). He did an interview with CNN on the occasion of Nevermind‘s 20th anniversary, where he revealed a startling fact: Neither he nor his parents have ever received a single dime in royalties! C’mon Courtney Love, Dave Grohl and Krist Novoselic, toss the kid a few sheckels and make it right. After all, he’s got student loans to pay off!
The Nirvana Nevermind Baby Is Back in the Pool 20 Years Later [Egotastic]
Each Friday here on the VH1 Blog, our VH1 Top 20 Video Countdown host Jim Shearer (@jimshearer on Twitter) will be sharing his Shearer?s Spotlight with us. Be sure to tune into the Top 20 Countdown tomorrow morning when it airs on VH1 at 9 a.m. ET/PT. Also, don’t forget to tune into VH1 Classic tonight at 11 p.m. to see the never-before-seen footage of Nirvana: Live At The Paramount, shot in Seattle way back in 1991.
This Tuesday, Sept. 27, the 20th Anniversary Deluxe Edition of Nirvana?s breakthrough album, Nevermind, will be released. For a band that took pride in appearing to be normal everyday schmoes, a multi-CD/DVD deluxe package feels a tad extravagant, but considering the impact the album made on the music industry, it also feels very appropriate, if not long overdue.
For those too young to remember, here are three ways Nevermind impacted the world of mainstream music:
1) Made Mainstream Rock Less Homophobic
In one of the most confusing paradoxes in music history, mainstream rock n? roll in the 1980s was dominated by misogynistic guys who liked to wear makeup. Nirvana?with its Pacific Northwest feminist sensibilities?helped put a halt to this way of thinking, especially when Kurt Cobain mockingly appeared on MTV?s Headbanger?s Ball wearing an evening gown. Interviews with openly gay magazines and really dressing like girls for their ?In Bloom? music video?while Kurt and Krist playfully grinded on one another?helped prove that mainstream rock didn?t need to be macho, to be good.
Eddie Trunk Of That Metal Show Named One Of The Best Characters On Television
Eddie Trunk, the enthusiastic host of That Metal Show, got a much-deserved nod from Rolling Stone in their list of this season’s Best Characters On Television. The VH1 Classic show is now powering through its eighth season, with no signs of stopping. Sammy Hagar stops by this week: tune in Saturday at 11PM ET. [Rolling Stone]
Facebook Launches Music Partnerships With Spotify And Others
During their F8 keynote today, Facebook announced a slew of music partnerships that will integrate its social elements with the streaming capabilities of Spotify, Soundcloud, Rhapsody, turntable.fm and others, so you can easily see what your friends are streaming and listen along (or be prompted to join whichever service, if you’re not already signed up). The auto-updating timeline/ticker setup inadvertently joins the fight against guilty pleasures, as there doesn’t seem to be a mechanism built in to prevent friends from seeing everything you’ve listened to. [Billboard]
When Krist Novoselic announced that he’d be performing at this Tuesday’s Nevermind tribute concert at the Experience Music Project in Seattle, some hoped for a reunion of the surviving members of Nirvana‘s 1991 lineup?but it was not to be (although PROMO ALERT thanks to VH1 Classic we will be premiering unseen 1991 concert film Nirvana: Live At The Paramount Friday, September 23 at 11PM ET/PT on VH1, VH1 Classic, and Palladia). But Novoselic, Dave Grohl, and producer Butch Vig did reunite recently, for at least the second time in the last year (the first was in the studio for the recording of “I Should Have Known” for Foo Fighters album Wasting Light), to talk to Jeff Weiss for Britain’s NME.
“My life was split in two by Nevermind,” Grohl tells the magazine, noting that he doesn’t remember the recording sessions or album release that well?and recalls plenty of time after its release but before it really broke: “In our own little world, things stayed the same for a while.” Of course, all three spend the interview alternately downplaying the content of the album as particularly revolutionary (chalking its success up to timing and pop sensibilities) and giving any credit for what might be special about Nevermind to the late Kurt Cobain. “You can’t forget what an artist Kurt Cobain was,” Novoselic insists. “He would draw, he would do sculpture, and he would write songs. He was really gifted.” (When later asked what would have happened if Cobain had not died, he only responds, “You can’t downplay what happened at the end, so that’s a really hard question to answer. It’s just too monumental.”)
Butch Vig, who would later form Garbage, mostly stays quiet (though if you’re interested in his comments on the album, check out the documentary Classic Albums: Nirvana: Nevermind, in which his extraordinarily obvious-in-retrospect observations about his production technique belie his real talent as a producer). Of course, there was little to add about the experience of recording because, as Vig reports here, “There was no drama.”